Because bathrooms are wet areas with highly specific uses, choosing floor and wall finishes can often feel daunting. In this guide, we round up some of the most widely used materials, outlining their advantages and disadvantages.

Architecture, as construction, has many ways to express itself. Ideas can be conveyed through programmatic organization and the materials used; we can communicate through the rhythm of facades and openings; and we can deliver a message through the transparency or opacity of the volumes and surfaces we design. We can also express ourselves through structure and its arrangement—and this is perhaps the facet of architecture we most eagerly seek to explore. 

Few historical events have been as pivotal to the history of architecture and urbanism as the Industrial Revolution. To accommodate the productive framework that transformed capitalism starting in the 18th century, an entire spatial system was created. Beyond factories, this network included raw material processing plants, power generation and distribution hubs, warehouses, and transport terminals. In urban terms, this process did not merely allocate large swaths of land to industrial activities; it triggered a multisystemic transformation that reshaped how people lived, occupied, and moved within the urban environment.

The formal configuration of open space systems in Brazilian cities—whether qualified or not—derives a significant contribution from private developments, since public urban planning and design have historically been the exception.

Daniel Flavin was a key figure of the minimalist art movement of the 1960s and 1970s in the United States. The term was first coined by philosopher Richard Wollheim in his 1965 essay “Minimal Art” to categorize works that, like Duchamp's ready-mades, did not seek to represent an external reality; instead, the exhibited object was to be understood as a work in its own right, and the viewer's experience was not meant to rely on external associations.

The global need to find more sustainable ways to meet new demands is one of the most compelling catalysts for the reuse of materials or structures in contemporary architecture. In the field of scenography, repurposing materials to construct stage sets has long been a reality. Professional practice in this field deals with the representation of a scene, using temporary elements designed to stimulate the spectator's imagination. In this context, the work of scenographer Renata Mota has paired repurposing with the reuse of materials—either discarded or donated—that have lost their original function, using them to craft sets for performances, exhibitions, and other events.

Although Juscelino Kubitschek is remembered for executing the project for Brasília, he was not its creator. The political will to build a new capital in the country's interior dates back to 1808, driven by the desire to elevate Brazil's international standing and symbolize its post-independence development. This developmentalist ethos, or rather the pursuit of the new, underpinned the arguments of most advocates for the relocation, each proposing a different approach.

International Expositions originated in the nineteenth century, when London (1851) hosted the Great Exhibition of the Works of Industry of All Nations. This event gathered manufactured goods from various countries to showcase technological—and later, industrial—advancements, marking a moment of convergence and shared initiatives from around the globe.

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Housing for the low-income urban population is a central concern for contemporary Brazilian policymakers and urbanists. Over the last few decades, by focusing on building social housing complexes in peripheral areas lacking transit and sanitation infrastructure, the state has actively contributed to worsening the problem.

Architects and urban planners evaluated the services offered by CAU/BR and the state-level CAU/UFs. Out of nine services analyzed by the professionals, seven received an average score above 7 on a scale of zero to 10. These and other findings are part of the CAU Evaluation Survey conducted by the Datafolha Institute in May. The study interviewed 1,500 architects and urban planners and 500 architecture and urban planning firms by telephone to assess the effectiveness of the Council's communication channels with professionals and society, as well as to gather information to support initiatives ensuring access to the entity's information.

Through their narrative forms, architecture exhibitions promote the dissemination of knowledge and inquiries within the theory and practice of the discipline. Beyond the direct appreciation of a specific object or architectural ensemble by experiencing that space, architecture exhibitions present content structured through narrative paths, classifications, associations, or juxtapositions. This expands architectural knowledge, if not through in-situ experience, then through the way graphic materials are displayed. In this light, curatorial and exhibition design practices can foster new questions in the field of architecture, encouraging visitors to engage in critical reflection.

For some time now, cycling infrastructure planning has become a priority for several countries around the world seeking to seriously mitigate the challenges of rapid urbanization. In this regard, it is worth looking at which countries are expanding their cycling networks and understanding the development patterns established for each of them. OpenCycleMap is a project that makes it possible to clearly identify these countries and analyze their networks in great detail.

