This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Oaxaca is one of Mexico's thirty states, renowned for a rich culture that has shaped a territory celebrating its roots. Located in the country's southeastern region, it borders the Pacific Ocean and is known for its indigenous communities, where Zapotec and Mixtec cultures predominate. In addition, Oaxaca is home to a vibrant public life where streets, pedestrian walkways, and plazas frame a diverse range of political, religious, and popular activities. This has drawn the attention of various projects and research initiatives seeking to highlight this social effervescence.

As levels of pollutant emissions have increased over the years, awareness has also grown regarding actions that can be taken to minimize the damage caused to the planet. As a way to promote waste reduction or prevention, the 3 R's rule is created: reduce, reuse and recycle. These actions, together with sustainable consumption standards, have been promoted as a means to protect natural resources and minimize waste.

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The stigma of rudimentary architecture, combined with the idealization of high-tech technology, relegates Indigenous building knowledge to a prehistoric imaginary. This pattern, which points to a single, unequivocal direction of progress, reveals the so-called coloniality of knowledge—a concept by Peruvian sociologist Aníbal Quijano that exposes the hidden side of modernity: the creation of hierarchies among peoples, keeping Latin America, and particularly its Indigenous populations, in a subaltern position. In other words, we tend to assume that the knowledge representing the future is produced in other lands, namely the Global North.

Our cities, vulnerable by nature and design, have generated the biggest challenge that humankind has to face. With the vast majority of the population expected to settle in urban agglomerations, rapid urbanization is going to raise the issue of adaptability with future social, environmental, technological and economic transformations.

In fact, the main problematic of the decade questions how our cities will cope with fast-changing factors. It also looks into the main aspects to consider in order to ensure long-term growth. In this article, we highlight major points that help future-proof our cities and create a livable, inclusive and competitive fabric that adapts to any unexpected future transformation.

Rodolfo Lagos shared a series of photographs capturing the Brutalist architecture of Barcelona, illustrating how the movement has evolved in this iconic city.

This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Monolithic Housing Blocks.

Mortality defines both architecture and human experience. Throughout time, funerary structures have been designed across societies and civilizations to ground personal and shared beliefs. The idea of the afterlife shapes how these buildings are made, from symbolic monuments to vast tombs and crypts. Now a new range of modern architecture has been designed for remembrance and reflection.

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This article by Dr. Clara E. Mejía Vallejo and Dr. Ricardo Merí de la Maza (Universitat Politècnica de València, Spain) was originally published in the 22nd issue of Dearq Journal on 01/01/2018 under the title "Lessons from History: Rogelio Salmona and Pierre Francastel " (http://dx.doi.org/10.18389/ dearq22.2018.06) and is part of a collaborative dissemination partnership.

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Eight years ago today, we began this adventure called ArchDaily México, sharing the same mission as the global ArchDaily platform: to continue providing inspiration, knowledge, and tools to architects, but through a local lens, recognizing the value that national talent has to offer to the world.

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From its starting to point as a tree to its product form as a beam or piece of furniture, wood used in architecture and interior design goes through several stages and processes. A renewable resource and popular traditional building material, wood is also often cited as a promising construction material of the future, one that is suitable for the new demands of sustainability. But unlike concrete, whose molds can create even the most complex curves, wooden architecture most commonly uses straight beams and panels. In this article, we will cover some techniques that allow for the creation of curved pieces of wood at different scales, some of which are handmade and others of which seek to make the process more efficient and intelligent at a larger scale.

Is architecture the thinking of spaces? Is it science and art applied to places? What if someone said that architecture is designing time?

In the 20th Century, New York City became an epicenter of newly constructed buildings that quickly gained an iconic status. While they greatly influenced new ways that we think about aesthetics and space, many of them met their demise less than 60 years after their commissioning. It seems that in the modern age of mass development, and where a wrecking ball symbolizes progress forward, no building is safe. The tenacity to tear down even these structures deemed to be culturally significant speaks to how architects are quick to dismiss ideas about how long we plan for buildings to live and how we decide when its time for them to come down.

Now more than ever, architecture is in need of innovation. The pandemic has made us fundamentally rethink the functioning of our cities, public spaces, buildings, and homes. Meanwhile, the recent Black Lives Matter and racial justice protests have us questioning architecture’s complicity in broader socioeconomic issues. These challenges are pressing, and we cannot put off changing architecture any longer.

The Cruel Pedagogy of the Virus – The pandemic has a tragic power of revelation. It exposes a series of paradoxes that were previously obscured or underestimated. In this sense, like any moment of crisis, it carries an educational dimension. Undoubtedly, given so many deaths—many of them preventable—this is a "cruel pedagogy of the virus," in the words of Portuguese sociologist Boaventura de Sousa Santos. Amidst the suffering, debates and proposals have proliferated through livestreams, articles, reports, petitions, research papers, action agendas, guides, denunciations, solidarity networks, and even self-governance initiatives in semi-abandoned peripheries. These discussions focus particularly on the Brazilian tragedy, which combines multiple crises tied to structural issues (such as inequality and racism) with a mounting crisis of reason—or simple common sense—shaping a macabre landscape of social regression, hatred, obscurantism, and genocide.

