This year’s Venice Biennale will kick off on August 29th and run through November 25th and will feature a pavilion from Israel called “Aircraft Carrier”. The collected work confronts the dramatic changes in Israeli architecture since 1973, and the American influences that made them possible. The curators of the exhibit, Erez Ella, Milana Gitzin-Adiram and Dan Handel defined four major architectural phenomena that epitomize these changes: Signals, Emporiums, Allies and Flotillas. The curators invited five leading Israeli and international artists and architectural photographers to reflect on these ideas. Participants include Assaf Evron, Fernando Guerra, Florian Holzherr, Nira Pereg, and Jan Tichy and product designer Tal Erez.
Stop by after the break to see some of the work to be featured as part of “Aircraft Carrier”.
This year’s Venice Biennale will kick off on August 29th and run through November 25th and for the first time, the Institut Ramon Llull will be presenting an exhibition dedicated to Catalan and Balearic architecture entitled “Vogadors”, featuring nine projects from nine different architects that epitomize the contemporary and avant-garde works from the regions. The exhibition is inspired by the Mediterranean Sea, which is the main geographical feature of the regions, and by the words of Jorge Oteiza, “He who forges ahead creating something new does so like an oarsman, moving forward but back-paddling, looking behind him, towards the past, towards what exists, so as to be able to reinvent its underpinnings.”
Follow us after the break to see the projects to be featured at the exhibit.
Designed by Peter Ruge Architekten, the ‘Bambooline Berlin’ project, exhibited at Gallery DEN in Berline, explores the city’s urban development and proposes a new approach for the temporary, interim use of sustainable urban wasteland. This new, imaginary band complements the historically developed lines of the Berlin cityscape. More images and architects’ description after the break.
From next Friday 22nd will take place the AA Projects Review Exhibition. The place of the event is located in the Architectural Association’s main building at 36 Bedford Square, London WC1B3ES.
Projects Review offers an overview of the AA’s 2011/12 acadamic year. On display are hundreds of drawings, models, installations, phogographs and other materials documenting the diversity and experimental nature of the AA School.
‘At the AA architecture is pursued as a form of cultural knowledge, across year-long design projects and portfolios. We believe that truly great schools don’t just nurture and support architectural talent: they build audiences for experimentation, out of which new architectural ideas, visions and projects emerge. Please join us as part of this audience, which the AA remains committed to promoting at the cutting edge of architectural cuture, practice and learning.’
The access to this Friday event required invitation but will be free the rest of the days until 14th July.
One week from today, Chicago-based architecture practice Bureau Spectacular will transforms The Architecture Foundation’s Project Space into an inhabitable installation and a graphic sequence of imaginary worlds, through the studio’s trademark mixture of built structure and cartoon. Founded by emerging architect Jimenez Lai in 2008, Bureau Spectacular is a studio of architectural affairs, who describe their strategy as one of making “absurd stories about fake realities that invite enticing possibilities”. Fascinated by the interplay between storytelling and building, absurdity and speculation, Bureau Spectacular weave architectural design and theory into comic strips that pop from the page into the real world as installations and small buildings.
Jimenez Lai: “This installation – Three Little Worlds – is a cartoonish blow up of a fragment inside the Cartoonish Metropolis. It is a comic book someone can walk into, a window into another reality.”
Richard Meier & Partners recently announced the first retrospective exhibition in Mexico City presented at the Museo de Arte Carrillo Gil on display now until August 26. Exhibiting some of the most emblematic works of renowned architect Richard Meier make it possible to view his design philosophy as a whole and in depth. The retrospective includes a selection of models, original sketches, renderings and photographs. Some of the iconic projects exhibited on the show include the Smith House, The Getty Center, The Neugebauer Residence and the Jubilee Church. More information on the exhibition after the break.
Taking place June 6 – July 31 at Escola Universitária Vasco da Gama’s Monastery of St. Jorge de Milréu in Coimbra, Portugal, the “Eduardo Souto de Moura – Contests” exhibition shows 50 works made for tenders launched in the last 31 years (between 1979 and 2010). In many competitions, the proposed architecture appears as immaterial sometimes unable to provide a reading of the detailed and comprehensive that actually is projected. It will be enlightening to see how there is a working method in which it supports the construction of the proposal (program, materials, location, history, references, sketches, models, drawings, photomontages, photographs, customer). More information on the exhibition after the break.
Focusing on Paris and its diversity, the Pavillon de l’Arsenal, the center for information and exhibition for urban planning and architecture, has invited fifteen European agencies that question the way that modern-day cities are built to participate in this exhibition.
Last December, ArchDaily revealed the winners of the Architect’s Eye Photography Competition. Now, in celebration of the 2012 London Festival of Architecture, the winners of the the competition will be exhibited at the Roca London Gallery beginning June 23rd in Chelsea, London as part of a Launch Event, Exhibition and Discussion Panel. International Art Consultants (IAC) hosts the competition in recognition of architects’ passion for photography. Last year’s 19 finalists and winners will be on view to the public at the gallery until July 8th.
The new exhibition space Rooms for Glass (Le Stanze del Vetro) in Italy, designed by Selldorf Architects, will open this summer in August 2012. The first exhibit to inaugurate the space will be Carlo Scarpa. Venini 1932–1947, a collection of over 300 glassworks by architect Carlo Scarpa. The exhibit will run until November 29, 2012, after which Rooms for Glass will continue showcasing the art of Venetian glassmaking in the 20th century with other exhibits.
