Planning: Designtoproduction (Arnold Walz and Fabian Scheurer )
Structural Engineering: Consuplan
Photographs: EIGHT GmbH & Co. KG.
Architects: Behnisch Architekten, Pohl Architekten
Location: Reichenhaller Straße 79, 83334 Inzell, Germany
Behnisch Architekten Team: Stefan Behnisch (Partner), Robert Hösle (Partner), Andreas Leupold (Projektleiter), Connie Wust, Wyly Brown, Roxanne Reusse, Andreas Peyker, Jonathan Fahy
Pohl Architekten Team: Göran Pohl (Partner), Julia Pohl (Partner, Pro- jektleiter), Falk Krüger, Anja Klein
Client: Gemeinde Inzell
Area: 20000.0 sqm
Photographs: Meike Hansen, David Matthiesen
Forming a distinctive entrance to the listed Baden-Wurttemberg parliament building, the design for the Citizen and Media Centre by Henning Larsen Architects recently won the first prize in the competition. The new entrance is shaped like a large amphitheatre, sunk in the ground to attract its 65,000 visitors a year. The round shape also creates an agora in the center, ideal for political meetings and public cultural events alike. More images and architects’ description after the break.
With the exhibition “The Poetics of Boxes” Aedes presents the first monographic show in Europe of the work of Mathias Klotz from Santiago de Chile, currently one of Chile’s most successful international architects.
Klotz’s works are characterised by their structural clarity. The distinct volumes and lines of his buildings correspond with perfect conceptual rigour to the landscape. In the exhibition this cosmopolitan from the Pacific presents his approaches and working methods. Alongside his work as an architect for over thirty years, Mathias Klotz is also active as filmmaker and photographer. So in a certain way his buildings can be understood as constructed screenplays. They tell the stories of the inhabitants and the surroundings. Klotz’s stylistic devices are framed views, light and shadow, as well as a reduced palette of materials consisting mostly of timber and exposed concrete. Views into and out of the buildings provide a strong connection with the setting. The relationship between inside and outside is a very central theme in Klotz’s oeuvre.
Speaking at the opening, on September 13, will be Pritzker Prize jury member, Dr. h.c. Kristin Feireiss, Cristóbal Molina Baeza, Commissioner National Council for Culture and the Arts, Miquel Adriá, Director Arquine, and Mathias Klotz.
More information and images after the break.
Designed by AVA (Andrea Vattovani Architecture), their proposal for the Museum of Bavarian History not only creates an icon for the city, but their intervention is able to emphasize and further develop the city structure. Since a box-like form didn‘t seem to be the best solution for integrating the museum in its surroundings, they took special notice of the urban surroundings and protected monuments in the development process. More images and architects’ description after the break.
Developed for the architectural competition organized by real estate company, STI Immobilienmanagement, HENN‘s design for the Glazed Software Factory was just announced as the winning proposal. The company’s new office building, located in Karlsruhe, consists of open, transparent spatial structures allowing for a varying range of office types. This strategy combines areas of communication and concentration with one another to provide a bright and diverse working environment for customers and staff. More images and architects’ description after the break.
Since its opening in 2001, the ever inspiring Jewish Museum in Berlin has experienced the addition of the Studio Daniel Libeskind designed Glass Courtyard in 2007, and The Academy which was recently completed and opened in 2013. With the museum as the focus and inspiration driving these two recent additions, Spirit of Space took this opportunity to provide us with another look at this emotionally moving masterpiece. From the very beginning, Libeskind believed the extension to the museum was about establishing and securing an identity within Berlin, which was lost during WWII. In cinematic form, their film attempts to express the uneasy sequential essence of Libeskind’s work.