Since its opening in 2001, the ever inspiring Jewish Museum in Berlin has experienced the addition of the Studio Daniel Libeskind designed Glass Courtyard in 2007, and The Academy which was recently completed and opened in 2013. With the museum as the focus and inspiration driving these two recent additions, Spirit of Space took this opportunity to provide us with another look at this emotionally moving masterpiece. From the very beginning, Libeskind believed the extension to the museum was about establishing and securing an identity within Berlin, which was lost during WWII. In cinematic form, their film attempts to express the uneasy sequential essence of Libeskind’s work.
Designed by Irlenbusch von Hantelmann Architekten, their proposal for the Museum of Bavarian History in Regensburg accentuates its significance through its single urban block concept. The aim of the urban layout is a sensitive implementation of the new building in the world heritage surrounding, without disregarding the importance of the museum. Therefore the historical layout with its unique alleys is continued with the new setting. More images and architects’ description after the break.
Aiming to seamlessly integrate into the UNESCO World Heritage site, this proposal for the Museum of Bavarian History is derived from the existing roofscape the building references to history. Designed by Simon Takasaki Architecture + Research Studio, their proposal develops a formal language which is triggered by the existing structures, overlaying the present and the future simultaneously. More images and architects’ description after the break.
The Einstein Tower, designed by the German architect Erich Mendelsohn, is one of the best-known examples of German expressionist architecture. Designed as an amorphic structure of reinforced concrete, Mendelsohn wanted the tower to represent as well as facilitate the study of Einstein’s radical theory of relativity – a groundbreaking theorem of motion, light and space.
More on this expressionist monument after the break…
3XN just won the first prize in the international competition for their design of the new building for the technical faculty of the German university Duale Hochschule Baden-Württemberg (DHBW). With their vision to create an open, inspiring and social learning environment, the building is to be a lighthouse project for academic learning – an innovative and productive learning environment in which students, teachers and industry representatives can meet. More images and architects’ description after the break.
From the architect. Over the years, furniture company Vitra has made a name for itself as one of the most architecturally-enlightened companies in the world, with their renowned campus featuring buildings by Nicholas Grimshaw, Frank Gehry, Alvaro Siza, Tadao Ando, Zaha Hadid, Herzog & de Meuron and SANAA.
Now, Vitra has announced a collaboration with Renzo Piano that will bridge the gap between their sought-after furniture and their bespoke campus. Diogene, a self contained minimal living space with a floor area of just 2.5 x 3.0 meters, is billed as “Vitra’s smallest building – but largest product”.
More about the design of Diogene after the break
Architects: Wiel Arets Architects
Location: Karlstraße 16, 88212 Ravensburg, Germany
Project Team: Wiel Arets, Bettina Kraus, Carsten Hilgendorf, Uta Böcker, Tobias Gehrke, Ramón Alvarez-Roa, Ole Hallier, Sjoerd Wilbers
Collaborators: Janosch Welzien, Jasper Stevens, Martin Tessarz, Tobias Bam- berg, Steffen Winkler, Carlatta Giacomin
Area: 13800.0 sqm
Photographs: Jan Bitter
A gigantic installation work by Tomás Saraceno, entitled “in orbit,” was just assembled last week in the Kunstsammlung Nordrhein-Westfalen in Germany. At a height of more than 20 meters above the piazza of the K21 Ständehaus, Saraceno has suspended a net construction within which visitors can move, apparently weightlessly. Saraceno’s net construction, which is accessible on three levels, resembles a cloud landscape: those bold enough to clamber high into the web set beneath the glass cupola perceive the museum visitors far below them from the lofty heights as tiny figures in a model world. The installation will be up until September 7th. More images and architects’ description after the break.