This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Within a building's design strategy, insulation is a key tool for increasing energy efficiency. By combining materials with low thermal transmittance, thermo-acoustic insulation systems foster greater indoor comfort while helping to reduce the building's carbon footprint. In addition to thermal benefits, acoustic insulation helps combat a common issue in urban housing—noise pollution—creating interiors free from disruptive noise.

Through eco-friendly operations and sustainable products, Owens Corning has developed a range of acoustic insulation solutions that contribute to building sustainability, responding to the challenges currently facing the construction industry.

Today, the kitchen has evolved into an architectural space where most gathering and socializing take place, displacing the living or dining room as the home's social hub. Furthermore, in contemporary design concepts, the bathroom has assumed a central role, with design proposals that reflect the user's personality in both small and spacious layouts, combining finishes, materials, and decorative elements.

Kitchen and bathroom renovation has become a booming architectural niche, thanks to the wide variety of available architectural products and increasingly accessible project execution. These spaces are no longer merely utilitarian; they can also be designed to reflect the character of the home as a whole.

After a prolonged period of decline, in September of 476 AD, the Roman Empire lost authority over its vast territory and fractured into numerous successor political entities. This event marked the fall of the Western Roman Empire. Although this occurred centuries ago, its influence remains present today through numerous contributions to contemporary society. One of these architectural contributions is the public bath, of which one of the finest examples still survives: The Roman Baths in Bath, England.

Early public baths featured their own diverse architectural programs, incorporating everything from cold, warm, and hot pools to services such as shops, gyms, and libraries. Over time, public restrooms have evolved, becoming more sophisticated and compact units that integrate new materials and technologies into large-scale building programs. As part of this evolution, contemporary materials like stainless steel have been incorporated into the equipment developed by Sanilock, owing to their hygienic and low-maintenance qualities.

Combining technical and aesthetic qualities, porcelain tile stands out as a versatile ceramic option for various architectural and design applications, both indoors and outdoors. Composed primarily of ground clays, feldspars, silica, and other natural materials, porcelain is distinguished by its strength, compactness, and low porosity. In addition to its wide range of colors, patterns, and textures, this material comes in various formats and dimensions. Among these options, large-format porcelain tiles stand out, ideal for enhancing the design of seamless, contemporary spaces.

As part of its solutions for flooring and ceramic wall coverings, Cesantoni has developed large-format porcelain tiles that merge classic style with contemporary innovation. By analyzing these new rectified porcelain options, we demonstrate the versatility of this material across diverse applications, ranging from outdoor areas, kitchens, bathrooms, and common spaces to public space design.

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The transition of human settlements from a nomadic to a settled lifestyle transformed the conception of dwellings, extending beyond their primary use as shelter. Over time, each housing typology that developed around the world acquired unique characteristics that defined its identity and materiality, shaped by the culture and geographic region where it emerged.

In North America, the ancient city of Tenochtitlan was a benchmark for the technological and construction advancements of its time, distinguished by the use of native materials, such as earthen/stone floors, adobe walls, and local wood/cane posts. Over time, dwellings in Mexico have managed to preserve their identity while incorporating high-quality materials. The development of new technologies and the sophistication of the manufacturing process for architectural materials led to the rise of porcelain tiles, such as those developed by Firenze, which became a valuable resource due to their versatile aesthetics, high strength, and durability.

Essentially, windows are architectural elements set within an opening. These openings are integrated into walls in various dimensions to provide natural light and ventilation. Over time, window-making materials evolved from wood to metal. During this evolutionary process, the Industrial Revolution and the rise of metal took center stage, redefining construction at every scale—from entire cities to essential architectural features like windows.

The primary defining feature of metal windows is their structural simplicity and the large spans they can achieve. Their minimalist nature stands out for the visual lightness they provide, acting as elements that enhance the relationship between a building and its context. This connection is further elevated by minimalist systems developed by brands like OTIIMA, which integrate new technologies and opening typologies—such as sliding and pivot systems—that redefine spatial boundaries.

The construction industry faces growing pressure to adopt more sustainable practices due to the need to mitigate climate change and protect natural resources. Traditional construction has a significant environmental impact, ranging from the destruction of ecosystems to high energy consumption and greenhouse gas emissions. Furthermore, sourcing and manufacturing materials contribute to water pollution and hazardous waste generation. However, new products are emerging that offer more environmentally friendly solutions without compromising quality or performance, catering to architects committed to creating sustainable projects.

Indeed, selecting the right materials to help minimize negative impacts on the planet is one of the most effective ways to implement sustainable construction.

As a building material, stone has been fundamental since the dawn of human society, present in various forms throughout our surroundings. From post-and-lintel structures to robust dry stone walls, its deep-seated presence in both our environment and early construction is undeniable. Alvar Aalto highlighted this, asserting that this early architecture could be considered the "genius of discovery," as nature was then the sole provider of building materials.

