DIT Project: "Building a Space for Children." Image via Equipo Proyecto DIT (Gian Franco Pedreschi Rubio, Sergio Iván Puch Olivos, Jhordano Jesús Alfredo Zabanick Uriol)
In Peru, communal kitchens (ollas comunes) are self-managed neighborhood initiatives located in vulnerable areas. Driven by the food and educational insecurity triggered by the pandemic, these spaces have assumed a vital role in child development, transforming themselves into neighborhood schools. Within this context, "DIT: Building a Space for Children" emerged—a project selected for the XII Ibero-American Biennial of Architecture and Urbanism. Through this initiative, architects Gian Franco Pedreschi, Sergio Iván Puch, and Jhordano Zabanick, together with the community of the AA.HH. Horacio Zevallos, intervened in the public space adjacent to a communal kitchen in the Rímac district, improving the residents' quality of life.
Although the design and layout of bathrooms we use nowadays date back millennia, they are still considered as one of the most difficult to design and renovate. During the earliest stages of planning a bathroom, there are plenty of rules of thumb to follow, especially since it involves a lot of association and "pre-planning" with plumbing, electrical circuits, angular or uniquely-shaped fittings, and small floor areas. We will explore the basics of bathroom plumbing and where to allocate each fixture to optimize the bathroom's layout, facilitating your DIY remodel project or creating the space from scratch.
“Travel isn’t always pretty. It isn’t always comfortable. Sometimes it hurts, it even breaks your heart. But that’s okay. The journey changes you; it should change you. It leaves marks on your memory, on your consciousness, on your heart, and on your body. You take something with you. Hopefully, you leave something good behind.” – Anthony Bourdain
One of the most representative non-fixed elements of the tropical zones of Mexico are the hammocks, as they are part of the history and daily life, representing an important piece of furniture in the houses. Although it is true that the hammock is not originally from Mexico, it is thought that it may have arrived in the Yucatan Peninsula and was adopted throughout the southeast of the country in areas whose temperature and humidity require a kind of floating bed. In the case of the Mayan region, hammocks were initially made of Hamack tree bark. Later, both in the Mexican region and in the rest of Central America, the sisal plant, with softer and more elastic fibres, began to be used.
Trampoline Bridge / AZC Architects. Image Courtesy of AZC Architects
Humane cities center around the relationships between people and places. Communities thrive on shared resources, public spaces, and a collective vision for their locality. To nurture happy and healthy cities, designers and the public apply methods of placemaking to the urban setting. Placemaking—the creation of meaningful places—strongly relies on community-based participation to effectively produce magnetic public spaces.
The urgency to reduce greenhouse gas emissions has never been greater, and getting there is going to require bold steps for buildings, infrastructure, and communities. Incremental reductions are not enough; we need to focus on full decarbonization, which means removing carbon emissions caused by our built environment.
These big changes in the way energy is generated and used will raise important questions about who benefits and who pays. Technology-focused incentive programs can wind up leaving our most vulnerable communities behind, exacerbating a legacy of underinvestment and health disparities, while also failing to reach the essential goals of a complete energy transition. Instead, we need holistic solutions that put disadvantaged communities first and transition buildings that would otherwise be left out, leading to bottom-up market transformation that benefits everyone.
The history of Mexican photography has helped shape Mexico's global presence. Photographers like Elsa Medina, Lola Álvarez Bravo, Graciela Iturbide, Maya Goded, and Juan Rulfo have masterfully captured the life of buildings, homes, and streets in a rapidly developing nineteenth-century Mexico. As a result, the contemporary Mexican photography scene has become an essential tool for architecture, contributing to a deeper visual understanding of the works that rise day by day.
Architecture is created for people, but how do we design beyond the human scale? With a renewed interest in biodiversity and animal habitats accelerated by the climate crisis, there is also the question of shelter and what it means to design spaces for interaction and rehabilitation. As architects look beyond structures for people, they are turning their attention to different kinds of enclosures and open spaces that rethink engagement with animals and their wellbeing.
Access to adequate housing is a human right. But with prices rising dramatically, incomes not growing proportionally and ineffective public policies, the lack of secure, affordable homes is fueling an ongoing global housing crisis. In fact, 90% of 200 polled cities were found to be unaffordable to live in, with the impact of COVID-19 only worsening the situation and forcing much of the world’s population to settle for precarious living conditions. This is only expected to aggravate in the not-too-distant future; by 2025, the World Bank estimates that 1.6 billion people will be affected by the housing shortage.
Diego Rivera and Frida Kahlo house. Via: Wikimedia, CC BY-SA 3.0 license
Geometric shapes, exposed reinforced concrete walls, visible electrical installations, large windows that prioritize natural light and ventilation, gardens that value native plants. The first works by the Mexican architect Juan O’Gorman, built between 1929 and 1932, bring an aesthetic that can be seen today, but in reality they are the pure expression of one of the currents of the 20th century modernist movement, functionalism.
Over the past 60 years, architects and engineers have surrendered to industrial construction solutions, with buildings designed to be built faster and faster and at very low cost.
Over the past 60 years, architects and engineers have surrendered to industrial construction solutions, with buildings designed to be built faster and faster and at very low cost. As a more standardized and cheaper international approach to building emerged throughout the 20th century, many professionals abandoned the vernacular traditions of their ancestral cultures, which were developed over thousands of years, to fight the climatic extremes of different regions.
