- Year: 2021
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Photographs:Francisco Nogueira
Text description provided by the architects. The exhibition design follows these lines of thought: Fieldwork: the resurrection of Henrique Galvão’s 1934 map, a complex referential transnational framework. Translation: the very actual and misused topic of borders, peripheries, nations dictating conventions on one side of a line against what might happen on the other. Lines: suggested by a deformed, half invisible grid offering potential narratives of referential diversity, blurring north-south orientations. Geography: an insinuated three-dimensional space grid eludes any clear belonging. Choice: “if I had to choose between The Doors and Dostoyevsky, then – of course – I’d choose Dostoyevsky. But do I have to choose?” (Susan Sontag in Jonathan Cott, The Complete Rolling Stone Interview, Yale University Press, 2013).