Over time, as processes for transporting, handling, and working stone have been refined, this material has become far more sophisticated and manageable. While preserving its fundamental characteristics, it is now possible to expand its application as cladding—primarily in bathrooms and kitchens—using smaller stones known as pebbles. This transforms them into a design element that integrates visual interest and a new tactile experience, adding an extra dimension to their use.

The way we perceive a space does not depend solely on its scale or form, but on a series of decisions that shape our experience from within. Certain gestures are decisive: clear height, the organization of vertical planes, or the size of the bed. Others operate more subtly, such as the play of light, the tonality of materials, or the use of color. All these variables influence how a space manifests—whether it feels open or contained, segmented or continuous. Along these lines, the use of large-format flooring becomes a key strategy, reducing visual fragmentation and reinforcing surface continuity.

The design of public restrooms has historically been linked to satisfying a common need for hygiene, health, and well-being in communities. By condensing different spaces, materials, and sanitation elements within their typologies, the architecture of public restrooms has adapted to contemporary demands for hygiene, care, and aesthetics. From sinks, toilets, and drinking fountains to partition systems, showers, changing tables, or lactation rooms, these features shape the dynamics of these spaces. Whether in airports, parks, clinics, hotels, or other sites, these elements aim to provide privacy and comfort, deliver efficient cleaning solutions, and integrate accessibility criteria across all components, supported by contemporary tools and technologies.

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Recognizing the contemporary role of the kitchen as a social, leisure, and experimental hub within the home, the dialogue between technology and architecture becomes increasingly relevant by bringing movement, adaptability, and flexibility to domestic spaces. While kitchens embody the essence of diverse cultures, preserving everything from ancient recipes and techniques to heritage and tradition, their architectural design increasingly integrates innovative material finishes and invisible technologies, seamlessly combining durability, energy efficiency, and design.

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In ancient Greece and Rome, agoras and forums were spaces where merchants and artisans displayed their products. Although they were not showrooms in the modern sense, they already operated as arenas for visual stimulation. The concept we know today took shape centuries later during the Industrial Revolution, when novel tableware began to be presented in carefully designed settings. And therein lies the key: designing. Over time, spaces dedicated to displaying materials, furniture, and objects have been much more than mere showcases; they have functioned as platforms for exploration and experimentation. What we call a showroom today inherits this spirit: spaces where design is not only observed but touched and projected in real time, giving rise to tools such as moodboards.

In its constant quest to create functional spaces that also establish a visual and emotional connection with their inhabitants, architecture has found a source of inspiration in nature. From the golden ratio, present in biological structures, to the use of site-specific materials, the natural environment offers a lesson in shapes and textures that nourish architectural thinking. An iconic example is Fallingwater, where stone acts as an integrating element between the building and its surroundings. While this work demonstrates the potential of stone, its presence and character have evolved into new formats, such as porcelain tile, expanding design alternatives and consolidating the importance of stone textures and tones in contemporary projects.

Water, in addition to being a design resource widely valued for its aesthetics and functional contribution, can become a formidable adversary when it infiltrates through cracks and fissures in built surfaces. Consequently, waterproofing is not merely a protective measure; it is an essential strategy to extend the lifespan of structures, ensure the habitability of spaces, and prevent issues like leaks and premature deterioration. From terraces and green roofs to heavy-duty surfaces, controlling moisture represents a constant challenge for architects, engineers, and builders. This is especially critical in a context that demands increasingly efficient waterproofing materials with greater resistance to adverse environmental factors.

External factors shaping the built environment play a decisive role in building configuration, particularly with respect to facades. These factors can encompass physical phenomena, such as wind pressure or seismic activity, as well as climatological aspects, including precipitation, solar radiation, and temperature changes.

Consequently, facades have evolved to adapt to the design conditions they face, driving the integration of lightweight building envelopes. In this context, the exterior wall solutions by Panel Rey stand out. These systems are used as exterior cladding, incorporating various substrates, profiles, and other components. Together, these provide the facade with lightness and strength.

Year after year, interior design surprises us with new trends in colors, materials, textures, and patterns that take center stage in the spaces we inhabit. Maintaining a balanced dialogue, considering both the needs to be met and the emotions to be conveyed, is central to the design of diverse environments. Ceramic, mosaic, and porcelain coverings allow for the creation of spaces ranging from warm and cozy to elegant and sophisticated.

What role does street furniture play in public spaces? In response to human social behavior, the design of public spaces is part of a complex inquiry. Alongside the analysis of uses, community participation, the study of climatic and geographical conditions, and resource efficiency—among many other factors—it involves selecting appropriate urban equipment and elements to meet the needs of a large share of the population. As the Spanish architect and urban planner Oriol Bohigas Guardiola maintained, architecture is not only an art but also a direct service to society. Consequently, harmony among the multiple disciplines involved should yield tools that improve and facilitate community life. Understanding the role of street furniture—how it supports specific activities depending on its layout, dimensions, materials, and long-term lifespan—is essential to the current and future functioning of urban spaces.

As part of Expo OBRA BLANCA 2024, held from October 15 to 17 at Expo Santa Fe in Mexico City, Porcelana Corona México and Ambiance showcased their latest innovations in sanitaryware alongside a wide range of products for architects, builders, and distributors at booth 224 of the Bathrooms and Fittings Pavilion.

