In a large-scale, central installation at the 2017 Chicago Architecture Biennial, the likes of 6a architects, Barozzi Veiga, Kéré Architecture, MOS, OFFICE KGDVS, and Sergison Bates—among others—have designed and constructed sixteen five meter-tall contemporary iterations of the renowned 1922 Chicago Tribune Tower design contest.
Estudio Barozzi Veiga
In "Vertical City," 16 Contemporary Architects Reinterpret the Tribune Tower at 2017 Chicago Architecture Biennial
Fabrizio Barozzi on Barozzi/Veiga's Obsessions, Process, and Position Within the Architectural Landscape
In this episode of GSAPP Conversations, Fabrizio Barozzi—who co-founded the Barcelona-based practice Barozzi/Veiga with Alberto Veiga in 2004—discusses the practice's process and obsessions, including how they position themselves in the architectural landscape and why they are sceptical of defining their own architectural "language". For Barozzi, research and an engagement with history are integral to the way his practice works operates.
From the publishers. This is a special issue dedicated to Barcelona-based architects Barozzi Veiga. The issue features twenty-one works including Graubünden Museum of Fine Arts in Chur, Switzerland, the Mies-award winning Philharmonic Hall in Szczecin, Poland, and on-going works Cantonal Museum of Fine Arts Lausanne and Music School in Brunico.
The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.
“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”
The International Music and Performing Arts Charitable Trust Scotland (IMPACT Scotland) has announced a shortlist of 6 teams in the running to design a new concert hall and arts center in the heart of the Edinburgh New Town World Heritage Site. The building, estimated to cost up to £45 million ($57 million USD), will house a 1,000 seat auditorium that will become the new home of the Scottish Chamber Orchestra.
From 69 expressions of interest in the competition, six teams have been selected by IMPACT Scotland’s judging panel as finalists for the commission. The firms are as follows (in alphabetical order):
On June 22, 2016 the Philharmonic Hall in Szczecin will house the vernissage of the Architecture Is The Music of Space exhibition. It will present an architectural analysis of five outstanding concert halls, constructed in Europe in recent years (in Szczecin, Oslo, Blaibach, Reykjavik and Porto), and an exceptional work of art created as an homage to the Mieczysław Karłowicz Philharmonic.
Established in 2004, Spanish studio Barozzi/Veiga have become known for their intellectual approach to design and their precise solutions which draw on both local conditions and a sense of uniqueness - an approach which recently won them the Mies van der Rohe Award for their Philharmonic Hall Szczecin. In this interview, originally published in the August issue of Indian Architect & Builder under the title "Script of Simplicity," Fabrizio Barozzi speaks about the award-winning Philharmonic Hall Szczecin, the connection Barozzi/Veiga keeps between research and design, and how they avoid the generic in their architecture.
Indian Architect & Builder: Tell us a little about Barozzi/Veiga; the ideas, principles and core philosophies of your practice.
Fabrizio Barozzi: We always try to create an "essential" architecture. We understand essential architecture as a public architecture, an architecture that intends to generate some positive changes in the community for which it is built. An architecture that arises in a context without harshness, specific and inspired by its environment. We believe that this kind of approach to architecture is what brings out the characteristics of each site and therefore the diversity of ideas that exist in the world.
Earlier this month, during the award ceremony for the 2015 EU Prize for Contemporary Architecture-Mies van der Rohe Award, we had the opportunity to speak with winners Barozzi / Veiga, who won for their Philharmonic Hall Szczecin. We asked Fabrizio Barozzi and Alberto Veiga, founders of the eponymous, Barcelon-based firm, about their project and their office.
The architects describe the process of incorporating and filtering many influences to arrive at the final design for the Philharmonic Hall, emphasizing that they strove to "create a quality" that transforms from day to night. Learn more about the project by watching the video above, and see what the jury had to say after the break.
Take a peek into Estudio Barozzi Veiga's Philharmonic Hall Szczecin—which was announced today as the winner of the 2015 EU Prize for Contemporary Architecture–Mies van der Rohe Award—through the lens of Romanian photographer Laurian Ghinitoiu.
Barozzi / Veiga’s Philharmonic Hall Szczecin Receives 2015 EU Prize for Contemporary Architecture–Mies van der Rohe Award
Barozzi / Veiga’s Philharmonic Hall Szczecin in Szczecin, Poland has been selected as the winner of the 2015 EU Prize for Contemporary Architecture-Mies van der Rohe Award. The design was influenced by the surrounding context and buildings, specifically by the “verticality of the city’s residential buildings, by the monumentality of the upright ornaments of its neo-Gothic churches and the heavy volumes of its Classicist buildings, by the towers that dot its entire skyline and the cranes of its port,” according to the architects. The Philharmonic Hall features large skylights and is clad with glass on the outside, providing a contrast to the surrounding buildings.
The Philharmonic Hall Szczecin was selected over four other finalist projects: Lederer Ragnarsdóttir Oei’s Ravensburg Art Museum; BIG – Bjarke Ingels Group’s Danish Maritime Museum; Archea Associati’s Antinori Winery; and O’Donnell + Tuomey’s Saw Swee Hock Student Centre. The five finalists presented their projects to the jury on May 7, and the official award ceremony was held this morning in Barcelona at Mies van der Rohe’s Barcelona Pavilion.
Dresden Museum of Contemporary Art – Estudio Barozzi Veiga, 2007
For our 5th installment of the AD Futures series, I have choosen Estudio Barozzi Veiga (EBV). The studio was formed in 2004 by Fabrizio Barozzi (Trento, Italy, 1976) and Alberto Veiga (Santiago, Spain, 1973). The preactice is based in Spain, but with project all over Europe (and a villa in China).
Why did I choose them? It wasn´t because of ORDOS 100, but actually for all the recent competitions they have won, on which you can see an excellence in design. Every one of this projects features a different approach in terms of design, showing a constant experimentation and search for innovation inside the practice.
Some of these awarded projects are currently ongoing (ROA Headquarters at Ribera del Duero, Aguilas Concert Hall and the Szczecin Philharmonic Hall), so we are close to see built projects from this practice.
Now onto some of these projects: