This past May, Apple filed plans to close its existing flagship retail store at 1 Stockton Street in San Francisco and move it three blocks north to one of the city’s most popular spots: Union Square. This plan was met with enthusiasm from city officials until they realized that Apple, and the store’s architects at Foster + Partners, were disregarding a beloved bronze folk art fountain by San Francisco sculptor Ruth Asawa that currently occupies the site. Many have also criticized the store’s design for being a characterless box of metal and glass that contributes nothing unique to the local landscape, raising awareness of a commercial architecture defined more by trademark and less by its surroundings.
More on Apple’s proposal in San Francisco and the problems of trademarked design after the break.
Presented by The Architect’s Newspaper and enclos, Mode Lab recently announced their upcoming Facades+ Performance Symposium in San Francisco taking place July11-12. The event consists of hands-on instruction by industry experts in a small, one-on-one, classroom setting. These workshops will provide professionals and academics with the skills and knowledge to work with cutting edge technologies in a fast-paced and intensive environment. The workshop will explore the use of Grasshopper, Firefly and Arduino as creative and technical tools in the design, simulation and prototyping of intelligent building skins. For more information, please visit here.
In addition to honoring renowned architect Ray Kappe with a Lifetime Achievement Award, the Los Angeles Business Council has awarded thirty-one county projects for their design excellence, sustainability and community impact at the 43rd annual LA Architectural Awards.
The 2013 Los Angeles Architectural Award Winners:
In a crowed auditorium in central Los Angeles on Sunday, Swiss architect Peter Zumthor sat down with the Los Angeles County Museum of Art (LACMA) director Michael Govan to kickstart the opening of The Presence of the Past: Peter Zumthor Reconsiders LACMA. The hour-long discussion, captured in the video above, began with an insightful overview of Zumthor’s most famous works before moving to an in-depth conversation about the underlying ideas that drive Zumthor’s design for the highly anticipated LACMA overhaul.
The project – already six years in the making and yet still in its schematic phase – plans to replace LACMA’s aging cluster of three pavilions with an elevated, 21st century facility. A detailed project summary, alongside images captured from Zumthor’s 6 ton, concrete exhibition model, is available for you to review here on ArchDaily. Enjoy!
This past spring, Mayor Ed Lee announced an exploration of the potential of removing Highway 280 north of 16th Street in San Francisco. Presented by the Center for Architecture and Design + the Seed Fund, and co-sponsored by AIA San Francisco, the 280 Freeway Competition asks entrants to create hypothetical project designs for space in and around Highway 280. Open to architects, designers, planners, students, artists, landscape architects, and academics, participants are welcome to submit concepts that explore any aspect of the transformative opportunities introduced by the freeway removal. Entry is free, and up to $10,000 in prizes will be awarded. The registration and submission deadline is July 31. For more information, please visit here.
Coming at a crucial time in which Los Angeles is at risk of “losing its reputation as a center for innovative architecture,” museum director Michael Govan and Swiss architect Peter Zumthor have unveiled preliminary plans for what they hope will be the new home of the Los Angeles County Museum of Art (LACMA). If approved, this $650 million proposal – nearly six years in the making – would replace the dated William Pereira-designed campus and its 1986 Hardy Holzman Pfeiffer Associates-designed addition with an organically-shaped, energy efficient, dark-grey concrete and glass Zumthor original.
More information after the break, including Peter Zumthor’s project description…
Hosted by the American Institute of Architects, California Council (AIACC), the Monterey Design Conference 2013 will offer participants three days of talks by–and relaxed conversations with– internationally and nationally significant architects. Taking place September 27-29 in the Elysian setting of the Northern California coast, participants will find themselves strolling on the beach, wandering the Julia Morgan designed grounds or sitting on the deck of the main lodge engaging in conversation with a Pritzker Prize winner or many of the most innovative and catalytic thinkers in architecture, as if they were invited into their own backyard. This is truly a premier opportunity to be a participant in the dialog about design. For more information, please visit here.
Opening October 11 until December 1, the Southern California Institute of Architecture (SCI-Arc) will present ‘Lebbeus Woods is an Archetype’, an exhibition and public art installation which highlights the well-known American architect’s work, including several original, rarely seen Woods drawings from private collections. Complemented by a symposium and catalog, this exhibition in the SCI-Arc Gallery and related large-scale public art installation in the Arts District’s Bloom Square, aims to demonstrate the fearless nature with which the late visionary architect and draftsman created. More information on the exhibition after the break.
Taking place June 16 – September 16 at the Museum of Contemporary Art in Los Angeles, ‘A New Sculpturalism: Contemporary Architecture from Southern California‘ will be the first extensive, scholarly examination of the radical forms that have become prolific in Southern California architecture during the past twenty-five years. It will examine the role of Los Angeles–based architect Frank Gehry, arguably the most significant and innovative architect of the later part of the twentieth century, and the generation of Los Angeles architects that followed him, including Greg Lynn, Michael Maltzan, Thom Mayne, and Eric Owen Moss, to name a few. For more information, please visit here.
