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HWKN: The Latest Architecture and News

Grimshaw, HWKN, Farshid Moussavi, and WHY Create Metaverse Social Hubs Inspired by the Silk Road

The new metaverse platform pax.world, set to launch in early 2023, has announced its collaboration with global architecture offices Grimshaw, HWKN, Farshid Moussavi, and WHY to create “Metaserai,” a vast social and cultural hub envisioned as the core of the new virtual community. The hubs are designed to host virtual cultural, social, and educational events such as concerts, theatre shows, digital art galleries, markets, lectures, parties, and festivals.

The pax.world platform aims to develop into a fully functioning society governed by a Decentralized Autonomous Organization, also known as a DAO. The virtual space will be divided into privately-owned plots of land punctuated by Metaserai communal hubs. These take inspiration from the Caravanserai of the ancient Silk Road, which became hubs for commerce and cultural exchange. Each of the architects is designing their own interpretation of Metaserai.

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HWKN and BIG Design Commercial District at Canada Water Dockside, London

New York-based firm HWKN will create 18,200 square meters of urban development in the commercial quarter of the new Canada Water regeneration plan. In collaboration with the scheme's master planner, BIG – Bjarke Ingels Group, the developer Art-Invest Real Estate UK, and the local community, HWKN makes its UK architectural debut by designing one of the three buildings at the Dockside, London. The building will blend innovative workspaces, commerce, and communal amenities.

The Canada Water Masterplan will transform a total of 215,000 square meters and is expected to deliver up to 3,000 new homes, 280,000 square meters of workspace, and community space in central-south London. The first new town center in London in 50 years would become the UK's most sustainable new urban hub after completion, expected in 2035.

The Second Studio Podcast: Interview with Matthias Hollwich

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by architect and entrepreneur Matthias Hollwich, Founding Principal of HWKN and Co-founder of Architizer, to discuss his upbringing in Germany; working for high-profile offices such as DS+R, OMA, and Eisenman Architects; taking a break from architecture; co-founding Architizer during the 2008 recession; HWKN’s beginnings, ups and downs, and milestone events; and more.

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What Will Post-Pandemic Performance Venues Look Like?

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Grand Junction Rendering.. Image Courtesy of HWKN Architecture

Metropolitans take pride in their storied cultural venues, the chroniclers of intellectual acumen and architectural achievement. While these icons revel in their ornate design, immersive grandiosity, and dramatic acoustics, the pandemic has introduced numerous challenges to the rules of assembly.

Recognizing changes in the rituals of attending a show—from procession and gathering to engagement—architects and cultural leaders are designing the next generation of performance venues while asking the question: How does architecture solve issues raised by a building’s inherent purpose? Is it possible to maintain the essence of a venue through gentle yet effective changes in people’s habits? The answers seem to rely on updating the auditorium culture (which dates as far back as the Colosseum) with contemporary design solutions rooted in new technologies.

A New Exhibition in Berlin Explores the Human Side of Architecture

Shape Tomorrow, a new exhibition at AEDES Architecture Forum in Berlin, is a reaction to both staid, self-serious architecture shows and to the staid, self-serious architecture profession. Taking the form of a miniature city, it turns buildings into named characters, encourages visitors to populate structures with miniature people, and leaves space for them to fill the room with their ideas and criticism.

The exhibition, on view through January 13, is the brainchild of German architect Matthias Hollwich, founder of New York-based HWKN—a burgeoning firm known for both its research and its sense of whimsy. The show centers on nine, 16-foot-tall white plaster towers whose glowing bases take on the forms of some of the firm’s playful, kinetic projects from around the world. These include 25 Kent, a fractured office building in Williamsburg, and Die Macherei, a jutting and terraced mixed-use business district in Munich.

"New(er) York" Imagines What New York's Historic Structures Would Look Like if Built Today

The New York Times recently reported that over 40% of the buildings on the island of Manhattan wouldn’t be granted construction permits in 2017. Most of the culprits date back to the early 20th century when attitudes towards density, ceiling heights, column placement, and general living standards were different. This begs the question: what would modern iterations of New York’s signature structures look like today? Billed by the practice as “an obsessive-compulsive study of the city we love” HWKN’s New(er) York is a peculiar experiment that tackles this hypothetical.

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Wendy Opens at MoMA PS1 / HWKN

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Wendy © ArchDaily

Yesterday afternoon, inside the playground of MoMA PS 1, we met Wendy - HWKN’s temporary summer installation for the 2012 Young Architects Program. As an experiment in pushing the boundaries of what architecture can do in an urban environment, Wendy certainly makes an impression. Her blue spiky arms shoot passed the confines of PS 1′s courtyard walls, immediately attracting the attention and piquing the curiosity of those meandering along Jackson Street. Conceptualized as a storm, Wendy intends to challenge the public’s notion of what architecture should be, as the structure’s ecological function will actually clean the air. ”Wendy does not play the typical architecture game of ecological apology – instead she is pro-active,” explained HWKN.

More about Wendy after the break.