WOHA‘s ‘Breathing Architecture’ exhibition, which will be up until April 29th has been very successful at the Deutsches Architekturmuseum (DAM) in Frankfurt, Germany. Some of their structures remind us of bold visions of the future, in which plants reclaim nature for themselves. WOHA realizes the permeation of buildings and landscape, of interiors and exteriors in projects such as the Singapore School of the Arts and the seminal residential high-rise The Met in Bangkok, which received the International Highrise Award 2010. More images and architects’ description after the break.

Grenade, the proposal for the CityVision Inflatable Pavilion competition, by SITBON Architectes aims to create a relation with its environment. The theme of the pavilion is to think of the city as an immense architecture in constant mobility, by the transformation of its town planning, of the wanderings of its inhabitants, etc. The time dimension becomes essential in this management of the living area. By lauding the mobility, they question the vision of the architecture as a motionless element to in-vest it with another appropriate life, which allows each one to grow, to be transformed and to move. More images and architects’ description after the break.

Premiering tomorrow on WTTW – one of Chicago’s PBS television stations – will be the new 30-minute documentary Architect Michael Graves: A Grand Tour. Popular Chicago TV tour host Geoffrey Baer profiles the life and work of the internationally acclaimed architect and winner of the 2012 Driehaus Prize for Classical and Traditional Architecture. The documentary will air Thursday, March 22 at 8PM.

Continue reading for more information on the documentary and view updated images of the Wounded Warrior Project.

Two days before lecturing at Washington University’s Sam Fox School of Design & Visual Arts, Wang Shu was announced as the recipient of the 2012 Pritzker Prize. In this interview, Wang Shu discusses his work with architectural historian Robert McCarter, the Sam Fox School’s Ruth and Norman Moore Professor of Architecture, and Seng Kuan, assistant professor of architecture. The interview takes place in the University’s Mildred Land Kemper Art Museum, designed by Pritzker laureate and former WUSTL professor, Fumihiko Maki.

With the advent and proliferation of tablets, using a pen to annotate or even sketch is becoming more and more useful, if not necessary. Enter the Space Pen. Now, you can sketch or annotate 3D models on the web. Developed at the University of Washington’s Design Machine Group, this tool provides an ideal interface with another of the group’s projects, Spot, the daylight measuring tool for architects.

Is Space Pen really as simple as it sounds? Can you really just draw and edit any 3D model? Yes. But it is not just that you can draw on any surface, it also recognizes certain basic shapes to aid in the drawing process. It also automatically renders a 3D floor plan from one’s model in real time. Another boon is the addition of a “light pen” allows users to add directional light to the drawing. It’s also free.

The Lot 4 – ZAC de la Porte de Gentilly project by ECDM is primarily a proposal to articulate two territories, two urban landscapes separated by the influence of the device. This context of urban fringe releases a vast expanse where the vacuum is dominant, where the eye can see far. This work on the perception and interpretation of the landscape gives a facade gable major pivotal role. Whether from the device or from the streets of Gentilly, pine nuts are present, dominant in the interpretation of the building. More images and architects’ description after the break.

The design proposal by CEBRA for the New Church of Vaaler is based on the most widespread symbol for the Christian church: the cross. Located in the south eastern part of Norway, it is a strong visual symbol, which beautifully combines the horizontal with the vertical in its simplicity – and in its meaning the worldly with the heavenly. In the same way, the cross also represents the church’s fundamental function. More images and architects’ description after the break.

The approach for the Amsterdam pedestrian bridge by Kamvari Architects challenges the basic principles of a bridge as their design takes on a completely new form as it attempts to create space by looping across the river. They hope that ‘The Rink’ will become a new icon in the city by becoming an active and public node within the city fabric. More images and architects’ description after the break.

In a letter presented at a House subcommittee hearing Tuesday, Frank Gehry expressed his willingness to change the design of the controversial Dwight D. Eisenhower Memorial in order to resolve objections from the 34th president’s family.

“My detractors say that I have missed the point, and that I am trying to diminish the stature of this great man,” Gehry wrote. “I assure you that my only intent is to celebrate and honor this world hero and visionary leader.”

Continue reading for more information on the hearing.

With the realization that disasters are an unavoidable reality, Architecture for Humanity and the American Institute of Architects (AIA) have launched ArchitectsRebuild.org in an effort to eliminate “that first awkward and uncoordinated period when people, eager to put their talents into response and recovery, can’t find the means.”

As we announced last month, the two organizations formed a strategic partnership to better coordinate advocacy, education and training that will allow architects to become more involved in helping communities prepare, respond and rebuild after a disaster, known as the Disaster Resilience and Recovery Program. As promised, they have now completed the first task on their agenda, establishing a Disaster Plan Grant Program. Continue reading to learn more.

Perkins+Will‘s VanDusen Botanical Garden Visitor Centre in Vancouver, BC is designed to meet the Living Building Challenge, the most rigorous set of requirements of sustainability. Formally and functionally, it encompasses the goals of environmentally and socially conscious design. The building is an undulating landscape of interior and exterior spaces rising from ground to roof level and providing a vast surface area on which vegetation could grow, thus reoccupying the land on which the building sits with the landscape. The building also features numerous passive and active systems that reuse the site’s renewable resources and the building’s own waste.

More photos after the break, including a video about the project!

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During the 2011 AIA Arkansas Convention I had the chance to meet one of the most influential architects in the state: Marlon Blackwell.

Get Fit. Lose Weight. Be a Better YOU.

