Marc Anton Dahmen & Studio DMTW, in collaboration with Tilke & Partners, shared with us their third prize winning design for the Longchamp racetrack in Paris, France. One of the main aspects of their design is to understand each new structure as a solitary sculpture within the park to respect the landscape and nature of the Bois de Boulogne. Therefore it was very important to conserve as much of the spectacular mature trees as possible. In that sense, the design is aimed to maximize clear open moving space within that park. Consequently, the ground floor of the Grandstand was designed to be as open as possible to aids the visitors between the track and the betting halls, and also to achieve logical circulation between all functions within the site. More images and project description after the break.
Among the ArchDaily archives for this week are BIG’s impressive 8 House, a haystack house in the netherlands, the tortoise shell inspired pavilion in Chicago’s Lincoln Park, a rammed earth winery in Australia, and a nature center in Bangladesh. Follow the break to read highlights of the archives and links to their original project features.
d3 is pleased to announce the winners of the Natural Systems competition for 2011. The program, developed by co-directors Gregory Marinic and Ji Young Kim, promotes investigation of natural systems from microscopic to universal toward determining new architectonic strategies. The competition invites architects, designers, engineers, and students to collectively explore the potential for analyzing, documenting, and deploying nature-based, sustainable influences in urbanism, architecture, interiors, and designed objects.
The competition awarded three top prizes and seven special mentions, with the first prize captured by Entropic Industries/Jared Winchester from the United States. More information on the remaining winners after the break.
Last week we looked at the different sensory sensitive approaches to lighting design for autism. We saw how contradictory recommendations have arisen from a lack of reliable research specific to autism and lighting. Conflicting recommendations are not limited to lighting. They can be found among nearly every aspect of autism design, including but not limited to acoustics, tactile and olfactory design. Today we will look at spatial considerations before we turn to the “neuro-typical” approach that contradicts the sensory sensitive approach altogether.
https://www.archdaily.com/179359/designing-for-autism-spatial-considerationsChristopher N. Henry
Cornell University’s proposed New York City Tech Campus on Roosevelt Island plans to become a sustainable landmark. Oriented by the sun, the 10-acre campus encompasses the largest solar array in New York City, four acres of geothermal wells, and 500,000 square-feet of open green space dedicated to the public. If built today, the campus’s 150,000 square-foot main academic building would be the largest net-zero energy building in the eastern United States.
The proposed campus is designed by Skidmore, Owings, & Merrill (SOM). Landscape will be designed by James Corner Field Operations. Cornell teamed up with alumnus and managing director of Distributed Sun, Jeff Weiss, to help build a comprehensive energy solution. National Renewable Energy Laboratory (NREL) and the NYS Energy Research and Development Authority (NYSERDA) also participated in the conceptualization of the proposed renewable energy and energy efficient aspects.
Continue reading for more images and detailed information.
Architecture for Humanity has launched the 2011 Open Architecture Challenge: RESTRICTED ACCESS, asking architects and designers to partner with community groups across the world and develop innovative solutions to re-envision closed, abandoned and decommissioning military sites. The six-month competition requires designers to work with the communities surrounding these former places of conflict to transform hostile and oftentimes painful locations, into civic spaces built for the public good. More information on the competition after the break.
Jean-loup BALDACCI & Atelier BORONSKI shared with us their first prize winning proposal for the New Taipei Museum of Art competition. Their aim was to create a field of dreams; a building for the people. Its existence actually extends the park and because it merges street and park it invites a high degree of participation. It is completely accessible for people to walk and even ride bicycles all over. The public can easily ‘take possession’ of this building, even just to come and sit on the grass and enjoy the view as they picnic on these huge pieces of ‘ground’ floating in the sky. But through various openings and glazed apertures the interiors beckon. More images and architects’ description after the break.
Cartoonist Alan Dunn (1900 – 1974) may still hold the record as the New Yorker’s most prolific illustrator, responsible for 1906 cartoons and 9 covers during his tenure from 1926 – 1973. Capitalizing on his background in design, Dunn also contributed many cartoons to Architectural Record, beginning in 1936.
A collection of those cartoons, ‘The Last Lath’ was first published in 1947 and was nicely written about in a blog where we found a lot of his work. In addition to lampooning the modern design trends and technologies of the 1930s and ’40s, much of the humor centers around the terminology used by contractors and architects of the day, as well as realities like WWII-era material shortages and the post-war housing boom. A gallery of Dunn’s cartoons can be found after the break.
