As part of our ongoing effort to highlight the outstanding academic work being produced in universities, we launched an open call last January, inviting Mexican architects to share their graduation projects. We sought theses and academic research addressing critical issues in the Mexican context—projects that typically remain on paper but deserve national recognition.

Children are often overlooked or entirely deprioritized in urban planning. Globally, it is estimated that up to 500 children die every day in traffic accidents. Thousands of others are injured in collisions or develop psychological trauma that can last for years. Whether on the streets or in public spaces, feelings of insecurity or discomfort discourage children from physical activity outdoors—at a time when 80% of children between the ages of 11 and 17 are not physically active, and another 38 million under the age of five are overweight or obese.

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The lobby, also known as the entrance hall or vestibule, is a reception space adjacent to the entrance of a residential building or private home, serving as a transition zone between the public urban environment and the private program.

Typically located on the ground floor of buildings and closely linked to the street, the lobby acts as the project's "public face" to the outside world. Consequently, its design, material qualities, aesthetics, and component elements are of great significance. Its function remains highly flexible, serving as a space for gatherings, receptions, or waiting.

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On June 17, Mexico's Supreme Court of Justice of the Nation (SCJN) issued a landmark ruling ordering the National Institute of Statistics and Geography (INEGI) to generate disaggregated statistical data on populations in informal or precarious settlements across the country. This resolution brings to the forefront the discussion on the role that judges can and should play when making decisions that directly impact urban planning, land management, our cities, and our housing.

Rarely do we encounter an open-air fine arts museum like the Garden of Fine Arts, designed by Tadao Ando in 1994 for the city of Kyoto, Japan. Reproductions at various scales of renowned masterpieces appear among concrete columns, beams, and walls, along with ramps and glass bridges, interacting with cascading waterfalls and the background vegetation from the adjacent Botanical Gardens.

Pancho Gallardo, the Chilean architectural photographer now based in Madrid, has long admired the Japanese architect's work, particularly for, as he explains, "the use of concrete as an element that creates spaces, textures, angles, and shadows which, above all, in spaces like this open-air museum, establish a direct relationship with sunlight, where every corner becomes a dramatic composition of visual angles."

Below, he shares a series of photographs taken on-site, accompanied by more of his thoughts.

Residents of the city of Punta Arenas collectively developed—in collaboration with writer Víctor Hernández and architect Alejandro Parada—a literary and graphic reconstruction documenting the heritage icons that represent the founding and evolution of the 18 de Septiembre neighborhood. The project, titled "Rutas Patrimoniales Barrio 18 de Septiembre, Punta Arenas", is framed within the Regional Cultural Identity Strengthening program of the Magallanes Region's Regional Ministerial Secretariat of Cultures, Arts, and Heritage, and is part of the 2017-2022 Public Policies for Cultural Promotion.

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In light of recent statements by the Federal Government and the new programs announced by institutions involved in housing production in Mexico, we believe it is essential to open a dialogue and exchange ideas to better understand the concepts of self-construction, self-production, and the “Social Production and Management of Habitat” [SPMH], as well as the role of architecture in these social processes.

As the philosopher Byung-Chul Han states: every age has its signature afflictions. These illnesses have represented some of the most significant challenges in human history, bringing drastic changes not only to the healthcare sector but also to economic and political spheres, revealing humanity as a complex network negotiating its daily existence through actions that have reshaped our ways of living and relating to one another.

This article by Felipe Samarán Saló was originally published in the 11th issue of rita_ magazine under the title "Inhabited Renders and Deserted Architecture. The Hidden Message of Architecture Revealed by Photography" and is part of a joint dissemination collaboration. Below, we present a study on how the focus of architecture has shifted from "serving the person by addressing all their dimensions" to "generating a universe of surprising, beautiful, and photogenic forms and spaces," relegating the end-user to the background or into oblivion.

After the state of emergency, nothing will return to the way it was. At that point, public and private spaces will routinely be occupied in ways that prevent transmission of a still-active virus. However, just as this situation has forced us to recognize our deficient healthcare system, it has also revealed how inadequate the spaces we inhabit often are.

In 2018, sociologist and cycling activist Marina Harkot defended her master's thesis Bicycles and Women at the University of São Paulo (USP). To develop a qualitative methodology examining the challenges faced by female cyclists in the city, she interviewed various women: those who bike to work, those who explore the city on two wheels, and those who love tackling the capital's rolling topography.

Her methodology succeeded in revealing a common thread among these diverse cyclists: “It is the network surrounding these women that seems to prompt them to start cycling and keep them riding — as well as female role models, the women (whether known to them or not) who ride and inspired them,” wrote the researcher. 

When reality demands complex and unprecedented answers from us, one of the most interesting methods to find them is biomimicry, which consists of asking nature questions in search of inspiration. In this light, it is worth asking: how does nature deal with emergency situations where an organism's behavior must be quickly modified?

