Iwan Baan: ‘The Way We Live’ Exhibition

Tokyo #1, 2006, Digital C-Print, 54 x 36 inches (137.2 x 91.4 cm) / ©

Opening tonight, February 20, at 6:00pm PST at the Perry Rubenstein Gallery in Iwan Baan‘s ‘The Way We Live’ exhibition features captivating large-scale images of urban, architectural, and home environments that capture Baan’s singular vision. Baan’s artistic practice examines how we live and interact with architecture, focusing on the human element, which brings buildings, intersections, and public gathering places to life. Running until April 13, this is Baan’s first solo exhibition at the gallery. More information after the break.

Winy Maas to Deliver Lecture on “What’s Next?” at NSAD

DNB Bank Headquarters by MVRDV / © Jiri Havran

Taking place this coming Wednesday, February 20th, , a Netherlands-based architect, urbanist and co-founder of the internationally-recognized firm MVRDV, is scheduled to speak at NewSchool of Architecture and Design (NSAD) at 9:00am PST on the topic of “What’s Next?”. The free lecture includes a discussion on the recent works of MVRDV and the research institute The Why Factory, a think tank directed by Maas in collaboration with Delft University of Technology that develops scenarios and models of the city of the future. For more information, please visit here.

Update: SFMOMA Expansion / Snøhetta

SFMOMA Expansion Aerial Southeast Façade; Courtesy of MIR and Snøhetta

The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum’s increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm the 10-story concrete structure will compliment SFMOMA’s original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.

Construction will commence this Summer and is expected to reopen in early 2016.

More after the break…

SFMOMA Expansion Howard St. entrance; Courtesy of MIR and Snøhetta

SFMOMA’s new building will include seven levels dedicated to diverse art experiences and programming spaces, along with three housing enhanced support space for the museum’s operations. It will also offer approximately 130,000 square feet of indoor and outdoor gallery space, as well as nearly 15,000 square feet of art-filled free-access public space, more than doubling SFMOMA’s current capacity for the presentation of art while maintaining a sense of intimacy and connection to the museum’s urban surroundings. Other notable features include:

A large glass-walled gallery (interior view) on ground level with free public access will beckon passersby on Howard Street; rendering: Courtesy of MIR and Snøhetta
  • A large-scale vertical garden located in a new outdoor sculpture terrace on the third floor, which will be the biggest public living wall of native plants in San Francisco.
  • A versatile, double-height “white box” space on the fourth floor equipped with cutting-edge lighting and sound systems that, in tandem with the museum’s upgraded Phyllis
  • Wattis Theater, will open new doors for SFMOMA’s program of live art, and also improve services for school-group tours, film screenings, and special events.
  • State-of-the-art conservation studios on the seventh and eighth floors that will further SFMOMA’s progressive work in the care and interpretation of its growing collections.
  • An environmentally sensitive approach on track to achieve LEED Gold certification, with 15% energy-cost reduction, 30% water-use reduction, and 20% reduction in wastewater generation.
  • A new outdoor terrace on the seventh floor with incredible city views, further integrating the urban indoor/outdoor experience that SFMOMA began in 2009 with the opening of its current rooftop sculpture garden on the fifth floor.
Versatile “white box” space (interior view) on fourth floor of expanded SFMOMA will create new possibilities for live performance and education programs; rendering: Courtesy of MIR and Snøhetta

At the same time, as previously announced, new public spaces and additional public entrances to the building (on Howard and Minna Streets) are designed to increase access and weave the museum more deeply into the neighborhood. A mid-block, street-level pedestrian promenade will open a new route of circulation in the area, enlivening the side streets and offering a pathway between SFMOMA and the Transbay Transit Center currently under construction two blocks east of the museum. Building on the popularity of the museum’s artist commissions in its admission-free atrium, an expansive free-to-access gallery on the ground floor with 25-foot-high glass walls facing Howard Street will now place art—such as Richard Serra’s enormous walk-in spiral sculpture Sequence (2006)—on view to passersby for the first time. This gallery will also feature stepped seating, offering a resting and gathering point for museum tour groups and neighborhood denizens alike.

Sculpture terrace extending from Howard to Minna Streets will be framed on one side by a vibrant vertical garden; rendering: Courtesy of MIR and Snøhetta

“SFMOMA has had a tremendous impact on the economic and cultural vitality of the South of Market neighborhood and the city,” says San Francisco’s District 6 Supervisor Jane Kim. “Even though this area is one of the city’s oldest, in many ways it’s still the freshest, where much of the most dramatic change is happening. The museum’s expanded home in this cultural center will provide even greater public access and support to emerging and established artists as a hub of creativity and international art destination. I look forward to seeing the district grow and evolve even further as SFMOMA’s future takes shape.”