Portuguese architect, Eduardo Souto de Moura, was recently honored with an exhibition that took place this summer at the Álvaro Siza-designed Porto Faculty of Architecture (FAUP) which was arranged by curators André Campos and Pedro Guedes Oliveira. The exhibition, Eduardo Souto de Moura-Competitions 1979-2010, is a tribute to a specific design approach and working method. More images and exhibition information after the break.
David Baker will lecture this coming Wednesday on the topic of ‘Hedonistic Sustainability’ specifically referencing the LEED certified h2 Hotel. David Baker & Partners green design for the hotel, along with the challenges and opportunities of building a design business with a social commitment, will be the focus of the discussion. The lecture will be held at the Fashion Institute of Design & Merchandising and is free and open to the public
Do you want to enjoy a sauna in the south of Chile? Or a pool house in Denver? A nice club in Sao Paulo perhaps? Check them all after the break!
Sauna in Ranco / Panorama The project is situated in Ranco in the lake district – Chile, over a dark granite rock at the shore surrounded by mountain cypresses. The project consists of a sauna with a roofed terrace and a changeroom, each of them looking towards different views from the rock to the lake. The three of them connected by a north-south oriented circulation (read more…)
BIG wins an invited competition to renovate and extend an existing 1960′s concrete warehouse situated in a Basel industrial district which is being transformed into an alternative Arts District. More images and complete press release after the break.
On October 20, The Museo de Arte Contemporáneo de Monterrey (MARCO) and Richard Meier & Partners Architects launched Latin America’s first retrospective exhibition celebrating the forty-eight years of Richard Meier’s career. The show reveals an in-depth overview of many significant projects, showcasing a large collection of models, original sketches, photographs, renderings and an exclusive gallery dedicated to Meier’s product design.
Federico Soriano Pelaez shared with us their third prize winning proposal for the New Taipei City Museum of Art. Their aim was to design a museum which contains all museums. A museum which is the entirety of all the museums in the world. They collected 100 of the most important museums of art from around the world. It is architecture as a refined abstraction of a historic landscape. It is a recollection of generic fragments from the plans of the museums from around the world which will be inserted into the Taipei City Museum of Art. More images and project description after the break.
Australia-basedAndrew Maynardhas shared a new type of governmental building with us with a project that is as much a statement about pushing the realm of architecture forward, as it is a reaction to political happenings and the need for change. This adaptable architecture builds upon the irony of a democracy where elected representatives supposedly represent the voice of the people, yet, the occupied governmental spaces are “fortified and spatially manipulated to the benefit of the representative rather than those represented.” By allowing the represented to interact with the spatial qualities of the representatives, Maynard’s mobile and adaptable structure becomes a ” democratic architecture.”
More images and more about the project after the break.
The complexity of a problem that stands before competitors reflects a contrast that exists between rural surroundings and program demands that refer to a high built-up density in an otherwise non-urbanized (built-up) area of the prairie. This project, by MITarh Architecture Studio represents a model for an anticipated urban development of the area in which the competition task has been set. An initial motive for designing was the distinctive texture of the surrounding fields. Their aim is to establish a rational and useful urban matrix adaptable to the existing area using the dimensions and geometry of the new structure, while establishing continuity of the surrounding area. More images and architects’ description after the break.
Taking place at the Yale School of Architecture gallery from November 14th-January 27th is the Gwathmey Siegel: Inspiration and Transformation Exhibition which is the first museum exhibition devoted to the work of Gwathmey Siegel and Associates Architects, one of the most influential architecture firms of the modern period. The exhibition is free and open to the public. More information on the event after the break.
The space of sound created by Carlito Carvalhosa’s Sum of Days on exhibit at MoMA until November 14, 2011 is a sublime environment of billowing white fabric and the white noise of the atrium reflected upon itself. The psuedo-boundaries established by the translucent material that hang from the ceiling create a confined space of light and ambient sound – fleeting and ephemeral. Upon entering the exhibit, you pass an array of speakers affixed to the wall. They are emitting a low hum – the sound of voices and echoes that are distant, yet recognizable. It is unclear at first from where these sounds are originating, but behind the fabric bodies are drifting in and out of view. The curtains, which are constantly swaying, direct you in an ellipse to the center of the space where a single microphone hangs, picking up the noise within the exhibit and sending them to the dozens of speakers that hang at intervals inside the curtains, along the walls of the exhibit, and up through the galleries at the mezzanine levels that overlook the atrium.
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