Most architects have to wait years to see their first project realized – but if you’re an architecture student at Yale University, you may just have to get on campus.
The Jim Vlock Project, established in 1967, gives first year graduate architecture students the opportunity to design and build a single family home in New Haven, Connecticut. The most recent iteration of the program, which investigated prefab design and construction, will be dedicated today at Yale University.
More info on this year's Jim Vlock house, after the break...
https://www.archdaily.com/432181/yale-first-years-latest-new-haven-house-completeKatherine Allen
An inspiring little video from the folks at Virginia Tech that will make you want to get your designer hands dirty - today. The video follows the third-years of 2013 as they build their final project: a bridge. As the co-founder of the lab, Kieth Zawistowski, eloquently says at the video's end, "It doesn't really matter if you ever want to actually build something yourself again, what's important, in this case, is that you've seen the entirety of the process, from conception to realization." If you want to see more from design/buildLAB, check out the project completed by last year's students (which features in the last few minutes of the video): Masonic Ampitheatre.
While other architecture students spend their summers strolling the streets, seeing the sights, and contently sketching, you could be getting your hands dirty, turning your designs into reality, and making a difference in a community that needs you.
Every summer, Global Architecture Brigades (GAB) activates student volunteers to work with a community in Honduras, helping them alleviate needs in health and education. The program isn’t a lesson in a charity; it’s a hands-on experience of the community-entrenched work of a designer of the 21st century.
Read more about Global Architecture Brigade’s work in Honduras, and how you can get involved, after the break...
It’s not often that a project requires you to bulk up on your haggling skills.
Then again, it’s not often that a project requires you to re-invent the African Mud Hut either. But that was exactly the task presented to Karolina and Wayne Switzer, participants of the Nka Foundation’s “10x10 Shelter Challenge” to design and build a 10 by 10 feet shelter deep in the heart of Ghana.
The pair, who just completed their project this month, were dependent upon the local community to make the shelter a reality, and had to learn early on how to communicate with the locals - not just to negotiate prices for materials and labor, but to overcome the local stigma associated with mud architecture (usually only used by the very poor).
The result was a contemporary, durable shelter built with a construction method inspired by local tradition: the pounding of the fufu root, a diet staple for the community, which uncannily paralleled the pounding of fresh soil into the forms. Hence the local’s name for the structure: “Obruni fufu” (white man’s fufu).
If you’re interested in getting involved in the 10x10 Challenge (open to students and graduates of design, architecture, art, or engineering, until October 2013), check out the Nka Foundation’s website, www.nkafoundation.org, or email at info@nkafoundation.org
Full description of the project, after the break....
A small group of diverse students participating in the inaugural AA Visiting School Eugene were given the responsibility to design and build something that would enhance and reflect the forest, within a ten-day timeframe.
Designer: Morag Myerscough of Studio Myerscough Customized ice cream bicycle: Luke Morgan Furniture: Morag Myerscough and Luke Morgan Location: Waller Way, Greenwich, London Se10 8JA, UKProject Year: 2012 Project Area: 140 sqm Client: Cathedral Group
The Department of State’s Bureau of Overseas Buildings Operations (OBO) has announced the selection of Tod Williams Billie Tsien Architects and Davis Brody Bond to design the New Embassy Compound (NEC) in Mexico City, Mexico. After an intense round of presentations and interviews, the duo was selected from a talented shortlist of nine architectural/engineering teams. As reported on the Latin American Herald Tribune, the jury believed that “their portfolio of work is compatible to the local culture and shows sensitivity that highlights their connection to the character of the site.”
If you read our infographic, then you know that Public-Interest Design is one of the few growing sectors of the architecture industry. From the prevalence of Design-Build curriculums in Architecture Schools to the rise of the 1% program and non-profits like Architecture for Humanity, Public-Interest Design (PID) is hitting its stride.
The latest SEEDoc follows the story of the Grow Dat Youth Farm - a brilliant example of what we call “Urban Agri-puncture” (a strategy that uses design & Urban Agriculture to target a city’s most deprived, unhealthy neighborhoods) that is changing the lives of New Orleans youth.
You can get into Architecture for one of two reasons: good architecture or bad.
For Cameron Sinclair, the co-founder of Architecture for Humanity, it was the latter. As a kid, Sinclair would wander his rough-and-tumble South London neighborhood, contemplating how it could be improved (and creating elaborate Lego models to that effect). Instead of soaring skyscrapers or grand museums, he was inspired by buildings that “integrated your neighborhood in a way that made people feel like life was worth living.”
But that’s not Architecture. Or so he was told when he went to University.
Architecture Schools have created curriculums based on a profession that, by and large, doesn’t exist. They espouse the principles of architectural design, the history and the theory, and prepare its hopeful alumni to create the next Seagram Building or Guggenheim.
Unfortunately, however, the Recession has made perfectly clear that there isn’t much need for Guggenheims – certainly not as many as there are architects. As Scott Timberg described in his Salon piece, “The Architectural Meltdown,” thousands of thousands are leaving the academy only to enter a professional “minefield.”
So what needs to change? Our conception of what Architecture is. We need to accept that Architecture isn’t just designing – but building, creating, doing. We need to train architects who are the agents of their own creative process, who can make their visions come to life, not 50 years down the road, but now. Today.
We’ve been trained to think, to envision and design. The only thing left then, is to do.