Slogans like these constantly inundate us across media sources, and the premise is always the same: a healthy body is sexy, desirable, better. The opposite is similarly true: if you’re fat or obese,  you aren’t just unhealthy, you’re sick. You need to be ‘cured.’

This moralization of “healthy” is symptomatic of a greater obsession and anxiety over our health in general, an obsession that has led to what Giovanni Borasi and Mirko Zardini, editors of Imperfect Health, call “medicalization; a process in which ordinary problems are defined in medical terms and understood through a medical framework” (15). The book has been published by the Canadian Center for Architecture with Lars Müller Publishers, and it is part of an exhibit accompanied by an online TV channel.

This process has similarly formed a concept that design and architecture are tools for healthiness and well-being; hence the proliferation of Green built environments that supposedly (1) recuperate nature from dastardly human deeds and (2) “craft a body that is ideal or at least in good health, apparently re-naturalized or better yet, embedded in nature” (19). Just think of the NYC High Line‘s recuperation of land left “damaged” by technology, a vastly popular project that motivates the human body to walk, run, and play in nature rather than sit sedentarily (unhealthily) in a toxin-emitting vehicle.

But is this idea itself a healthy way to conceptualize of Architecture? Is this goal of “healthiness” even possible to attain?

More on Imperfect Health after the break.

I know It’s only been 2 weeks since my Architectural world tour, but, I was still emptying my suitcases this morning. Sorry, I got caught up in the pressure at the office and just had not gotten around to unpacking. Mainly, because I’m awesome. And,wouldn’t you know it?, right in the bottom of the suitcase, were 6 more postcards that I totally forgot to mail. No wonder Herzog was so pissed at me…

Anyway, I’ve scanned them here for you to enjoy… (here’s the one’s I did mail, in case you missed those - HERE )

More Postcards from Coffee with an Architect after the break:

Architect: Fake Design, Ai Weiwei Location: Cao Chang Di, Beijing Photographs: Li Shi Xing, Andrea Giannotti

Beijing urban expansion _ The fast and enormous urban development of Beijing has transformed the city into a metropolis made of suburban residential compounds, abandoned industrial plants, community housing blocks from the 70s-80s and popular self-grown villages. A mix of high rise residential areas, business districts, impressive infrastructures enclosing spontaneous house areas surviving the demolition and renovation dictated by the construction market. The population has grown from 1 to 18 millions in 60 years, and the size of the city has reached 5 times the ancient capital within the walls – the 2nd Ring Road.

The urban expansion, mostly based on imported urban models and low quality constructions, has been exploding in the past 30 years, and it is rooted with political and economical decisions, as well as local culture and history. Briefly, Beijing is a stunning showcase of urban consequences happening in the world’s first growing economy, during an explosive industrial revolution.

With less than 70 days until soma’s grand opening of their “One Ocean” Thematic Pavilion, we are anxiously anticipating the final result of the firm’s biomorphic creation. Unlike most pavilions, this building will become a permanent part of the grounds after serving as the central point of the EXPO 2012 in Yeosu, South Korea. As we reported earlier, soma’s pavilion focuses on creating an experiential journey as visitors enjoy introductory exhibitions on the Expo’s theme, “The Living Ocean and Coast”.

More about the pavilion, including more construction photos, after the break. 

Francesco Piffari shared with us the design proposal for the Amsterdam Pedestrian Bridge. To design a new iconic bridge, it is essential to reflect on the concept of bridge; what a bridge is in the collective imagination. Considering the bridge in its core meaning, it can be said that the peculiarities of a bridge is to “touch” the ground in just two points, to hover in the air and to be suspended over the obstacle; it is very clear that a bridge establishes a strong relationship with air and water, the two elements it is surrounded with. More images and architect’s description after the break.

From March 20 – May 11, the “American City: St. Louis Architecture: Three Centuries of Classic Design” exhibition will be up at the Willis Tower (formerly the Sears Tower) in downtown Chicago. The show consists of 83 large prints of over 40 historic buildings in St. Louis, including acclaimed landmarks such as Louis Sullivan’s Wainwright Building, James Eads’ Eads Bridge, Eero Saarinen’s Gateway Arch and Tadao Ando’s Pulitzer Foundation for the Arts Building. The timeline stretches from 1839 to 2010. The show is being staged in the Willis’ ground floor atrium and lobby and is free to the public. More information on the exhibition after the break.

The first prize winning proposal for the Museum Nasional Indonesia by Aboday aims to bring back this massive institution to its original role as a public facility. Their design addresses the question of urban context by inserting a new corridor between the existing museum building (A) and building (B) that will maintain an openness to the pedestrian and city park on the Eastern part of the complex. More images and architects’ description after the break.

Winners of the National Exhibition of Migrating Landscapes have been announced! This nation-wide, open ideas competition is the main process for creating Canada’s official entry to the 2012 Venice Biennale in Architecture, entitled Migrating Landscapes. Themed around migration and cultural identity, entrants comprised of young Canadian architects and designers, ages 45 and under, where invited to reflect on their migration experiences and cultural memories, and design dwellings onto a new landscape that would be showcased through a series of seven regional exhibitions across the country. Together with the Winnipeg-based Migrating Landscapes Organizer (MLO), the jury has selected 18 winners out of 26 finalists to represent ‘Team Canada”. Continue after the break to review the winning competitors.

We announced last month that the LEGO® Architecture series will now include Jørn Utzon’s Sydney Opera House, the 12th building in this popular series. Thanks to LEGO® Architecture, four of our readers will win a LEGO® Architecture Sydney Opera House.