Architects: Genius Loci Architettura
Location: Via Don Lorenzo Perosi, Scandicci Florence, Italy
Architects In Charge: Stefano Boninsegna, Andrea Grassi, Enrico Santi, Silvia Trentanove
Design Team: Antonio Romano, Filippo M. Messeri, Paola Portone, Michele Zanella
Area: 9,000 sqm
Photographs: Pietro Savorelli
The winning design for the Austrian pavilion of the 2015 Milan Expo has been announced. Following the Expo’s theme of “Energy for Life,” team.breathe.austria’s winning proposal focuses on social change for environmental protection. The enclosed, rectangular pavilion will be planted with an abundance of native Austrian vegetation. Titled “breathe,” the project will produce enough oxygen to sustain 18,000 people by the hour and advocates for a healthier bond between the urban and natural environment.
Greenhouse Talks, an auxiliary public lecture series to the 2014 Venice Architecture Biennale, will take place on Thursday, June 5th and Friday, June 6th between 9:00 and 11:00am. During each session, an international panel of professionals – including the founder of MAD Architects, Ma Yansong, and the director of AMO, Reinier de Graaf – will discuss a topic pertaining to Rem Koolhaas‘ chosen theme for the Biennale: Fundamentals. The first day of discourse will focus on the future of the architectural profession, investigating the potential influence of the market crisis and the intersection of architecture with other disciplines. The second will reflect on the representation of architecture, considering the Western practice of exhibiting architecture projects in museums, institutes, and biennial events and what this practice’s adoption might mean for the East. For the full list of panel members and event details, read on after the break.
The honor of designing Thailand’s pavilion for the 2015 Milan Exposition has officially been awarded to The Office of Bangkok Architects (OBA). The firm’s winning design incorporates the Expo’s theme of “Feeding the Planet, Energy for Life” with the agrarian and religious qualities that define the Kingdom of Thailand. Located centrally on the Expo’s main avenue, the pavilion will be adjacent to a canal that will be used as a part of the exhibition, relating back to Bangkok’s informal title as the “Venice of Asia.”
Paris-based X-TU has envisioned a more cohesive, sustainable market where food is not only grown and harvested, but sold and consumed on the spot. Serving as the French pavilion for the 2015 Milan Expo, X-TU’s competition-winning scheme will celebrate the country’s “rich genetic heritage” and future in innovative food production with a timber “fertile market” that supports the growth of the produce it sells.
Yesterday, Monditalia - one of the three exhibitions currently being prepared for this year’s Venice Architecture Biennale - tweeted out a neat little graphic showing the number of architects, per inhabitant, in 36 countries around the world.
The graphic shows that Italy has a shockingly high percentage of architects in its population: for every 414 Italians, one is an architect. According to the graphic, Portugal, Denmark, Germany, Belgium, Spain, and Greece all have ratios of less than 1,000 to one. Of course, there are plenty of other architect-heavy places missing from the list; not even mentioned in the graphic is Chile, a country that – according to its latest census - has one architect per 667 inhabitants, nor Mexico which has about 724 inhabitants per architect. On the other end of the spectrum, China has only one architect for every 40,000 persons.
Placing sixth in the competition to design the Romanian Pavilion for the 2015 Milan Expo, Collective East Architects offered a “simple and powerful landmark” that focuses on the history of Romania’s agriculture. Serving as an “attractor and orientation mark,” the structure was conceived by repeating a traditional Romanian pattern that “transformed the pavilion into a sculptural object with a powerful national identify.” From a distance, the facade appears “introverted and impenetrable;” as viewers move closer, the building begins to expose its contents, revealing a level of detail one would expect in a “jewelry museum.”
The ability of fermenting grapes has transcended through the centuries to be an art which blends science, pleasure and aesthetics. Cantina Valpolicella Negrar (Verona) produces some of the most prestigious classical wine labels in the world – such as Valpolicella, Recioto, Ripasso and Amarone. In order to crown this excellence, the winery’s board of directors seek a design proposal able to match up to the prestige of its brand. The purpose is to rethink the “winery” under a contemporary perspective, transforming it from a simple storehouse / production facility into a catalyst for culture, tourism and research: what kind of architecture can be proposed?
This is the challenge YAC offers the designers, proposing to transform Valpolicella’s old winery into an architectural manifesto in which wine production has to become the pivotal feature to frame within the architectural design. The proposal shall comprehend a wide range of wine-related activities; spaces for wine tasting experiences / lectures / media showing / media listening / wine museum / hospitality resort / research centre / educational centre.
The jury includes Nicola Scaranaro, Alfonso Femia, Fiorenzo Valbonesi, Antonio Ravalli, and Markus Scherer. ‘Early Bird’ registration ends April 30 and the material submission deadline is July 7. For more information, please go to the competition’s official website.
Global firm Woods Bagot has unveiled designs for the Italian Serie A soccer club AS Roma’s new stadium: Stadio della Roma. Planned for completion by the 2016-17 season on the outskirts of Rome, the colosseum-inspired stadium will be capable of hosting more than 52,000 fans and designed to be easily configured to accommodate multiple sporting and entertainment events.
“The design draws visual cues from the world’s most historic spectator venue, the Roman Colosseum,” says Woods Bagot Sport Design Leader, Dan Meis. “The design features a state-of-the-art steel and concrete seating bowl wrapped in a ‘floating’ stone scrim, evocative of the rhythmic facade of the famous arena; with polycarbonate clad roof is reminiscent in form of the historic retractable fabric canopy that once covered the upper tiers of the Colosseum.”