Since the 1980’s, 3D-printing has offered new ways of developing architecture, engineering, and objects of daily use. When it comes to digitizing analogue processes, it is vital for users to become familiar with current tech innovations and their benefits. HIVE Project reshapes the art and craft of building in clay by combining traditional ceramics, smart geometry, and robotic precision to construct a masonry wall composed of one hundred seventy-five unique 3D-printed clay bricks.
Today, technology is increasingly ubiquitous in major cities, driven by the rapid pace of capital-driven movement. A popular term to describe the relationship between urbanism and technology is “Smart Cities,” which centers on leveraging data to enhance building connectivity. However, widespread access to these new technologies has revealed how our unique experiences as citizens—driven by a strong desire to document urban environments—allow us to map and experience cities from alternative perspectives.
The first woman to receive an architecture degree in Argentina was Filandia Pizzul in 1928 from the University of Buenos Aires, more than 50 years after the program was first established. Starting in 1874, the architecture program operated independently of the Department of Sciences, where these studies had been housed since 1865. She was a pioneer in several fields, also becoming the first woman to complete courses at the Civil Aviation Directorate in 1928, earning pilot's license No. 181.
As one of the first steps in the elaboration of an architectural project, the study of the current legislation on the ground is of paramount importance for the success of the proposal. Through calculations and restrictions, zoning laws present limits to be considered in projects that, consequently, instigate architects to think of intelligent solutions, dealing with such limitations in a practical and creative way.
These parameters are dictated by the government and aim to stop, maintain or accelerate urban growth in certain portions of cities. These are norms that establish guidelines for land occupation, delimiting the percentage of built-up area, setbacks, distances, permeability, among others.
The luxury hotel, as an architectural typology, is distinctive. In effect, it's a self-contained community, a building that immerses the well-off visitor into their local context. Self-contained communities they might be, but these hotels are also vessels of the wider socioeconomic character of a place, where luxury living is often next door to informal settlements in the most extreme examples of social inequality.
The International Solicitation for the Urban Design of the Center Area of Western China (Chongqing) Science City has officially launched! We warmly invite outstanding design teams from around the world to participate. International Solicitation for Urban Design of the Center Area of Western China (Chongqing) Science City is now open for pre-qualification! Design teams from home and abroad are welcome to participate.
Wallpapers can be quite controversial. They can be typical of old-fashioned and antiquated homes, but at the same time, they can also add personality to otherwise dull spaces. One of the best parts of using these elements is that they can be quickly installed, and with relatively low costs. This also means that they aren't very long-lasting, and can therefore be quickly discarded and replaced, making them transient decoration items. As Joanna Banham—a researcher on wallpapers—states, “Wallpaper is often regarded as the Cinderella of the Decorative Arts – the most ephemeral and least precious of the decorations produced for the home. Yet, the history of wallpaper is a long and fascinating subject that dates back to the 16th century and encompasses a huge range of beautiful patterns created both by anonymous hands and by some of the best-known designers of the 19th and 20th centuries.” Today we are seeing another wallpaper resurgence, with numerous options of materials, patterns, and colors, and several examples of architects who have used them creatively in their projects. In this article, we go through the history of wallpapers and some of the current alternatives on the market, by diving into the Architonic catalog.
Earlier this year, I witnessed an intriguing situation. I followed, via an architect friend, the negotiation for the contracting of an architectural project for a single family home. The land owner, a public school teacher, sought professional help to build her dream home, estimated at about 60 square meters. It was a challenging terrain, with specific cutouts and a very steep topography that was compensated by the view of the city. The limited budget and the owner's history indicated that this would be the seaside version of the famous Vila Matilde House by Terra e Tuma.
With all of the strange residential interior design trends that are making a comeback, conversation pits are probably one that you wouldn’t expect. This well-known 1970s design feature feels both very retro and modern, providing a comfortable place to lounge and a complete escape from the distractions of television and cinema. Instead of a design that supports and enhances a digital connection, having a large area to sit, and quite literally conversate, might be the space that we all need.
Finnish architect Juhani Pallasmaa once said that "architecture is essentially an extension of nature into the man-made realm, providing the ground for perception and the horizon of experiencing and understanding the world."
In the constant hustle and bustle of the modern surroundings, it is more than needed to take a step back and listen to the sounds of something as calmly powerful as nature. Moreover, listening to the beautiful harmonies created by birds chirping and sound waves can make our inner voice louder as well.
Approximately half of the children and young people between five and 14 years old killed in traffic worldwide are pedestrians, and nearly one-third are passengers in motorized vehicles. In Brazil, traffic is the leading cause of unnatural death for children in this age group. According to data from the Brazilian Association of Traffic Medicine, between January and August 2021 alone, the Unified Health System (SUS) recorded more than 6,000 children and youth hospitalized in serious condition due to being struck by vehicles in the country.
Reversing this scenario requires making our streets safer and more comfortable for walking, focusing primarily on the needs of children. A city that works for children is a more prosperous and pleasant city for its entire population.
The threshold is a constructive element of the floor that serves to finish when there is a notable change in material or level. Much more prominent in the past, the piece today has a more discreet presence in architecture.
The thresholds and transition strips are applied directly to the floor and are responsible for making the transition when there is any change in the built space, whether it is in level, in the type of floor, or even when there is a door or passage.