According to researchers, staying at home has led to a reduction in pollution levels, and this drop has saved more lives than those lost to the coronavirus. Images of pollution-free canals in Venice and animals returning to areas previously occupied by humans swept the internet, proving how our model of relentless development pressures the planet's natural resources—and how quickly nature regenerates when given the chance.

The objective of the Pedestrian Networks Ideas Competition was to boost pedestrian connectivity and improve public spaces for gathering and movement within the city of Antofagasta. Chilean architecture firms and multidisciplinary teams submitted environmentally and economically sustainable urban design projects. These proposals aimed to guarantee universal accessibility, foster coexistence between residents and different modes of transportation, and integrate amenities to make these pedestrian spaces more attractive, inclusive, and safe.

Through the book “Nuestras Arquitectas. Re-mapeo y nuevas cartografías. Buenos Aires 1”, Dr. Architect Inés Moisset and Specialist Architect Carolina Quiroga propose a critical reflection on the contributions of women to the history of Argentine architecture, aiming to develop new cartographies grounded in approaches of equity and inclusion.

Although we typically associate their presence with playgrounds in parks, gardens, or schools, the swing or hammock—the terminology varies by region—is an element that can also function as complementary furniture in architectural projects with highly diverse programs, such as bars, restaurants, homes, and even offices and coworking spaces. These elements introduce movement and dynamism, creating interactive spaces that allow for a playful and unusual appropriation of architecture—one that fosters not only play, but also leisure and rest.  Suspended by tension-bearing elements—such as cables, chains, ropes, or solid bars—and anchored to ceilings, walls, beams, or dedicated structural supports designed to prevent overloading, these elements can completely redefine an interior or semi-covered space. In doing so, they provide a stimulus for play while also offering a place for relaxation and moments of quiet contemplation.

The following article, written by architect Marta Devia (National University of Colombia), a member of the Advisory Committee of the Leopoldo Rother Architecture Museum, presents the biography of the namesake Polish-born, naturalized Colombian architect. From 1996 to 2004, she served as director of the museum named in honor of the architect who profoundly shaped the Colombian scene during the first half of the 20th century—an influence best exemplified by the University City (Ciudad Universitaria) of the National University of Colombia.

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Rojkind Arquitectos + AmasA Estudio present a new project on a site named "Tres Cerritos" in Valle de Guadalupe, part of the wine route in the Francisco Zarco district of Ensenada, Baja California. The project arises from an understanding of nature's value and its historical use as a sanctuary and refuge, creating a hospitality concept that reconnects the visitor with the environment.

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The “Xico-Parque Sur 23” project by the Mexican firm All Arquitectura grew out of the success of “Cancha La Doce,” which was developed in collaboration with love.fútbol and sponsored by the Pincus Family Foundation. Drawing on insights gained from previous projects on-site, the design and research process built upon an existing understanding of local needs and opportunities.

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As part of an initiative by Infonavit to drive the recovery of three neighborhood parks in the city of Tuxtla Gutiérrez, Chiapas—“San Juan,” “Las Torres,” and “Canteras”—these housing developments lacked efficient infrastructure, resulting in a deteriorated urban image, high crime rates, and a complete lack of community ownership over public spaces. In response, T+E Arquitectos and Fracciona Arquitectura joined forces to transform these spaces, addressing the distinct requirements of each site.

When choosing the structural system for a house, several priority factors dictate the decision, with time and money being two of the most critical. While steel structures may not always be the most economical option, their prefabrication significantly accelerates construction times and, consequently, optimizes the overall budget. Moreover, they contribute to the project's aesthetic, providing lightness and a contemporary character.

The stigma of rudimentary architecture, combined with the idealization of high-tech technology, relegates Indigenous building knowledge to a prehistoric imaginary. This pattern, which points to a single, unequivocal direction of progress, reveals the so-called coloniality of knowledge—a concept by Peruvian sociologist Aníbal Quijano that exposes the hidden side of modernity: the creation of hierarchies among peoples, keeping Latin America, and particularly its Indigenous populations, in a subaltern position. In other words, we tend to assume that the knowledge representing the future is produced in other lands, namely the Global North.

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One of the most important factors in design is the site's specific climate. This can pose a challenge in extreme weather, where insulating materials are required to adapt to changing conditions. However, in the case of Mexico and its privileged climate, this factor works to the architects' advantage, allowing them to create microclimates and spaces that blur the transition between indoors and outdoors.

"Las Tres Esperanzas [The Three Hopes] are three constructive actions that make up the educational space where not only children and adolescents were and are shaped, but where we also formed ourselves as architects." These engaging opening words already reveal a journey which, as the result of a sequence, demonstrates that the threads of events are too complex to weave and understand from a single point of view.

For this reason, the sequence of diverse perspectives organized in this new book presented by Al Borde is so significant. It highlights not only a process—and a series of parallel events—but the singularity of a construction. It stands as testament to both the complexity, timeline, and unforeseen events, and the collaborative efforts, learning, and lessons that come with creating a work of architecture.