Articles

Regardless of where you live or work or who you’re friends with, you usually move around the same neighbourhoods and streets of your city. It may be London, Santiago, Shanghai, or Moscow, but in any of these places, there are always districts you have never set a foot in. Have you ever considered how many ‘cities’ are within your own city?

A research article published in The Royal Society Open Science and signed by Chilean researchers utilizes big data to analyze and visualize urban segregation, delivering spatial tools that allow us to develop strategies in a city of many cities. "We know there are [social] bubbles in Santiago, Chile, and that therefore, there is segregation," says Teodoro Dannemann, co-author of the research paper The time geography of segregation during working hours, in a conversation with ArchDaily. “We know that each person explores only a small fraction of the city, which is basically the home-work trajectory. This implies that we only engage with a small group of citizens," he adds.

Minoru Yamasaki (December 1, 1912 – February 7, 1986) has the uncommon distinction of being most well known for how his buildings were destroyed. His twin towers at the World Trade Center in New York collapsed in the terrorist attacks of September 11th, 2001, and his Pruitt-Igoe complex in St. Louis, Missouri, demolished less than 20 years after its completion, came to symbolize the failure of public housing and urban renewal in the United States. But beyond those infamous cases, Yamasaki enjoyed a long and prolific career, and was considered one of the masters of “New Formalism,” infusing modern buildings with classical proportions and sumptuous materials.

Continuing our series on social housing in Latin America, Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit present a reflection on the unrealistic image people have of a desirable home and the importance of taking their aspirations seriously. Read the previous installments and this new article below.

The variety of sustainable building rating systems promoting health and wellbeing can be confusing. With so many standards, how do you determine which are suitable for your project? How do you take advantage of the synergies between these rating systems to pick the right building materials? By increasing your knowledge of all the available options, you can make a more informed decision and achieve the best possible results for your building. In AEC Daily’s online course you can explore health and wellbeing credits across sustainable building rating systems and study the many options for creating optimal conditions for building occupants.

Featuring varied and flexible programs, cultural centers are public buildings that play a key role in promoting, as their name suggests, local culture. Designed to encourage daily and ongoing use by residents of a specific area, their architectural programs can be highly diverse, accommodating a library, cinema, auditorium, exhibition spaces, workshop rooms, and communal areas, among other facilities.

Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.

In this episode, host Aaron Prinz speaks with Talmadge Smith, Principal of Page, and discusses the process of designing the new Fountain Place tower in downtown Dallas adjacent to the iconic building originally designed by Pei Cobb Freed & Partners. He provides a detailed look into their design decisions regarding form, color, and how they paid tribute to the existing Fountain Place.

Podium construction – alternately known as platform or pedestal construction – is a building typology characterized by a horizontal division between a lower ‘podium’ and an upper tower. The podium, which is typically made of concrete or steel, is crowned by multiple light wood-frame stories. Often, the lighter upper structure contains four to five stories of residential units, while the podium houses retail, commercial, or office spaces and above- or below-grade parking. An alternative configuration sports six to seven residential stories (including the podium) and subterranean parking. Some visible examples of this podium construction style include the amenity-rich Stella residences designed by DesignArc; an attractive yet cost-effective student housing project for the University of Washington by Mahlum Architects; and the warm, modern University House Arena District also designed by Mahlum Architects in Eugene, Oregon.

Originally used to transport large cargo on ships, shipping containers feature a rigid and highly durable steel structure available in various dimensions. However, moving beyond their traditional role in storage and cargo transport, these structures have been adopted as the basis for commercial and residential modules for several years. They offer high strength, low cost, fast construction, and, above all, a sustainability-oriented system through reuse. With this in mind, and moving beyond standardized housing, several architects have developed residential projects by reusing containers as modular blocks, stacking or joining them side-by-side to suit the specific program of each client.

The Museo Casa de la Memoria is located in Medellín's Boston neighborhood and was developed to commemorate the bicentennial of Colombia's independence. Led by Juan David Botero as the design team coordinator, the project was conceived from the outset as a highly recognizable building for both the community and visitors, drawing its sculptural form from traditional gabled houses. "It is a museum for the victims of violence, and as such, we had to ensure it was a space for everything; a home, the house where memory comes to life," Botero says.

