Designed by Post-Office Architectes, 30 Warren St. is a new, luxury 12-storey building, featuring 23 residences and 9,700 square feet of retail space on the ground floor. Located along Church St. between Warren and Chambers St in the Tribeca neighbourhood of New York City, the project is set for completion in the fall of 2017.
Inspired by the recent trend for super-skinny, super-tall skyscrapers currently dominating the Manhattan luxury residential market, ODA New York has developed a design for 303 East 44th Street which they describe as "a new urban reality" for the city. By taking a prototypical, modestly-sized tower building and stretching it skyward, the firm has inserted sculptural skygardens in the voids opened up between the floors to create a tower that combines the advantages of urban living with the spatial benefits of the suburban home.
The story of the African built environment is often told through historical perspectives of colonization and political crises, emphasizing the difficulties that African people have faced. Economic perspectives such as poverty, development and globalization also create stereotypes of the continent. Often missing from these are the transformations in space that result from daily and repeated use. These transformations emerge from ideas exchanged between people and their movements through their neighborhoods, cities, regions and countries. The quality of spaces that we may find will paint a complex picture of Africa.
In Mark Foster Gage’s essay “Rot Munching Architects,” published in Perspecta 47: Money, the Assistant Dean of the Yale School of Architecture strove to find meaning in the current design landscape. Taking the essay title from a larger stream of expletives spun across the facade of the Canadian pavilion as part of artist Steven Shearer’s installation at the 54th Venice Art Biennale in 2011, Gage found truth in the vulgarities, arguing that - in a very literal sense - “architectural experimentation has left the building” as the discipline has been made impotent under the hostage of late capitalist ambition.
Last summer, when Brooklyn Bridge Park unveiled 14 proposals as finalists for two residential towers at the park's controversial pier 6 site, you could be fooled into thinking that design is alive and well. A caveat of the park’s General Project Plan (GPP) was to set aside land for retail, residential and a hotel development, in order to secure funding and achieve financial autonomy. The plans had already fueled a decade of legal battles and fierce opposition from the local community, with arguments ranging from the environment, to park aesthetics, to money-making schemes, but last year a bright outcome appeared a possibility, when the park unveiled the competing plans including those by Asymptote Architecture, BIG, Davis Brody Bond, Future Expansion + SBN Architects, WASA Studio, and of particular interest, O’Neill McVoy Architects + NV/design architecture (NVda).
Jacob A. Riis and Vilhelm Hammershøi were Danes of the same generation who took up the challenge of understanding modernity in radically different ways. Riis left Denmark for America to become the nation's leading advocate for the urban poor. He was a media-savvy journalist who used words and pictures to make a compelling case for reform. Hammershøi, by contrast, was a Copenhagen-based aesthete whose mysterious paintings of bourgeois domestic interiors suggested the psychological experience of modern life. Join two art historians and experts on Riis and Hammershøi, Bonnie Yochelson and Thor Mednick, for an exploration of their work. After their presentations, Ambassador Anne Dorte Riggelson will lead a conversation about Riis and Hammershoi's contrasting lives and perspectives.
Critical Halloween is a party, an intellectual debate, a costume competition, and a space for the expression of radical thought. Over the past few years, it has become a referential event that brings people together through music, dance, and costume design to engage in critical discussion in New York City.
"JB1.0: Jamming Bodies" is an immersive installation that transforms Storefront’s gallery space into a laboratory. The installation, a collaboration between science fiction artist Lucy McRae and architect and computational designer Skylar Tibbits with MIT’s Self-Assembly Lab, explores the relationship between human bodies and the matter that surrounds them.
Bill Pedersen is a renowned architect and founding design partner of Kohn Pedersen Fox Associates, which is currently leading New York City's Hudson Yards Project. Less known, but equally important, is Pedersen's design versatility. He holds multiple design patents and recently created a new line of furniture, Loop de Loop, that is beautiful, comfortable, and technically innovative. Join Pedersen and Donald Albrecht, the City Museum's Curator of Architecture and Design, for a conversation exploring not only the new furniture and its influences, but also the history of architect-designed furnishings. This event is part of the Museum’s ongoing Design Talks series examining the today's leading trends in design, architecture, graphics, and multimedia.