One of the most significant contributions of modern architecture to global practice was the five points proposed by the Swiss-French architect Le Corbusier. This set of guidelines represented the formal expression of the ideals and principles of contemporary architectural thought, finding its paradigmatic application in the Villa Savoye, the iconic residence designed by the modern master in Poissy, France.

Last week, we announced the 15 finalists for the 2019 Obra do Ano, an award celebrating the best of Lusophone architecture by inviting our readers to vote for their favorite projects built in Portuguese-speaking countries. Today, we reveal the winners of ODA19.

This year, three Brazilian projects received the most votes. In addition to showcasing architectural diversity, they exemplify the public impact that architecture should deliver. Meet the three winners below!

Modernism has ceased to exist as a movement in architecture and urbanism since at least the 1980s. In architecture, movements such as Japanese Metabolism and deconstructivism helped to move past the remnants of modern architecture. In urban planning, figures like Jane Jacobs and Christopher Alexander, as early as the 1960s, helped bury the premises of modern urbanism.

After studying civil engineering at the Escola de Minas de Ouro Preto, Carlos Frederico Ferreira returned to his native city of Rio de Janeiro and enrolled in the Escola Nacional de Belas Artes, graduating in architecture in 1935. In 1939, he was hired by the IAPI as an engineer-architect and soon rose to the position of head of the institute's Engineering Department. By 1943, having overseen the partial completion of the first major housing development, the Conjunto Residencial Operário in Realengo, he was able to begin expanding the model to other locations. The designs for Vila Guiomar in Santo André and Piratininga in Osasco, as well as the apartment building and IAPI Regional Office headquarters in Recife—all designed by him—demonstrate how, through his position, he sought to shape the direction of the institute's future developments.

Popular culture is an imprecise concept that lends itself to various definitions. To grasp the traits characterizing the different meanings of popular culture, one must trace the dynamics of how this term has evolved throughout the studies dedicated to the field. 

Emerging in 1981 with the publication of the essay “The Grid and the Pathway” by Alexander Tzonis and Liane Lefaivre, it was Kenneth Frampton's 1983 essay “Towards a Critical Regionalism: six points for an architecture of resistance” that brought the term “critical regionalism” wider recognition. The essay was published in the anthology “The anti-aesthetic: essays on Postmodern culture,” edited by critic and historian Hal Foster, initiating a debate later revisited in "Prospects for a Critical Regionalism," also written by Frampton that same year for the journal Perspecta.

Only recently in Brazil has "cultural landscape" emerged as a new category for the preservation of cultural heritage. Understanding its meanings requires, on the one hand, evoking the preservation experience in two different spheres—both international institutions and the work developed in Brazil. On the other hand, this understanding also requires highlighting the specific academic origins of the cultural landscape concept.

Color can be an element that contributes significantly to the quality of architectural projects. Its efficient use can completely transform the atmosphere of indoor and outdoor environments, signal specific uses in spaces with different characteristics, redefine rooms, and highlight architectural elements. This has proven to be a highly successful feature, even becoming a trademark of prominent architects, such as Mexicans Luis Barragán and Ricardo Legorreta.

Over the past week, thousands of active fires in the Brazilian Amazon captured global attention in the press and on social media, where the hashtag #PrayForAmazonia was mentioned more than 150,000 times in a single day. But what can satellite data tell us about what is actually happening in Brazil's forests?

Marking the centennial of its founding, Arquicast #72 discusses the Bauhaus School and its influence on shaping a generation of architects, as well as its impact on the structuring of architectural and urban planning education in various programs worldwide. We invited architect Caio Dias, from Portal Projetar, and architect and ArchDaily editor Romullo Barato for an informal yet informative conversation that delves into the history of the school, its founders, and the broader context that continuously shaped the institution's trajectory.

There is no doubt that preserving historical, artistic, and architectural heritage is a fundamental goal for building a just city. It is the right of all citizens, both present and future generations, to know and enjoy our collective memory and culture. However, for this to actually happen, both a discerning eye and a comprehensive vision of the city are essential.

One of the most prevalent themes in current discussions about the city is gentrification. Broadly defined as "when someone different from you moves into your neighborhood," this urban phenomenon is far more complex than that, involving issues of land use, real estate speculation, public and leisure spaces, and urban planning.