More on the public-interest model and the future of Architecture, after the break…
The Department of State’s Bureau of Overseas Buildings Operations (OBO) has shortlisted nine design teams for the New Embassy Compound in Mexico City. The design/bid/build project, scheduled for construction in fiscal year 2015, is the first solicited under OBO’s new Design Excellence program. This holistic approach to project development and delivery seeks to utilize the best methods, technologies, and staff abilities to produce facilities that are outstanding in all respects. The overall strategy focuses on the integration of purpose, function, flexibility, art, safety, security, sustainability, and maintainability.
Continue reading for more information and to review the well-known shortlisted architects.
A team of graduate students recently created a temporary installation on the Kent State University, Kent campus in Ohio. The project grew out of an internal challenge in the matR design competition. Designed by graduate students Brian Thoma, Carl, Veith, Victoria, Capranica, Matt Veith, and Griffin Morris, the tunnel-like structure called “The Passage” was a study to support the conceptualization and actualization of innovative and experimental material research. The students created the initial form in Rhinoceros with a couple Grasshopper definitions as a waffle structure of 26 vertical ribs and 24 horizontal struts. More images and information after the break.
Everyone knows the old adage and has most likely been stung by its inevitable truth. What happens, eventually, is that the other shoe unfortunately falls; the truth rears its ugly head and leaves us with egg on our face.
Well, it is no different in the world of architecture, construction, and real estate. Being deceived is a product of wanting something for less than its real value. Oftentimes we fall into the deception trap to close an unwanted gap between our budget and what we want actually costs. Budget and cost either match or they don’t! Expecting to get something for nothing, while human nature, is foolish. Either today or somewhere down the line, the truth will come out or it may be very hard to accept.
Five years ago, when the real estate and construction boom was out of control, there was always a shortage of really competent help because everyone was so busy. Prices became artificially high. People who were less and less qualified entered the workforce and were being hired regardless of the obvious. Let’s use Brooks as an example. I remember Brooks say, “He’s only a plumber. I’m not him paying $32,000…it’s only plumbing.” So instead of paying the licensed/insured/bonded plumbing company what they deserved, he had his general contractor friend (first mistake) hire some under qualified guy in order to “save” about 30%. “That’s gonna pay for my Viking stove,” he boasted at the time.
I ran into a colleague of mine recently and he shared with me a story about a client that I was interviewed by 6 months earlier. Let’s call her Alma. At the time of our initial meetings, I knew that I wanted the job because of its style demands, yet I knew that I really didn’t want the job. Sometimes you just know. For one, and one reason only, she was going to be very difficult. Like the sign at the auto mechanics shop for hourly rates:
Price for labor
Price for labor if you watch
Price for labor if you help
She had remodeled her own home, and it looked like it. An eclectic combination of eras, worldly styles, and personal touches that was all placed into an original stucco box at the beach. Not one room had any rhyme or reason nor any relation to any other room in the entire house. The outside had fresh paint over facia that was held together by termite snot. Pretty picture, huh. But her perceived knowledge of construction was the one thing that would ultimately isolate her from ever being able to achieve her goal. She thought she knew more than me. Sometimes you just know. And this was one of them.
There really is no way around the time tested adage; You get what you pay for. Good things cost money and better things cost more money. Where does one draw the line on good enough? Cars, clothes, watches, diamonds, food, vacations… the list goes on and on. However, when it comes to our home, do we really give it enough consideration? Our home is where we spend a great deal of our time. Our home is also our most personal possession. It may very well reflect almost everything we do in our most personal times. The quality of our homes could very easily parallel the quality of our lives. Simply stated, “if you don’t like going home, how happy can you possibly be?” However, if home is a place where you would rather stay, then you really have something. Shouldn’t your home be your favorite place to be?
If you don’t like how much something cost, what are you supposed to do?
A- Change your taste so something cheaper will suffice. B- Save your money so you can afford what it is that you really want C- Squeeze your master builder to the point that you can afford to get what you want at the expense of him or someone else….
Funny I should say marriage. But to some degree, the relationship between the client and the master builder is a marriage of sorts. It also has an analogy to becoming pregnant. But I will save that for another post. I am married. For almost 20 years… and yes, to the same person. 4 awesome, yet exhausting little offspring, add even more chaos to the mix. Back to the point. The homeowner and team, whether a DESIGN / BUILD team or an architect and accomplice needs to be anchored in trust, communication, and equal vision.
Just like a marriage. My guess is, the more the merrier, adds inherent conflict, and will probably not work out. Less is more. Trying to decide to go to the movies is never simple in my family. The easy solution is ask them if they would like to join us for a family movie or would you rather mommy and I go to movies and you guys get a babysitter? The choice is simple and clear-cut.
Editor’s note:Design + Build is a new series by Steve Lazar, owner and operator of Lazar Design/Build, focusing on aspects of the profession usually left unsaid.
Look up the word ARCHITECT in the dictionary and there is the typical Latin root of the word and other roots of the word, but essentially it says nothing more than MASTER BUILDER. Your architect or master builder will head your process in the proper direction. Let’s call the “point man”, the “go to guy”, or the “solution.” Whatever he is referred as, it is imperative that your chain of communication is with one and only one person to eliminate confusions today, tomorrow, and in the future. There is an inherent challenge to the standard relationship between the homeowner, the architect, and the builder. There are three different entities, all with possibly different goals or objectives.
Home owner: budget
Architect: creation
Builder: conflicted
Who is the client? Is the home owner? Is the architect? If the builder is hired by the home owner than of course the home owner is the client. Typically, this is the standard relationship. However, the builder also has some allegiance to the architect, and this is where things can start to get conflicted. The builder is caught in a pickle between two different entities with possibly two different goals. If budget is not a consideration than there is no conflict. In 20 years of designing and constructing custom homes, I have never been bound by some sort of budget.