SFMOMA Expansion Night Aerial from Howard St.; Courtesy of MIR and Snøhetta

News via SFMOMA  

LA Architecture School Boasts Stimulating Post-professional Programs

© ESTm, Marcelo Spina Studio, Artificial Clouds

Two dynamic post-graduate programs offered by the Southern California Institute of Architecture (SCI-Arc) in Los Angeles have been charged with examining core contemporary issues facing architecture today. Spanning topics from advanced manufacturing methodologies and new building systems, to urban planning and design challenges faced globally, these post-professional tracks allow students to rethink architecture and design through the creative lens of the SCI-Arc community.

The architecture school’s Emerging Systems, Technologies & Media (ESTm) and Future Initiatives (SCIFI) programs are conceived as intensive one-year (three semesters) post-professional degrees in architecture, functioning as think tanks and research engines within the larger framework of the school.

CORMAC Residence / Laidlaw Schultz Architects

© Larry Falke

Architects: Laidlaw Schultz Architects
Location: Corona del Mar, , USA
Design Team: Craig Schultz, Scott Laidlaw, Kathy Troutfetter, David Kilpatrick
Structure: Michael Gabriel
Area: 3,000 sqft
Year: 2012
Photographs: Larry Falke

‘A Confederacy of Heretics: The Architecture Gallery, Venice, 1979′ Exhibition

Seven of the architects who participated in The Architecture Gallery, from left to right: Frederick Fisher, Robert Mangurian, Eric Owen Moss, Coy Howard, Craig Hodgetts, Thom Mayne, Frank Gehry. Photograph ©1980 Ave Pildas.

Taking place at SCI-Arc‘s campus in downtown March 29-July 7, Pacific Standard Time Presents: Modern Architecture in L.A.: A Confederacy of Heretics: The Architecture Gallery, Venice, 1979 exhibition. The exhibition examines the pivotal role played by the temporary gallery held in the home of architect Thom Mayne for several weeks in 1979. An immersive showcase of spectacular models, drawings and media will be mounted in two spaces located on the SCI-Arc campus, the main gallery and the Kappe Library Gallery. More information on the exhibition after the break.

Iwan Baan: The Way We Live

The City and the Storm, 2012; © Iwan Baan, Images courtesy of Perry Rubenstein Gallery

Iwan Baan‘s name may ring a bell for all those following Hurricane Sandy’s devastation across New York City and New Jersey’s coast.  The photographer’s iconic photograph made headlines when it was featured on New York magazine’s front page days after the storm, showing lower Manhattan in complete darkness, set against its vibrant counterpart uptown, as the United States’ east coast was recovering from the extensive damage left in Sandy’s wake.  The image not only brings to mind the absolute helplessness that New York City faced during the storm, but also lends a hand in a social commentary that is notably pervasive in Baan’s work.

Starting February 20th, 2013, The Perry Rubenstein Gallery in  will feature the Baan’s work in his first, two-month exhibition entitled The Way We Live, honing in on the images that encapsulate the world of architecture, urbanism and human engagement.

More on Iwan Baan: The Way We Live after the break.

Our Ideal City? Seen through the eyes of the Pacific West Coast.

View of via Flickr user Shootyoureyeout

As most New Yorkers know, people are willing to shell out a hefty sum to live in a place where work and play are right around the corner from each other.  But as the article by Ken Layne in The Awl points out, the west coast is a somewhat different place.  UNLIKE New York City, which is crowded with restaurants, bars, and entertainment, as well as offices, design firms and businesses; Silicon Valley, which caters to programmers and tech companies that hire at $100k a year, offers few of the amenities that a nearby town like San Francisco does.  So, Layne concludes, residents are willing to spend hours of their day  making their way into the fortressed office parks of Silicon Valley, flanked by parking lots and boulevards, just to have a reprieve to call home.

Mexican Architect Fernando Romero to Speak at NewSchool of Architecture and Design

Courtesy of

Mexican architect Fernando Romero will be speaking tomorrow evening, January 16, at NewSchool of Architecture and Design in San Diego on the topic of “You are the Context” as part of the school’s lecture series. Free and open to the public, the event focuses on how we must reconsider the definition of context as it pertains to architecture as the global reach of projects increases through digital communication. Named to Fast Company’s Co.Design “Designers Shaping the Future” 2012, his recent Soumaya Museum in Mexico City is described by CNN’s Great Buildings series as “jaw-dropping.” For more information, please visit here.

Oyler/Wu Lecture & Gow + Karlsson Exhibition Opening Reception

Courtesy of

Two key events are coming up at SCI-Arc this month starting with the ‘Dwayne Oyler & Jenny Wu: Lineworks’ lecture which takes place tomorrow, January 16, at the W.M. Keck Lecture Hall at 7pm PST. Established in Los Angeles in 2004, Oyler Wu Collaborative, ‘has utilized the last five years to establish a way of working that is committed to experimentation through a relentless hands-on approach to our work’. Also, starting January 18 until March 3, the ‘Marcelyn Gow + Ulrika Karlsson: AQUEOTROPE’ exhibition focuses on materializing the mathematical, the exact translation of virtual instructions in the form of drawings or codes to their material actualization, is a fundamental procedure in the production of architecture. For more information on the events, please visit here.

