Construction inside Ekôa Park, in Morretes, Paraná. The project by Sem Muros Arquitetura Integrada is based on traditional knowledge and permaculture. Photo: Tomaz Lotufo
The stigma of rudimentary architecture, combined with the idealization of high-tech technology, relegates Indigenous building knowledge to a prehistoric imaginary. This pattern, which points to a single, unequivocal direction of progress, reveals the so-called coloniality of knowledge—a concept by Peruvian sociologist Aníbal Quijano that exposes the hidden side of modernity: the creation of hierarchies among peoples, keeping Latin America, and particularly its Indigenous populations, in a subaltern position. In other words, we tend to assume that the knowledge representing the future is produced in other lands, namely the Global North.
It is 12:11 PM on November 7 (2018). An "S" on the door indicates who this bathroom is supposedly for. I am in a bathroom located in a small building designed in the 1950s by Vilanova Artigas, the Brazilian modernist architect, in the Santa Cecília neighborhood. This is my second time inside, and to me, it is still a space slowly revealing itself. At first, what really caught my attention was the almost-purple blue cast by the blacklight, which tints every tone in the room toward that color. It brings a deep sense of serenity during the day.
La serie titulada Agua, minería y éxodo forma parte de una investigación visual llevada adelante por el fotógrafo Marcos Zegers que explora las tensiones culturales y las alteraciones territoriales derivadas de las actividades mineras y extractivas en el desierto de Atacama.
In Latin American countries, the most common method for distinguishing rural areas from urban spaces is based on analyzing the number of residents in a given zone, classifying as "rural" any locality with a population under 2,000. In these contexts, low density and scattered development typically allow the natural landscape to predominate over the built environment.
Originally published as "El espacio público en asentamientos de origen informal: una construcción colectiva del espacio social" in the third edition of Revista CLEA —an annual publication of the Latin American Coordinator of Architecture Students (CLEA)—, this article argues that the most important aspect of public space is the opportunity it offers to build ourselves as citizens.
The production and meaning of public space in informal settlements are driven by the people who inhabit them. Consequently, the process of forming the concept of publicness is forged from the moment of occupying a void that lacks municipal services (Hernández, 2011). This stems from the fundamental need for shelter, which shapes this void through housing as the primary objective of the individual.
In the architecture of Peru, concrete took center stage during the development of the Modern Movement. In pursuit of a new urban geography, many architects set out to renew their architectural languages. As a result, new concrete buildings—residential, office, and commercial towers—began to emerge across the city, leaving behind the Neocolonial and Republican styles that had long characterized Lima's architecture. Today, the structural advantages, versatility, expressiveness, and aesthetic value of concrete continue to make it a preferred choice for many architects, keeping exploration around the material highly relevant.
One thing that unites all human beings is that during the first years of our lives, we absorb our surroundings to develop as we grow. Consequently, education plays an irreplaceably important role. In early childhood, however, learning differs from more theoretical methods, as young children assimilate knowledge through continuous experience, developing their motor skills and their sense of dimension and space in relation to their own scale and body.
Historically, stone materials have offered ancient cultures the ability to build robust structures by interlocking stones of various shapes and sizes. The simplicity of the technique and its ability to deliver efficient, durable results have sustained the transmission of this construction method over time, enabling multiple contemporary architectural variations and reinterpretations.
In the daily routine of our conventional workday, we are influenced by many distractions that affect productivity, which have already become routine. However, now that we no longer lose time commuting and are restricted to activities we can do at home, we manage our time with more holistic priorities.
The Bogotá-based firm 57Uno focuses its practice on sustainability and has now channeled its creativity toward resilience and adaptability through Arquitectura en Tránsito (Architecture in Transit). This proposal aims to address the health emergency caused by COVID-19 by repurposing decommissioned buses from one of the primary contributors to poor air quality in the Colombian capital.
When choosing the structural system for a house, several priority factors dictate the decision, with time and money being two of the most critical. While steel structures may not always be the most economical option, their prefabrication significantly accelerates construction times and, consequently, optimizes the overall budget. Moreover, they contribute to the project's aesthetic, providing lightness and a contemporary character.
This article is a contribution from the Medellín-based firm El Taller de Arquitectos, who share their experience in structuring their practice by understanding and approaching architecture competitions as commissioned projects. Read on to explore their insights.
https://www.archdaily.com/1123680/el-taller-de-arquitectos-how-to-approach-architecture-competitions-as-commissions-in-colombiaEl Taller de Arquitectos
Social housing is one of the most compelling topics for our readers, representing a systemic challenge across most of Latin America. In Colombia, this challenge is even greater when it comes to rural social housing (known as VISR in Spanish), as inadequate infrastructure hinders dignified coverage throughout the country.