At just a little over 50 years old, the University of California San Diego is one of the younger college campuses in the United States, but despite this it is one of the most architecturally fascinating universities around. In the official UCSD campus guide, Dirk Sutro emphasizes that “UCSD does not have a single example of the historical-revival styles prevalent at other University of California campuses… and at San Diego’s two other major universities”. The history of UCSD architecture is one of ambition, which has made the campus a display case of modernism in all of its forms from the last half a century.
Thanks to photographer Darren Bradley, we can now share this history and a selection of the exciting structures it has produced.
Find out more about the UCSD campus after the break
Open to students and professionals worldwide, the Architecture at Zero 2013 competition is challenging participants to create a design for a new, roughly 150 unit mixed-use residential apartment building located in the Tenderloin neighborhood in San Francisco, California. With the aim of being as close to zero net energy as possible, the building must be a mix of affordable and market rate housing units and include a full neighborhood-serving grocery store on the ground level. The competition is presented by Pacific Gas and Electric Company (PG&E) and AIA San Francisco, in partnership with the Tenderloin Neighborhood Development Corporation (TNDC). Submissions are due October 1. To register, and for more information, please visit here.
The Los Angeles County Museum of Art (LACMA) will soon be rolling out the red carpet to welcome Swiss legend Peter Zumthor to the Golden State. The prized architect’s debut will mark the opening of “The Presence of the Past: Peter Zumthor Reconsiders LACMA,” which will unveil the ambitious, $650 million plan to transform the LACMA’s “Byzantine maze of buildings and hallways” into an experience-based “village” of curvaceous modern glass structures that will produce more energy than it uses.
“The idea is to make it permeable by people,” LACMA CEO and director Michael Govan says, who has been working with Zumthor for over four years on the proposal.
The City of Cupertino has released Apple’s revised campus plans, following the recent news criticizing Steve Job’s “sky-high requirements for fit and finish” that have resulted in a “ballooning budget.”
Abandoning Apple’s classic “white” detailing, architects Foster + Partners have opted to clad the 2.8 million square foot, circular monolith in black – a stylistic remedy that seems to be in line with the overarching campus goal to “provide a serene environment reflecting Apple’s brand values of innovation, ease of use and beauty.”
More details after the break…
You have to admit it, Hollywood really seems to have a thing for John Lautner; his designs are continuously cropping up in tv-shows, films, cartoons, music videos and even video games. The occasional despondent college professor aside, his exuberant mansions are usually typecast as the bachelor-pads of various flamboyant psycho-paths, pornographers or drug-smugglers. Curbed Los Angeles have compiled this excellent video of the various Lautner-featuring scenes, so we thought that we’d take a closer look at some of his buildings, which tend to pop up in all manner of unexpected places.
Read more about Hollywood’s love affair with Lautner after the break…
Taking place tomorrow, April 11th, at 6:00pm, Woodbury University’s School of Architecture will be hosting the Juan Pablo Corvalan Hochberger, Supersudaca lecture. Supersudaca‘s main driving motto has been to connect the usually disconnected Latinamerica architectural arena with projects directly related to the public perception such as recreation spaces, public spaces, installations etc in various locations such as Caracas, Lima, Tokyo, Talca, Buenos Aires. They continuously use the workshop format with students from various universities worldwide to launch campaigns for such projects. For more information, please visit here.
The estimated cost of Apple’s Cupertino City headquarters has escalated from an already hefty price of $3 billion to $5 billion (more than $1,500 per square foot), reportedly pushing back the original completion date to 2016. According to Bloomberg, Apple is working with lead architect Foster & Partners to shave $1 billion from the “ballooning budget”. Most of the cost is seemly due to Steve Job’s “sky-high requirements for fit and finish”, as the tech legend called for the 2.8 million square foot, circular monolith to be clad 40-foot panes of German concave glass, along with its four-story office spaces be lined with museum-quality terrazzo floors and capped with polished concrete ceilings.
Although lambasted for his ambitious plans and “doughnut-shaped” design, Steve Jobs wanted to create a masterpiece that looked as good as it functioned, just like his products. During a 2011 presentation to the Cupertino City Council, Jobs stated, “This is not the cheapest way to build something… there is not a straight piece of glass in this building.” He continued, “We have a shot… at building the best office building in the world. I really do think that architecture students will come here to see it.”
More after the break…
A new smartphone isn’t the only Facebook news making headlines, as the social media giant has received the green light from the Menlo Park City Council to move forward with their headquarter’s expansion on the outskirts of San Francisco Bay, California. The approved plans are a slightly toned down version of architect Frank Gehry’s original proposal, as the flamboyant butterfly-like wings which flared from each end of the 433,555-square-foot building have been removed.
“They felt some of those things were too flashy and not in keeping with the kind of the culture of Facebook, so they asked us to make it more anonymous,” stated Craig Webb, Gehry’s creative partner. “Frank (Gehry) was quite willing to tone down some of the expression of architecture in the building.”
After a 4-0 vote secured approval, Mayor Peter Ohtaki asked: “Where’s the ‘Like’ button?”
More after the break…