The atmosphere of a home is gradually built through the interaction between architecture, furniture, and materials. Each component contributes color, texture, and depth, making the living experience sensory and immersive. Among these, materials play a decisive role: they define more than just the visual aspect, conveying tactility, light, temperature, and a connection to the environment, thus transforming our perception of the home. When viewed contextually, they reveal new possibilities for designing and experiencing interiors and exteriors, reminding us that every choice influences comfort and functionality.

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We find ourselves in the Madrid of the 1980s. Specifically at the Superior Technical School of Architecture of Madrid [E.T.S.A.M.], a school in the shadow of the one in Barcelona, a city optimistic about its urban transformations. The latter was a city that trusted its architects, pushing them to participate in the reconstruction of its identity. Meanwhile, Madrid seemed to come alive through other avenues. The city championed other artistic sectors, leaving young architects with few opportunities to express their shared enthusiasm. Iñaki Ábalos and Juan Herreros belonged to this Madrilenian generation. They, like many others, had to wait and devise intellectual strategies to define the new professional and territorial boundaries that would reconstruct the Madrid of the future.

The work of Ábalos & Herreros is not only a virtuous exercise in surfaces and construction techniques; it also establishes mixtures, connections, and spatial relationships. It establishes links that foster a dialogue between all parts: the existing and the new, people and objects, building and landscape, and so on. Their architecture inherits the legacy of Modernism to translate its gestures into something that, while perhaps appearing new and innovative to a less attentive observer, is intrinsically charged with the accumulated technological experience of the 20th century. They do all of this in an illustratively modest way, seeking to solve age-old problems in a different manner. Theirs is not a revolutionary or radical architecture—understanding the latter term as a desire to dismantle a totality. There are no origins, only discoveries along their path. Established tropes are reconsidered, employing technologies, materials, gestures, and forms that, for various reasons, remain stored in the conceptual archives of many who have not yet figured out how to implement them in an ingenious and creative way.

Córdoba is one of the pioneer cities in the implementation of landscape architecture as we know it today.  Moving beyond the paved plazas of the colonial era, it was the first city in the country where the renowned French architect and landscape designer Carlos Thays designed a major urban park: Parque Sarmiento. Inaugurated in 1911 along the ravines that then marked the city's limits, the park became an integral part of the Nueva Córdoba neighborhood.

Similar initiatives followed over the years, creating highly characteristic green corridors such as the canalization and urban development of La Cañada. Later, during the 1970s and 1980s, the creation of pedestrian streets in the downtown area featured the incorporation of green pergolas, paved surface treatments, and plaza designs—such as Plaza Italia and Plaza España—led by architect Miguel Ángel Roca.

Today, this same emphasis on public and green space is no longer evident. The city currently has only 8 square meters of green space per inhabitant, falling short of the 10 to 15 square meters recommended by the WHO.

Few names fit the label of “cult writer” as perfectly as Raymond Queneau, who boasts a fanatical following of near-militant devotees of the cause: literature as a very serious game. From the outset, and even upon the most cursory reading, Exercises in Style, written by the French author in 1949, is radically different from conventional literature. The book positions itself—or pretends to—in a kind of no-man's-land between literary theory and practice, giving the impression of having been crafted based on the chapters of a style manual. Queneau rejects any preconceived schema that might have grouped the “exercises” by theme, gradual complexity, or simple alphabetical order. He does not even work from a single baseline text. At times, he opts for a purely mechanical game of textual transformation to produce a sense of sheer nonsense.

It is no wonder that this seven-decade-old book still feels revolutionary and remains an essential manual in literary programs. What Queneau showed us then—that playful, mocking creative freedom—remains difficult to match today. For this reason, such an exercise in variation, of refusing to set limits on the imagination, is and must be compatible with the craft of architectural model-making. What Queneau demonstrated, starting with an unremarkable text and transforming it 99 times, is precisely what any architect should attempt to translate into their model-making. It is the art of variation and accumulation—“difference and repetition,” as Gilles Deleuze would say. It means working 99 times on the same idea, watching it transform until, at some point, we are able to recognize its ultimate synthesis.

After receiving more than 70 submissions from various Argentine universities and cities, our editorial team selected 10 of them, focusing on projects that demonstrated critical thinking regarding contemporary issues, formal execution, and representation. The selection not only highlights projects that delivered the best possible architecture through simple design tailored to their context, program, and users, but also those showing significant attention to human scale, mediation, transition, and new ways of approaching urban architecture.

Discover our 10 highlighted projects below.

THE NEIGHBORHOOD AS A CULTURAL CENTER: Alejandro Asens - Victoria Carbonin - Juan Cardozo Sánchez - Italo Parietti

How many children do we see daily playing in the streets, interacting with elements of urban spaces, running in parks or plazas, or riding their bikes? These scenes can say a lot about a city—not only about how it is caring for its younger generations, but also about the quality of life it offers families; which is to say, for everyone.