Stilt settlements have existed throughout the world wherever populations sustain their lives through constant interaction with water. In Colombia, the settlements of the Ciénaga Grande de Santa Marta, in the department of Magdalena, are a local benchmark that has endured since pre-Hispanic times. Today, these are informal dwellings, unrecognized in the official land registry. The Pontificia Universidad Javeriana and AGRA have shared their research, compiled in a book that supports the documented formalization of these dwellings using architectural representation standards, specifically by identifying the typologies of Nueva Venecia.
"Las Tres Esperanzas [The Three Hopes] are three constructive actions that make up the educational space where not only children and adolescents were and are shaped, but where we also formed ourselves as architects." These engaging opening words already reveal a journey which, as the result of a sequence, demonstrates that the threads of events are too complex to weave and understand from a single point of view.
For this reason, the sequence of diverse perspectives organized in this new book presented by Al Borde is so significant. It highlights not only a process—and a series of parallel events—but the singularity of a construction. It stands as testament to both the complexity, timeline, and unforeseen events, and the collaborative efforts, learning, and lessons that come with creating a work of architecture.
The following article proposes rethinking architecture in social housing in Colombia. Natalia Carrero Rojas and Pablo González delve into the subject as educators and through their practice 57Uno, where they constantly balance high-quality housing with real estate viability.
https://www.archdaily.com/1123726/57uno-strategies-for-the-design-of-sustainable-social-housing-in-colombiaNatalia Carrero Rojas y Pablo González
Students from the Barcelona School of Architecture are organizing a live-streamed architecture lecture series, featuring both local and international guests, to reflect on quarantine, confinement, freedom, repression, and viruses.
Structural analysis. Image Courtesy of Oliver Krieg
When we think of architectural visualization, sketches, drawings, and 3D renderings usually come to mind. This association is natural, as "visualization" is typically equated with imagining a project before it is built—whether to validate aesthetic and functional decisions or to communicate concepts to clients unfamiliar with technical drawings. However, beyond superficial elements like materials, layouts, textures, and colors, architects must also address highly technical, invisible factors that directly impact a building's performance.
We may still have a long way to go when it comes to addressing the diversity of flora and fauna in urban habitats, yet it is incredible how fast, easy—and even fun—the architecture that makes this possible can be.
In practice, how are we promoting spaces for animals and plants in our cities?
The state of Puebla is located in the central highlands of Mexico, bordering the states of Tlaxcala, Hidalgo, Veracruz, Oaxaca, Guerrero, Morelos, and the State of Mexico. Covering an area of 34,251 km², it is one of the country's most densely populated states. Its capital is Puebla de Zaragoza, and it is one of the leading landlocked states for tourism, featuring 9 "Pueblos Mágicos" (Magical Towns) and 3 UNESCO World Heritage Sites.
Located on the Mexican border as the southern gateway to the United States, Ciudad Juárez encompasses a territory that blends multiculturalism, migration, and resilience. Together, these elements form a phenomenon of hybrid roots that, over decades, has shaped “border culture.”
Climate Care – A Curriculum for Urban Practice was a 10-day public program curated by Gilly Karjevsky and Rosario Talevi for the Floating University in Berlin. Climate Care explored the correlations between the environment, urban practices, and education, constructively addressing not only environmental climate challenges but also scrutinizing the complex social, political, and economic climates that surround us today.
Solar tiles work on the same principle as the photovoltaic panels widely used in architecture. The main difference lies in their installation: while photovoltaic panels are mounted on top of an existing roof, solar tiles are integrated into the roof structure from the very beginning, replacing conventional roof tiles.
These tiles are composed of photovoltaic cells. When they absorb sunlight, they generate an electric field that provides electricity to the building's interior. Each tile is connected by cables to a power distribution board.
The Terra Preta Cidade collective is a space created from the desire of five Black women living in Salvador, São Paulo, Rio de Janeiro, and Belo Horizonte to bypass geographical distance in order to promote and celebrate coming together. Emmily Leandro, Gabriela Gaia, Luciana Mayrink, Malu de Barros, and Natalia Alves give shape and voice to this exercise of creating a shared virtual territory—which is as much a political statement as an aesthetic one—through the podcast Des-embranquecendo a Cidade, which reaches its fourth episode with the theme: "Boiling Territory — Permanent Steadfastness."
https://www.archdaily.com/1123679/de-whitening-the-city-number-4-territory-boils-permanent-steadfastnessTerra Preta Cidade
One of the most important factors in design is the site's specific climate. This can pose a challenge in extreme weather, where insulating materials are required to adapt to changing conditions. However, in the case of Mexico and its privileged climate, this factor works to the architects' advantage, allowing them to create microclimates and spaces that blur the transition between indoors and outdoors.
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