- Client: Women’s Association of Ouled Merzoug (Association des Femmes d’Ouled Merzoug (AFOM))
- Design & Build: Participants of Building Beyond Borders postgraduate certificate UHasselt, John Silvertand, Hannah Van Breen, Arnaud Goossens, Auranne Leray, Margot Lambrechts, Eline Hoftiezer, Tinne Beirinckx, Kjell Keymolen, Aurora Fanti, Sofie Van den Velde, Jolien Bosmans, Martina Petrosino, Giulia Ventre, Emily Haest, Miki Z, Biniam Hailu, Alice Chang, Dany Depuydt
- Project Initiators And Academic Tutors: Academic team of the UHasselt postgraduate certificate Building Beyond Borders and BC architects & studies
- Team Of Local Workers: Women of AFOM, Abdelaziz Agoram, Mohamed Oualla, Abdelhadi Arifi, Abdelkbir Sayah, Bouchaib Darai, Hassiz Kassimi, Abde Sadak Agoram, Mehdi El Finti, Allal El Finti, Abdelkarim Kassimi, Abdelwahid El Finti, Rachid Esmali
- City: Idelsane
- Country: Morocco
Text by Hannah Van Breen. In Ouled Merzoug, a small earthen village near the Atlas Mountains of Morocco, a piece of land was offered by the community to the recently founded women’s association AFOM (Association des Femmes d’Ouled Merzoug). Within the postgraduate certificate Building Beyond Borders, organized by UHasselt SEE, the participants designed and built in close collaboration with local women and workers. The end result of this participatory process is a Women's House: a meeting, working and learning place in the centre of the village. A place where women can share their crafts with the community and visitors. In this project, the limits of the sustainable buildings were challenged by maximizing the use of local and regenerative materials and the confrontation between traditional and contemporary building techniques.
Framework. In September 2018, a team of architects, urban planners, interior architects, and artists were brought together for the first edition of the postgraduate certificate Building Beyond Borders of Hasselt University. With a focus on bioclimatic design and responsible material use, the postgraduate consists of tutoring theoretical background and research, project-based learning, hands-on experiments, and a real-life Design & Build project abroad.
For this edition, the question was raised to build a Women's House in Ouled Merzoug, building further on the already existing relationship between BC architects & studies and the local community. In November 2018, the participants went to Ouled Merzoug for the first time to get to know the village and its inhabitants, measure the site and organize workshops with the women to define the programme in collaboration with Harmonie Begon. After an intense design period in Hasselt, the foundation works started in April 2019. In December 2019 the keys were handed over to the Women's Association.
On the hill, on the crossing of informal paths. The building plot has some particular characteristics. It is located on a slope, in a gully leading the water from the mountains to the agricultural fields of the ‘Palmeraie’ and the river during periods of heavy rain. Locals walk by regularly, as two main shortcuts run over the site. One path connects the main road and centre of the village with a square for religious festivities and the graveyard, the other one passes by a sequence of important public spaces such as the soccer field, the preschool, and the primary school.
A house with two façades. The features of the site were taken as starting points for the implementation and design of the Women’s House. The house is not built in the center of the gully but along the ridge of the hill. Following the natural topography of the site, the Women’s House consists of two volumes, each positioned in a slightly different direction. In its specific positioning, the House seeks connection with both sides of the village. The main façades at the ends of the building capture two beautiful panoramic views: sunrise over the mountains and sunset over the river. The public character of the Women’s House is emphasized by placing the building on the crossing of the two informal paths. The main path leads the villagers directly to the heart of the building.
From center to end, from public to private. The Women’s House is entered through a central meeting place, a public heart, the ‘cour’. The ‘cour’ connects the two volumes of the house: a workshop space, the ‘atelier des femmes’ and a communal baking house, the ‘boulangerie commune’. The ‘atelier’ is a place for meeting, teaching and learning, spinning and weaving. In the ‘boulangerie’ the women can enjoy sharing meals together, bake and sell homemade bread and pastries. Whereas the center of the building is the most public, the ends are the most private. Each volume gives access to an intimate garden. Apart from being areas for leisure and resting, the gardens are designed and furnished to enhance the program of the adjacent spaces. The large sink on the bench of the ‘atelier’ garden makes it possible for the women to wash and color wool. In the cob oven in the ‘boulangerie’ garden, women can experiment with new recipes.
Building with natural materials – pushing the limits. Maximizing the use of local and natural materials and minimizing the amount of construction waste, were taken as base principles in this project. For the envelope of the building, pieces of granite rock were dug out from the surrounding hills. The inner walls are made out of adobe bricks. While the roof span of the building is based upon the maximum length of the eucalyptus beams that can be found on the local market, the ceiling is made out of a reed that grows in the ‘Palmeraie’. As for the finishing of the walls and floors, different mixes of local earth, river sand, lime, and straw are used. By the virtue of the close collaboration between skilled local workers and foreign architects, and thereby the confrontation of traditional and new building techniques, it was possible to reinvent and explore new construction details during the building process.
Collaborating with local crafts(wo)men. For the interior of the Women’s House, the collaboration with local craftswomen and craftsmen were key. Here again, local materials were put in the spotlight. The women designed and wove the curtains and helped with building the cob oven in the garden of the bakery. The doors and eucalyptus beams under the kitchen counter were made by local woodworkers. The exterior lamps and ceramic objects were shaped together with the local potter.
The forest garden. Next to the building, in the gully, a forest garden greens the formerly naked rocks. This garden brings biodiversity and shade to the hill site and aims to be a new public space for the village of Ouled Merzoug. Next to that, the terraced garden and its dry-stacked walls slow down the running of rainwater. This results in better water infiltration and a reduction of the amount of eroded material flushing towards the main road and further down the ‘Palmeraie’. The different species of native forest trees and shrubs were planted by the team of local workers, women of Ouled Merzoug and other villagers.