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  1. ArchDaily
  2. Projects
  3. Museum
  4. The Netherlands
  5. bureau SLA
  6. 2010
  7. National Glass Museum / bureau SLA

National Glass Museum / bureau SLA

  • 00:00 - 15 October, 2010
National Glass Museum / bureau SLA
National Glass Museum / bureau SLA, Courtesy of  bureau sla
Courtesy of bureau sla

Courtesy of  bureau sla Courtesy of  bureau sla Courtesy of  bureau sla Courtesy of  bureau sla + 15

  • Architects

  • Location

  • Architect

    bureau SLA
  • Design Team

    Peter van Assche (architect), Grazina Bendikaite Mathijs Cremers (project architect), Mick van Essen Gonçalo, Moreira Tereza Novosadova
  • Project Year


Text description provided by the architects. Once the villa on Lingedijk 30 had been acquired, bureau SLA were commissioned to turn the two buildings into a home for the National Glass Museum. It was suggested to turn Cochius’ former residence into an exhibition area and to use the second villa as offices, storage facilities and a cafeteria. Whilst this fulfilled functional requirements, it seemed like a missed opportunity to us at bureau SLA, as the new situation would appear to be not very different from the old one. The museum would have more space, indeed, but this would not be visible from the outside.

Courtesy of  bureau sla
Courtesy of bureau sla

So what would happen if we made both buildings fully accessible to the public? The museum’s employees could eat in the restaurant, the visitors could have full access to the collection of glass, including that in storage, and the administrative staff could work in the library. Furthermore, the exhibition rooms could be far more spacious. Instead of the small rooms of the existing villas, in which visitors need to climb up and down stairs all the time, circulation and exhibition spaces could to be much more generous.

Courtesy of  bureau sla
Courtesy of bureau sla

The four pedestrian bridges that bureau SLA designed draws everything together in an elegant manner. Visitors can idle through extensive rooms; only one lift is needed and an enormous amount of space is gained. The bridges serve as storage space in which all the museum’s objects are on display, in cases specifically designed for the museum by Piet Hein Eek. In the historical villas not much more needed to be done; they were elegant by themselves. Repairs were carried out where needed, with some later additions removed. The bridges were constructed from several layers of polycarbonate panels and covered by a translucent skin of grey, powder-coated, aluminium mesh. During the day they contrast sharply with the refined old villas, whereas at night they glow in reflection of the 9000 glass objects inside them.

Courtesy of  bureau sla
Courtesy of bureau sla
Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "National Glass Museum / bureau SLA" 15 Oct 2010. ArchDaily. Accessed . <> ISSN 0719-8884
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