Centro De Artes Nadir Afonso / Louise Braverman

Centro De Artes Nadir Afonso / Louise Braverman

© Fernando Guerra |  FG+SG © Fernando Guerra |  FG+SG © Fernando Guerra |  FG+SG © Fernando Guerra |  FG+SG + 28

Boticas, Portugal
  • Architects Authors of this architecture project Louise Braverman
  • Area Area of this architecture project
    1858.0 m2
  • Project Year Brands with products used in this architecture project
  • Manufacturers Brands with products used in this architecture project
    Alucobond, DormaKaba, Knauf, Otis, Plaka, Regent, Saint-Gobain, Sanyo, VITRA, Vicaima
  • Design Team

    Artur Afonso, John Gillham, Yugi Hsiao, Jing Liu, Snow Liu, Medha Singh
  • Local Architect

    Paulo Pereira Almeida
  • Photographs

    • Consulting Architects

      Artur Afonso
    • Landscape

      Maria João Ferreira
    • Structural

      JP Engenharia
    • Electrical

      M &M Engenharia
    • Fire Safety Engineer

      Palhas Lourenço
    More Specs Less Specs
    © Fernando Guerra |  FG+SG
    © Fernando Guerra | FG+SG

    Text description provided by the architects. Merging architecture and landscape, Centro de Artes Nadir Afonso links an emerging urban center with its pastoral environs. The1858-square-meter single artist museum fuses a light, lucid contemporaneity with the rich materiality and sustainability of Portuguese design to honor one of Portugal’s most beloved native sons, the artist Nadir Afonso. As well as paying homage to the artist, who formerly practiced architecture with Le Corbusier and Oscar Niemeyer, the Centro, along with the artist’s foundation in nearby Chaves, will serve as an engine driving economic, cultural, and community development in the region. Sliced into a steep hillside, the new art museum is divided into two distinct, but connected, parts:  a light-filled cultural center looking out upon the intersection of a national highway and City Hall; and, nestled in the back, a vast, below-grade exhibition space topped by a green-roof park.

    © Fernando Guerra |  FG+SG
    © Fernando Guerra | FG+SG


    In the double-height Entry Hall, a photomural of the artist and a continuous band of his sketches provide punches of bright color visible from the street. From here, the exhibition hall, outdoor café, children’s library and stairway to the auditorium beckon, as does the exterior auditorium that is designed to encourage informal civic engagement.

    © Fernando Guerra |  FG+SG
    © Fernando Guerra | FG+SG


    Embedded in the hillside below a sustainably planted green roof, the exhibition hall is the heart of the museum. Since the exhibition walls are shorter than the exterior walls, visitors can view the art against a background of the surface of the rustic stone of the recycled cyclopean retaining walls, creating a unique feeling of viewing art within a lavish grotto.  While encouraging the perception of an indoor/outdoor layering of space, the proximity of the walls to the interior both blocks degrading direct sunlight and allows indirect daylight to reduce the museum’s carbon footprint. The green roof park, designed in the spirit of Nadir Alonso’s geometric abstraction and in the tradition of Roberto Burle Marx, also naturally modulates internal temperature while offering aesthetic delight to the community.

    © Fernando Guerra |  FG+SG
    © Fernando Guerra | FG+SG

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    Project location

    Address: Boticas, Portugal

    Location to be used only as a reference. It could indicate city/country but not exact address.
    About this office
    Cite: "Centro De Artes Nadir Afonso / Louise Braverman" 24 Mar 2014. ArchDaily. Accessed . <> ISSN 0719-8884
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