Content Editor at ArchDaily Mexico. Architect by UNAM (2018). Her interests focus on exploring the relationship of the body with architecture through dance. She has collaborated with different international choreographers who explore dance and architecture as an event. Twitter / Instagram: @monicarellano_
Festival Provincia aims to create a space open to dialogue and the exhibition of civic issues, emphasizing responsible participation in the architectural development of the provinces. Tuxtla Gutiérrez lacks high-quality urban space, with a notable absence of planning and vision regarding project impacts. Furthermore, there is a constant drain of local talent, driven by a myriad of reasons that foster the belief that success is only possible in major cities through large-scale projects.
As a tribute to Mexico's rich and diverse chromatic palette, the Museo del Objeto del Objeto (MODO) presents its new temporary exhibition: “Mexico in Color,” curated by Ana Elena Mallet and Mariano Marroquín. The exhibition offers a cultural review of color perception in Mexico and its impact on art and design. One of the first experiences visitors will encounter is the conceptualization of color in folk art to forge identity. Subsequently, this element is adopted as a defining feature in the arts and, ultimately, as a driving force for the country's modernization.
Today, January 27, marks the 113th birthday of Félix Candela—of Spanish and Mexican nationality—who is one of the most globally recognized architects of the 20th century. His career was defined by his exploration of reinforced concrete through experiments that resulted in his famous cascarones (concrete shells): key structural and design elements that support many of his works, such as the Cosmic Rays Pavilion at UNAM, Mexico City (1951); the Palmira Chapel in Cuernavaca (1958); the Los Manantiales Restaurant, Xochimilco (1958); and the Palacio de los Deportes for the 1968 Olympic Games in Mexico City.
Residencia WW is a project in Mexico born from the idea of fostering community among women. Located in a 1920s house at 102 Edgar Allan Poe Street in Polanco, Mexico City, the space functions as a social and business club designed to build and support this community's growth.
Currently, nearly 65 million people worldwide have been forced to flee their homes due to conflicts unfolding across the globe, leaving behind their belongings, years of personal history, and years of hard work to find themselves adrift. Many of these families are forced to cross oceans and diverse terrains in search of a promising future to start from scratch. These journeys often lead to informal settlements where many perish due to rampant disease and shortages of medicine, food, and clean water.
In the fall of 2017, a 7.1-magnitude earthquake struck at least nine states in Mexico, leaving several areas severely affected across Mexico City, Puebla, Morelos, Oaxaca, Veracruz, Tlaxcala, Guerrero, and the State of Mexico. Jojutla, a municipality located in Morelos, was one of many reduced to ruins after the earthquake shook Mexico on September 19, leaving much of its infrastructure damaged. Consequently, through an initiative by Infonavit, a master plan was launched to reconstruct the municipality's primary public buildings.
As part of an initiative to restore and reactivate the cultural spaces of the city of Oaxaca in Mexico, the Ministry of Cultures and Arts (SECULTA) has announced the winners of the competition for the Conceptual Design of the Álvaro Carrillo Cultural Center: architects Mauricio Rocha + Gabriela Carrillo, Alberto Kalach, and Tatiana Bilbao. The project will provide green spaces and adapt to the city's environment, complying with all regulatory specifications.
The College of Architects of Mexico City invited all Mexican architects to participate in the IV Mexico City Architecture Biennial 2019. The event aimed to identify the country's best architectural works, publications, research, and theses, recognizing their authors and sharing the most outstanding works to foster reflection on responsible contemporary architecture and sustainable solutions through analysis and critique. During this biennial, 106 projects and 18 publications were submitted, resulting in 1 Gold Medal, 14 Silver Medals, 2 Special Mentions, and 27 Honorable Mentions across 23 categories. Read on to discover the winners.
In an official statement issued on May 8, 2019, the Board of Directors of Real Madrid C.F. decided to award the contract for the remodeling of the Santiago Bernabéu stadium to FCC Construcción. The company is owned by one of the world's most prominent business magnates: Mexican billionaire Carlos Slim, who has been involved in major international projects such as the controversial New International Airport of Mexico.
This article was originally published on May 23, 2019.
