The 58-Year Evolution of Frank Lloyd Wright's Guggenheim Museum

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This article originally appeared on guggenheim.org/blogs under the title "Wright’s Living Organism: The Evolution of the Guggenheim Museum," and is used with permission.

Standing on the Solomon R. Guggenheim Museum construction site in 1957, architect Frank Lloyd Wright proclaimed, “It is all one thing, all an integral, not part upon part. This is the principle I’ve always worked toward.” The “principle” that Wright referred to is the design ideology that he developed over the course of his seventy-year career: organic architecture. At its core, that principle was an aspiration for spatial continuity, in which every element of a building would be conceived not as a discretely designed module, but as a constituent of the whole.

Although not Wright’s intention per se, it is fitting that the building he conceived of as a living organism has evolved over time. The overall integrity and character-defining spiral form have remained unchanged, but there have been a series of additions and renovations necessitated by the growth and modernization of the institution.

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Cite: Ashley Mendelsohn. "The 58-Year Evolution of Frank Lloyd Wright's Guggenheim Museum" 22 Jun 2017. ArchDaily. Accessed . <https://www.archdaily.com/874207/the-58-year-evolution-of-frank-lloyd-wrights-guggenheim-museum> ISSN 0719-8884

Solomon R. Guggenheim Museum in 1959, with the original yellow-brown painted facade. Image © Robert E. Mates

赖特设计的古根海姆博物馆——过去58年的演变历程

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