Today we had the chance of attending the opening of this impressive exhibition. As we mentioned previously some weeks ago, the Victoria & Albert Museum in London prepared this event focused on the work of the British firm Heatherwick Studio, responsable for the last Shanghai 2010 British Pavilion, as well as the Rolling Bridge, or the New Bus for London that was just released in the 38 route. The exhibition comprises a large range of different scales of design, going from specific objects or furniture, to large infrastructural and urban projects. It will be open for the public from next Thursday 31st.
While the excitement builds for the Olympic Games this summer, London is also preparing for their Design Festival of mid-September. In a joint effort between Arup and Sound and Music, the installation at Trafalgar Square will focus on the idea of design you cannot see by creating a black rubberized portal that will transport visitors to inaccessible places and remote environments through a series of three-dimensional soundscapes created by leading musicians and sound designers. By isolating the sense of sound, visitors will be submerged in a completely new environment as they stand in one of the busiest squares in the world.
Taking place now until September 16, 2012, the Vitra Design Museum is exhibiting “Gerrit Rietveld – The Revolution of Space”. The Dutchman Gerrit Rietveld (1888-1964) was one of the most important designers and architects of the 20th century. Today his work is primarily associated with his two most famous designs, which have become icons of modernism: the Red-Blue Chair (1918/1923) and the Rietveld-Schröder House (1924). But this exhibition shows that Rietveld’s oeuvre contains many more facets that deserve to be rediscovered. This is the first major retrospective on Gerrit Rietveld to be presented to the German-speaking public since 1996. Comprising around 320 objects – including furniture, models, paintings, photographs, films and approximately 100 original drawings and plans – it offers a comprehensive overview of the Dutch designer’s work. For more information on the exhibition, please visit here.
General Manifold is an immersive architectural environment installed in the abandoned Federal Screw Works factory complex in Chelsea, Michigan. This installation was the centerpiece of a collective exhibition organized by the architectural collaborative Spatial Ops and students from their Meta Friche research seminar at Taubman College of Architecture and Urban Planning.
Continue after the break for images and the architect’ project description.
Yasuaki Onishi, who is known for his art throughout Japan and internationally, currently has an installation on exhibit in the Rice Gallery in Houston titled, ‘Reverse of Volume RG’. On display until June 24, he uses plastic sheeting and black hot glue to create a monumental, mountainous form that appears to float in space. In using these simple materials, he is able to successfully meditate on the nature of the negative space, or void, left behind. More images and project description after the break.
Constructed from non-architectural artifacts, Yevrus 1, Negative Impression is a disposable architecture of literal references that calls into question the contemporary architectural vogue for digital complexity and abstraction. The cast impressions of 1973 Volkswagen Beetles and speedboats unite to form a strong structural whole that serves as a lookout tower in the SCI-Arc Gallery. More information after the break.
The Garage Center for Contemporary Culture – a non-profit international arts space based in Moscow founded by Daria Zhukova – has unveiled plans for a new building in Gorky Park. Designed by OMA, Garage Gorky Park will renovate the famous 1960s Vremena Goda (Seasons of the Year) restaurant, a prefabricated concrete structure that has been derelict for more than two decades. Garage is expected to complete and occupy this 5,400-square-meter building sometime next year, with plans to later expand to the nearby Hexagon pavilion (or Machine Pavilion).
Rem Koolhaas: “We were able, with our client and her team, to explore the qualities of generosity, dimension, openness, and transparency of the Soviet wreckage and find new uses and interpretations for them; it also enabled us to avoid the exaggeration of standards and scale that is becoming an aspect of contemporary art spaces.”
CIVITAS, the organizer of the Reimagining the Waterfront, has announced the winners of the ideas competition for the design of the East River Esplanade between 60th and 125th in New York City bound by the East River to the East and the FDR Drive to the west. Joseph Wood of New Jersey, USA; Takuma Ono and Darina Zlateva of New York City, USA and Matteo Rossetti of Italy claimed first, second and third prize respectively. The competition aspires to bring to new and fresh ideas to the conversation about this waterfront, which over the years has had many issues of disrepair. Anyone who has attempted to bike down this path can appeal to just how unpleasant it can be – massive potholes that take up the whole path, traffic rushing by just a foot away just beyond a shoulder (which is not provided everywhere) and cobbled paths that create a bumpy ride. The proximity to the East River, and the views of Randall’s Island, Queens, Roosevelt Island and the Queensboro Bridge are its saving grace.
There have already been many talks about the state of the East River Esplanade, particularly that it stops abruptly at East 53rd street at the foot of the Queensboro Bridge and starts up again around East 38th street. Last summer MAS, an organization in NYC that advocates for intelligent urban planning, design and preservation, hosted a day-long charette to design an esplanade along the ConEd piers located between East 38th and East 41st Streets. MAS appealed to the community for ideas for “The Next Great NYC Waterfront” and worked alongside W Architecture and Landscape Architecture to produce a report, which can be found here. With CIVITAS’s competition, the issues are again acknowledged to continue brainstorming the future of the waterfront.
The Architect’s Newspaper reviewed the competition winners in an article by Tom Stoelker, which are imaginative and considered. The proposals of the winners and honorable mentions will be exhibited at the Museum of the City of New York between June 6th and September 2012 which will give the public access to some possibilities for the future of the East River Esplanade.
Join us after the break for more on the proposals.