‘Appearance Stripped Bare’ is the exhibition that opened on May 19 at the Museo Jumex. It establishes a parallel fold right in the middle of the twentieth century, bringing face-to-face some of the most representative works of Marcel Duchamp and Jeff Koons—key figures in global contemporary art—to address concepts of objects, commodities, and the artist's relationship with society.
Bamboo is a building material that has been used since antiquity in various structures. Thanks to its countless benefits, it has proven superior to newer materials like plastic and steel, while its unique aesthetic appeal has established it as one of today's most prominent architectural trends.
The National Academy of Architecture is a non-profit civil association whose primary objective is to study, promote, and recognize contemporary architecture, as well as to acknowledge, honor, and reward the outstanding performance of architects. The association has local chapters across various states of the Mexican Republic. It invites architects to join its ranks who, through the high caliber of their professional careers, have contributed to the advancement of architecture, the arts, and culture.
Since 1979, the Colegio de Arquitectos de Nuevo León has organized the Bienal de Arquitectura de Nuevo León, one of Mexico's longest-running events recognizing and promoting regional architectural production. To celebrate this year's milestone twentieth consecutive edition and the 40th anniversary of the Colegio de Arquitectos, the organization partnered with CONARTE, Parque Fundidora, and Cultura de San Pedro to present activities centered on the theme *Urgent City, Alternative City, and Possible City* (Ciudad Urgente, Ciudad Alterna y Ciudad Posible), reflecting on the motivations driving different urban stakeholders. This year's jury—composed of Aarón Seward, Arch. Carlos Rodríguez Bernal, Dr. Daniela Frogheri, Eugenia González Gómez, Dr. José Manuel Prieto, Lorenzo Díaz Campos, and Arch. Marcelo Espinosa—selected one Overall Gold Medalist, 17 Calli Medals, and 24 Honorable Mentions across 21 professional categories. Read on to discover the winning projects.
Malaquita is a project located on the terrace of the Hotel City Center in the heart of the Historic Center. Its design is conceived as an escape from the bustle of Mexico City, a place where the passage of time across the different eras that shape the territory is palpable: pre-Hispanic, colonial, modern, and postmodern coexisting in constant resilience.
The Ministry of Culture, through the National Institute of Indigenous Languages, invited multidisciplinary teams, communities, and groups of graphic and industrial designers, architects, curators, exhibition designers, artists, and engineers, among other disciplines, to submit individual or co-authored conceptual design proposals for the Indigenous Languages Pavilion at the 2019 Oaxaca and Guadalajara International Book Fairs. This year, the Ministry of Culture's participation in these prominent international book fairs will not focus on book sales—which will be managed by the relevant institutions—but will instead align with the country's cultural policy.
It is true that designers, architects, and the general public share an endless fascination with abandoned architecture. Throughout history, shifting economies, disasters, regime changes, and sheer incompetence have forced the evacuation of striking architectural structures, which today serve as curious—and even haunting—monuments to bygone eras.
This fascination has led to the publication of several articles on our site exploring the mysteries of some of the most famous sites through text and photography. Yet, this curiosity has also driven individuals to venture out and document their experiences firsthand. Such is the case of Mike Corey, a YouTuber who, through his channel Fearless & Far, has dedicated himself (among other pursuits) to exploring some of Mexico's most famous abandoned buildings.
.jpg?1558985953&format=webp&width=640&height=580)
A few months ago, the first exhibition by Zaha Hadid Architects (ZHA) in Latin America concluded. It was held at the Museo Universitario de Arte Contemporáneo (MUAC) within the Centro Cultural of Ciudad Universitaria in Mexico City. The exhibition featured some of architect Zaha Hadid's projects through models, audiovisual materials, paintings, and photographs. It explored the creative process of her practice, highlighting the importance and complexity of design as the central axis linking form and construction processes in her work.
Educational facilities have evolved over the years in response to technological advancements and new pedagogical models, which increasingly focus on flexible methods that allow students to chart their own paths within a shared framework. The significance of these facilities lies in their role as meeting points that satisfy our social need to share physical spaces, pointing toward more horizontal and inclusive educational systems. A prime example is the Center for the Blind and Visually Impaired, designed by Taller de Arquitectura Mauricio Rocha + Gabriela Carrillo, which seeks to create diverse sensory experiences through materials, light, and temperature both inside and outside.
.jpg?1558985953)
.jpg?1643052917&format=webp&width=230&height=230&crop=true)
