Architects: Burnazzi Feltrin Architects
Location: Pergine Valsugana, Trento, Italy
Design Team: Burnazzi Feltrin Architects (Burnazzi Elisa arch., Feltrin Davide arch.) and Pegoretti Paolo arch.
Area: 430 sqm
Photographs: Images are property of architects Davide Feltrin, Elisa Burnazzi, Paolo Pegoretti and photographer Carlo Baroni
MenoMenoPiu Architects + BE.ST Architect shared with us their proposal for the Italian Pavilion Expo 2015. Titled ‘The Slabs’, their design consists of a light cage where the technical innovation is embedded within the structure: revolutionary glass columns sustain traditional slabs clad in marble. Simple and elegant in its structural system, marble and glass are intertwined to express the Italian architectural tradition of proportion and elegance. More images and architects’ description after the break.
Architects: Studio Insula
Location: Rome, Italy
Designer Architects: Eugenio Cipollone, Francesco Cellini , Roberto Lorenzotti (Pavilions 6 & 7), Eugenio Cipollone, Paolo Orsini, Roberto Lorenzotti (Pavilion 2B)
Design Team: Nicoletta Marzetti, Renzo Candidi, Lusilla Voci, Fabrizio Bonatti (Pavilion 2B)
Photographs: Insula srl, Stefano Cerio
Romano Adolini Architetto shared with us their design for a new residential complex, carved into the vertical face of an abandoned tufa stone quarry in Civita Castellana, near Viterbo, Italy. Their scheme is a modern reinterpretation of a manner of living and behaving which responds to the need to distance oneself from outside, a new dimension of hidden isolation, of seeking silence and meditation. It is also a new solution to the rehabilitation of quarry sites, currently abandoned and forgotten industrial by-products, located in wonderful landscapes and destined otherwise to become illegal dumping grounds. More images and architects’ description after the break.
In July 2012, the AA, in partnership with the Adriano Olivetti Foundation and Gehry Technologies, launched Factory Futures: A three year research program aimed at exploring innovative architectural responses for the productive landscape of the future. The mission of Factory Futures is to connect the realms of contemporary urban theory with computational design techniques for the affirmative re-empowerment of the architectural practice within contemporary conditions of production. This year, the Ivrea Visiting School will develop design tools and research concepts to confront this phenomenon, which is challenging the conventions of both architectural design and urban theory during their workshop which takes place July 1-12. More information after the break.
The concept proposal for Vietnam’s Pavilion at Expo 2015 in Milan focuses on mixing settlement and settled agriculture to create the future’s space – the space where settlement and settled agriculture include each other. Titled the Pavilion of dream terraces (field), the building by H&P Architects is created from steel structure frames, which have a large amount of modules – the longest one being 7.5m – that are connected by simple joins or overlapping. More images and architects’ description after the break.
Firenze Che Sarà (A Florence That Will Be) are a series of screening and conversations involving changes in cities, attempting to stimulate the Florentine administration, which has repeatedly show interest in promoting change. The first two screening already took place, but the sessions will continue on the following dates:
- April 18 (A Gavinana. Architecture in Wait)
- May 16 (At the Uffizi. The cityless museum)
- June 13 (At the Cascine. On the search for landscapes)
As part of INTERNI’s Hybrid Architecture Exhibition event, Steven Holl Architects will be opening their ‘INVERSION’ installation tomorrow, April 9th, in Milan. In addition, Steven Holl will deliver a lecture in the Aula Magna of the Università degli Studi di Milano at 10am. Shown in the Cortile 700 of the Università degli Studi di Milano, the installation features six void-cut, 21 million year old limestone blocks, which frame a sheet of water. The process, beginning with a 5”x7” watercolor sketch in New York City, which is transformed into a 3D file and then sent to Lecce, required no working drawings. More information on their installation after the break.