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Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Exterior Photography, Facade, ConcreteMuseum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Exterior Photography, ConcreteMuseum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography, ConcreteMuseum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography, Stairs+ 26

Caceres, Spain
  • Area Area of this architecture project Area :  5000
  • Year Completion year of this architecture project Year :  2019
  • Photographs
    Photographs :Amores Pictures
  • Manufacturers Brands with products used in this architecture project
    Manufacturers :  BANDALUX
  • Architect : Emilio Tuñón Álvarez
  • Client : Gobierno de Extremadura y Fundación Helga de Alvear
  • Structural Engineering : Alfonso Gómez Gaite (Gogaite S.L.)
  • Installation Engineering : Úrculo Ingenieros
  • Construction Company : VIAS
  • Collaborators : Carlos Brage, Andrés Regueiro, Ruben Arend, Rosa Bandeirinha, Inés García de Paredes.
  • City : Caceres
  • Country : Spain
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Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Exterior Photography
© Amores Pictures

Text description provided by the architects. A strategy, not a way.
The project tries to listen to the place and to imagine a potential city that, without discarding our era, is capable of preserving the way the city breathes.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Exterior Photography
© Amores Pictures
Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Image 19 of 26
Floor Plan +443.50
Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Exterior Photography, Concrete
© Amores Pictures

It is a matter of finding the common territory between what is contemporary and what allows the city to recognise itself; a figure, or better yet, a strategy, that contains both sides in itself.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography, Concrete
© Amores Pictures

A strategy considered in terms of opportunities. A set of rules dictated by the pre-existing. A reinterpretation of what makes the project, the container and the content, a gift for the city.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography, Stairs
© Amores Pictures
Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Image 23 of 26
Section
Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography, Stairs
© Amores Pictures

A limit that is a meeting point.
The plot forms a border in the city both in history, on the edge of the medieval old town, and in geography, an element that perches and forms the cracks of a trench.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography
© Amores Pictures
Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Image 25 of 26
Axo
Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography
© Amores Pictures

The proposal restores the character of the area of transit and exchange that used to be the identity of the space outside the walls and makes it permeable. From the street Pizarro, under the pre-existing facade and through the back garden, a public route unfolds, being one more link in the chain of squares and alleys through which the old town of Cáceres is navigated. This also functions as a natural way of preserving the slope that leads to the new part of the city.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography, Wood
© Amores Pictures

In the same way that art, once the privilege of an elite, becomes accessible, the building also tries in an urban trompe l'oeil, if not to eliminate, to twist and dilute the only limit that almost always remains, what belongs to a few and what belongs to all, articulating a public artery in the void that crosses the private sphere without touching it.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography, Wood
© Amores Pictures

The presence of the possible: that which remains and that which changes.
The project is faithful to the essence of what exists and the proposed set does not differ much from what the site is now: a house with a garden.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Interior Photography
© Amores Pictures

The forceful traces remain, the round volumetrics are almost intact, a distorted reflection of the orthogonal and stone geometry of the “Casa Grande, while the apparent hermeticism dissolves in the accessible exterior routes. A “house”, also in terms of functions, housing the administrative nucleus with which the centre will operate, and a “new house”, for leisure and a welcoming stroll, which also houses the warehouses and facilities that will feed the building.

Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos - Exterior Photography, Concrete
© Amores Pictures

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Project location

Address:Caceres, Spain

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Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "Museum of Contemporary Art Helga de Alvear / Emilio Tuñón Arquitectos" [Museo de Arte Contemporáneo Helga de Alvear / Emilio Tuñón Arquitectos] 30 Mar 2020. ArchDaily. Accessed . <https://www.archdaily.com/936426/museum-of-contemporary-art-helga-de-alvear-emilio-tunon-arquitectos> ISSN 0719-8884
© Amores Pictures

Helga de Alvear当代艺术博物馆 / Emilio Tuñón Arquitectos

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