Participating in architecture competitions can be a great opportunity to boost a firm, or to step away from the routine by developing ideas that wouldn't normally pass a client's scrutiny. However, to catch the jury's attention among hundreds of entries, the project's graphic presentation plays a key role. Beyond presenting relevant ideas in response to the brief's questions and debates, an organized board is essential as a synthesis of the process. In trying to compile these ideas graphically, a series of questions arises regarding the presentation style and how it will help convey the project's core concepts clearly to the jury.

Plans, sections, elevations, collages, renderings, diagrams, texts, and graphic elements. Board dimensions never seem large enough to hold so much information. With this in mind, we have compiled a series of essential tips for developing your boards in architecture competitions. Check them out below:

While public awareness and regulations on how to reduce, reuse, and recycle municipal solid waste (MSW) on a daily basis have gained momentum, this is not yet the case for construction and demolition waste (CDW). This waste is primarily generated from the development of new projects; the rehabilitation, repair, and retrofitting of existing buildings; and site preparation and demolition processes, spanning from the scale of a single house to an entire city. This represents not only the loss of a massive volume of concrete, brick, steel, and manufactured products, but also the missed opportunity to salvage historic relics.

We want to offer our readers the opportunity to openly share their opinions and experiences regarding the recycling of this waste. If we were all fully aware of the environmental impact generated by the extraction, production, and commercialization of materials—only for them to ultimately end up as trash—would it change the way we design? Would our practices change?

Between the late 1940s to the 1980s, Toronto, Canada, experienced a high rate of growth and development, resulting in a wealth of modernist-style buildings. Due to an increasing population, parishes were also outgrowing their spaces and found themselves in need of new facilities. Consequently, many well-designed modernist churches began to pop up throughout Toronto. This black and white photography series, titled Fifty/50 by Amanda Large, is an ode to these churches, and a celebration of their enduring importance to the city more than fifty years after their construction.

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The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time, the authors focus on the role of participation in design processes and in the construction of a healthy urban fabric based on the experience of Christopher Alexander.

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Cities are on the front lines of the fight against Covid-19. This pandemic has manifested as a global crisis, and the decisions made at this delicate moment by governments, policymakers, decision-makers, and the public will have profound consequences for the future. Countless contexts are already undergoing changes that alter—if only temporarily—human behavior. Social distancing measures, lockdowns, health protocols, and restrictions on urban mobility are major drivers in shaping new urban realities.

Nicolas Norero presents a new season of his podcast, continuing his conversations on identity, memory, and ways of life. In this edition, the featured guests are Dust Architects, Salvador Macías, Luis Callejas, Grupo Talca, Germán del Sol, and Enrique Walker.

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Like most functions in recent months, this year’s Digital FUTURES, which is held annually since 2011 at Tongji University in Shanghai, had to move online due to the pandemic. The organizers took this as an opportunity to give the event a global dimension, turning the festival into what they rightfully call the most significant worldwide event for architectural education ever staged, with a 24/7 display of workshops, lectures and panel discussions involving some of the most prominent architects and educators. Here is an overview of the festival, together with a selection of lectures from Digital FUTURES World.

When Jane Jacobs famously said, “Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody,” she might as well have been foreshadowing the successful partnership formed between SHoP Architects, James Corner Field Operations, and Two Trees Management. The team, who collaborated on the 11-acre Domino Park master plan in Williamsburg, Brooklyn, has been hailed for creating a benchmark standard in perfecting the process for designing and understanding what it means to maintain a park that actively participates in a two-way dialogue with the community.

By 2025, Frost and Sullivan, a market research company, has predicted that there will be at least 26 fully-fledged major smart cities around the world. While some still think that as our cities get more intelligent, they will resemble sci-fi futuristic movies, the reality is that the quality of life in these cities will drastically improve. Cities are set to become more efficient with better services. Nevertheless, before reaching these ideals, let us go back on the process itself, and evaluate the challenges that we might face.

Because the concept of smart cities is still very new, with rare finalized and implemented projects, the topic is still unclear. Although big titles and strategies are well defined, the on-ground application is still uncertain, giving us the opportunity to question its planning process. In fact, how can we go wrong when designing smart cities? What key element are we failing to address in the planning phase?  

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As lockdown provided architects with the opportunity to reflect on their design processes, it prompted Morris + Company founder, Joe Morris, to create On reflection, a series of short films discussing the fundamentals of the practice, centring the conversation around model making as a critical element of design thinking and a wide-ranging architectural tool.