Location: Zagreb, Croatia
Architect In Charge: Igor Franić
Collaborators: Tajana Derenčinović Jelčić, Andreja Dodig, Petar Reić, Simona Sović Štos, Zorana Debeljuh
Gross Surface Area: 25,806 sqm
Site Area: 6,857 sqm
Photographs: Sandro Lendler, Filip Beusan
Architects: SANGRAD + AVP Arhitekti
Location: Zagreb, Croatia
Authors: Tanja Goles, Vedran Pedisic
Team: Hrvoje Daviddovski, Mladen Hofmann, Gordana Greguric Miocic, Erick Velasco Farrera
Structure: Alen Batista
Mechanical Installation: Goran Tomek
Electrical Installation: Marijan Marcijus
Area: 500 sqm
Photographs: Robert Les, Sandro Lendler
Varaždin University Student’s Restaurant and Home Winning Proposal / SANGRAD Architects + AVP Arhitekti
The aim for the design of the Varaždin University Student’s Restaurant and Home was to connect the new building with the old student’s home with the restaurant treated as a separate pavilion. This first prize winning design by SANGRAD Architects + AVP Arhitekti creates a new square between both buildings, which is defined by the main entrance to the existing building and the new restaurant volume. Along with the student’s home on the west side, the restaurant has a visual connection with all three buildings through an access plaza, while the student’s home towards the east continues the structure of the existing house forming a block. More images and architects’ description after the break.
Designed by SANGRAD Architects + AVP Arhitekti, the first prize winning proposal for the Osijek University Library becomes a place for cultural enrichment and at the same time, relaxation through the use of green loggias, clean energy, and a pleasant micro-climate on outdoor spaces. The importance of the proposal’s orientation is crucial; for the idea is to design an energy efficient library, which was one of the starting components in the design. More images and architects’ description after the break.
3LHD Architects shared with us their video for one of their recent projects, Hotel Lone, the first design hotel in Croatia. The hotel’s identity is recognized through the external design of the building, with a facade that is defined by dominant horizontal lines – terrace guards designed to evoke the image of slanted boat decks. The site’s complex terrain with dramatic altitude changes determined the locations of internal facility spaces through a dynamic interweaving of public areas and guest suites at all levels. More information on their project can be viewed here.
Space is a basic resource. Architecture has the capacity to essentially affect the overall management of space. As a result, it is incumbent upon it to be aware of the elementary politics inherent in every architectural activity.
This year’s Croatian pavilion at the 13th International Venice Architecture Exhibition presents different struggles currently taking place in various Croatian cities. The exhibition, Unmediated Democracy demands Unmediated Space, interprets the topic of common ground by directly asking the protagonists of those collective conflicts how they imagine a common future across and beyond market or state, private or public mediation. The “desires, constrains and potentials expressed in these sites of conflict” are a part of the wider wave of international protests that are demanding a real direct and unmediated democracy. The demands, gathered on the ground through a series of investigative interviews, form the basis for a possible planning strategy, while their resistance tactics become patterns that could shape a common territory.
The Croatian pavilion focuses on how these demands could allow us to imagine the configuration of possible unmediated spaces. It is organized around three sections: Context, Map and Devices.
Continue reading for more details.
The design proposal of the Badel Block Complex by Popular Architecture is a combination of polyvalent and stable, both a massing inviting interpretation and detailed development by others, and an anchor seeking to re-channel the site’s positive qualities. Conceptually, the project begins with making a direct link between the former distillery building and the preserved façade of the Gorica Factory — two features required to be kept. Treating the factory façade as a gateway, the plan pulls in the existing context of an active street market — into the heart of a site cut-off from the city for decades — while also avoiding direct replication of the area’s pervasive perimeter block typology. More images and architects’ description after the break.
Presenting an opportunity, remaining largely unbuilt and mostly unburdened by heritage, the proposal for the Badel Block Complex by Luka Anic, Danko Balog, Tamara Baresic, and Srdan Gajic introduces new spatial configurations to the city center, opening the block area to public access and use. The large demanded gross built area quoted in the competition brief (65 000 m2) instils initial reproach. However, its justification can be found, apart from the apparent economical argument, in the term of density. A dense city is a live, vibrant city. Multiplicity of people, events, and spaces makes a city. And high quality density is what Zagreb lacks. More images and architects’ description after the break.
In the proposal for the Badel Block competition, WAU Design considered the site and its position as an opportunity to create a new center for the locals as well as a new entrance for the city through the ‘Communities of a Single Roof’ design. Considering the relative lack of public space and facilities in the neighborhood, they propose to extend the square and the market inside the Badel block and enlarge the space devoted to culture and leisure in order to strengthen the sense of community and centrality. More images and architects’ description after the break.
The proposal by PlaC (Plateaux Collaborative) for the Badel Block complex implements an alternative model of urban regeneration. In being sensible to local conditions and open to extra-territorial economic dynamics, equality and the balancing effect become the key-qualities of what they call the ‘CoExistence’ strategy. They measure the plot’s capacity not in terms of maximum square meters for consumers (as in the traditional sense of urban regeneration), but as optimization of the existing capacity. This is then obtained through careful renovation of the Badel assets and a coordinated volumetric upgrade. More images and architects’ description after the break.
With a key concept for the Badel Block proposal of creating the core as a living icon, the existence of such a rich structure as the old distillery building defines this approach. As an opportunity to develop a new structure that enhances new urban routines, this project becomes a strong new urban value. Designed by Pablo Pita Architects, the mixed-use proposal defines the morphology of the construction ring, breaking it down in several pieces. This enables the intervention to be phased and sets the right urban scale. More images and architects’ description after the break.
The design proposal by SANGRAD Architects + AVP Arhitekti for the Badel Block Complex, a mixed-use project within the city center of Zagreb, Croatia, consists of enclosing the continuity of the existing block and positioning the vertical into its center. Following the instinct of creating a free, public space as large as possible, and yet also in keeping with the proposed program, with uniform treatment of the existing urban archaeology, represents the main guidelines of this concept. More images and architects’ description after the break.
Held during the Zagreb Fashion Industry Days, the “Step Inside a Creative Mind” installation by Prodigium allowed young designers to showcase their most intimate thoughts (their collections) and bring them to life for the public. It was up to the architect to design a highly flexible open space, where young designers would set up shop and random people could wander around and shop. A space that was inexpensive yet “hip” enough to attract passers-by that might be interested in fashion. The dome as a starting point reminded the architect of a giant head emerged in the vast plateau on the main square, and he felt that the dome should sub-serve as a beacon instead of merely a confinement of the exhibition space. More images and architects’ description after the break.