SFMoMA: Lebbeus Woods, Architect

Lebbeus Woods, San Francisco Project: Inhabiting the Quake, Quake City, 1995;; © Estate of Lebbeus Woods

SFMoMA will highlight the legacy of Lebbeus Woods in an exhibition that will run from February 16 through June 2, 2013.  It will include 75 works from the past 35 years of his career.  Lebbeus Woods is often categorized as an architect, but always as an artist and visionary.  His career has been filled with imaginative leaps through the concepts of space and form, exploring politics, society, ethics and the human condition.  He was a great influence on architects, designers, filmmakers, writers and artists.  The exhibition will celebrate his untimely death late last year and the breadth of influence that his work had on the art and design community.

West Los Angeles Office Building Proposal / GMPA Architects

Courtesy of GMPA Architects

Located on a prominent corner in West , the proposal for an office building by GMPA Architects is an energized, swirling 4-level structure rather than a static wedding cake style. With its riveting spiral shape,, derived from the 10’ difference in elevation, the dynamic, multi-shaped levels add visual interest and reinforce a connection to the street. More images and architects’ description after the break.

New United States Courthouse Competition Entry / NBBJ

North © NBBJ

Claiming to be the most progressive, sustainable, and cost effective courthouse in the nation, NBBJ’s shortlisted proposal for the New Los Angeles Federal Courthouse serves as a model for future GSA development. The contrast between the free and informal spirit of Los Angeles with the formal structure and societal role of the Federal Courts illustrates an important duality that openly coexists throughout their phased design. At a larger scale, the structure becomes a mediator within the skyline, rising to a comfortable 256 feet tall to help transition the steep, urban high-rise topography of Bunker Hill and the mid-rise, ordered context of downtown.

Read the architects’ description after the break to learn more about this high performance, multifaceted design.

The Union / Jonathan Segal FAIA

© Paul Body

Architects: Jonathan Segal FAIA
Location: San Diego, , United States
Project Managers: Greg Yeatter, Luke Henderson, Guillermo Tomaszski
Year: 2007
Photographs: Paul Body

New United States Courthouse Competition Entry / Yazdani Studio of Cannon Design

Courtesy of Yazdani Studio of Cannon Design

Yazdani Studio of Cannon Design and have shared with us their second place proposal for the highly anticipated design-build competition for the new United States courthouse in , California. Envisioned as an icon within the city skyline, the triangular monolith provides a sustainable, 21st century courthouse that embodies the democratic qualities of dignity, stature, transparency, openness and accessibility.

Located at a pivotal node connecting the Los Angeles Civic Center, the Broadway Historic District and Bunker Hill, the 550,000 square foot courthouse is surrounded by a lush civic space that plays an important role in the existing cityscape.

Read the architect’s description after the break…

New United States Courthouse Competition Entry / McCarthy, Brooks + Scarpa, and HMC Architects

Courtesy of McCarthy, Brooks + Scarpa, and HMC Architects

The McCarthy, Brooks + Scarpa, and HMC Architects team just released their proposal for the Design Excellence/design-build competition for new courthouse in . Selected to compete thru the General Services Administration two-stage Design Excellence Program, the team is challenged with the approximately 550,000 sq. ft. high-rise building located at 1st and Hill Street. Aiming to be certified LEED Patinum, the design delivers functional efficiency, security, and accessibility for the Court, the U.S. Marshal Service, and the other tenants and users. More images and architects’ description after the break.

SOM Wins Bid to Design Los Angeles Federal Courthouse

Image courtesy of the GSA.

The GSA has announced that Skidmore, Owings, & Merrill have been selected as the architects of the new Federal Courthouse, which will house the U.S. District Court, Central District of California, and the U.S. Marshals Service. The architects beat out 3 other shortlisted teams to win the $318 million project.

According to the GSA, ”The new 550,000-square-foot building will be a sustainable, cost-effective, state-of-the-art court facility that includes security upgrades that are not available in the current 312 North Spring Street courthouse.”

The site, located at 107 South Broadway (down the street from Morphosis’ Caltrans building, LA’s City Hall, and the Walt Disney Concert Hall) has been dormant since 2007; although a $1.1 billion design by Perkins + Will was selected soon after, it was abandoned when Congress slashed the GSA’s construction budget. The GSA considers the approval of the new redevelopment plan a “major milestone.”

More info and images, after the break…

‘Live Share Grow’ Farm Tower Proposal / Brandon Martella

Courtesy of Brandon Martella

With produce coming from the Imperial Valley, Central Valley, neighboring states and other countries the 30,000 plus residents of ’s central urban context consume 21,231,000 pounds of produce each year. Where will we get our food? Transparency in the food industry needs to occur and enlighten blinded consumers. Our city needs to handle this critical issue with an architecture that responds. A new type of residential tower needs to come forth. Utilizing vertical farming, Brandon Martella’s “Live Share Grow’ proposal is a new model of living can be tested and resolved in a dense vertical community. More images and architects’ description after the break.