The 3,800-square-meter cultural facility unfolds along the creek like a tunnel, housing exhibition rooms, workshops, archives, offices, and an auditorium. Its envelope functions as a folded skin, incorporating an air cavity that absorbs cool air, draws it in through the facade, and expels it as hot air at the top. This chimney effect helps control the typical 30ºC summer temperatures of the area, ensuring a stable and comfortable indoor climate. Below, we take a closer look at its sculptural thermal and acoustic envelope.

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This article was originally published in ArchDaily en Español last October 30, twelve days after the social crisis in Chile escalated. Some ideas of the analysis may feel outdated since some structural reforms were recently announced, but the author decided to keep the original spirit of the piece.

A 4 cent fair increase for the Metro in Santiago sparked mass fare-dodging protests in Chile starting on October 6. Alongside spontaneous street demonstrations, the protests spilled into widespread violence across Santiago during the following days until October 18. That day, the Metro network collapsed, the riots multiplied across the city, and looting and fires were out of control. That night, President Sebastian Piñera declared a state of emergency.

Urban transformation and development processes can often lead to side effects or unintended consequences when these movements are organic and unplanned. These outcomes are not always positive and can trigger phenomena like gentrification, which can become a major social problem, directly impacting low-income populations. Nonetheless, it is also clear that certain transformations typically associated with this phenomenon can bring improvements and reactivate underutilized spaces in urban centers; the threshold between this scenario as a virtue or a detriment remains a subject of ongoing debate among architects and urban planners.

Many authors address the importance of the street to vitality in urban space. Streets are public open spaces, typically bordered by the buildings that shape them. We rarely realize it, but it is through this open space that we appropriate the city, and where the experience of walking takes place.

Audience sightlines, accessibility and acoustics all make theater seating a hugely precise art. As part of their set of online resources for architects and designers, the team at Theatre Solutions Inc (TSI) have put together a catalog of 21 examples of theater seating layouts. Each layout is well detailed, with information on the number of seats, the floor seating area and row spacing. These layouts fall under three general forms; to supplement this information, alongside TSI's diagrams we've included the pros and cons of each type, as well as examples of projects which use each format. Read on for more.

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Have you ever been stuck for hours obsessing over a font that matched your work? Before starting a project, do you already think about which font you will use? Do you get annoyed when you read an important message written in Comic Sans? Or do you feel offended when a mundane sentence is written in all caps? Rest assured, you are not alone. 

Architects and designers constantly use graphic elements as expressive means in the schematization of their works. Among them, the most common are the drawings, in a constant variety of techniques, styles, and patterns. But among the elements that make up the boards, panels and drawings, techniques and models, there is a particular fragment that helps them in composition and identity: the font. 

The Brazilian student team, comprising Luiza de Souza Santos, Marcus Barbosa, and Gabriel Thomé de Oliveira from UFMG, was awarded an honorable mention in the SkyCity Challenge 2019 international competition, which aimed to "explore sustainable ways of living, working collectively, and having fun." Learn more about their proposal below.

As extreme weather events become increasingly common worldwide, brises-soleil and perforated cladding have become effective options for creating a second skin on building facades, protecting interiors and creating unique atmospheres through the interplay of light and shadow.

Each building and facade orientation requires a distinct solution—whether fixed or operable, and in various materials. However, certain general guidelines can help streamline the selection process. We spoke with the experts at Hunter Douglas to identify the most critical considerations.

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Designing in a country with a predominantly equatorial or tropical climate requires decisions that mitigate heat gain within the building's interior. The versatility, functionality, and aesthetic appeal of the brise-soleil encourage architects—particularly within the Brazilian context—to incorporate them into residential designs. The brise-soleil, or sunshade, acts as a middle ground between openness and enclosure, controlling natural light without obstructing ventilation. Furthermore, this system strikes a balance between interior privacy and exterior views.

Tasked with mapping contemporary Brazilian production, the ​Tomie Ohtake Institute AkzoNobel Architecture Prize ​began its activities in 2013 with loosely defined horizons. While there was the expectation of creating an unprecedented initiative on the national stage by honoring projects built over the last decade, there was also the clear challenge of establishing a prize without categories, dealing with a broad universe of programs and comparing initiatives of widely differing scales.