Architects: bureau SLA
Location: Hengstdijk, The Netherlands
Design Team: Peter van Assche, Hiske van der Meer, Gonçalo Moreira, Charlotte Vermaning, Justyna Osiecka
Contractor: Van Kerckhoven Bouw, Kloosterzande
Structural Engineer: Sineth Engineering, Schiphol
Sustainability: Sunraytec, Woerden
Client: Metta Vihara
Area: 465 sqm
Photographs: Courtesy of bureau SLA
Designed by Mateo Arquitectura…, the purpose of the Leipzig Freedom and Unity Memorial is to commemorate the “Peaceful Revolution” of 1989 that made Leipzig a decisive place for the fall of the Berlin wall with the construction of this
Architects: Ector Hoogstad Architecten
Location: De Wielen, De Veken, Eindhoven, Netherlands
Design Team: Joost Ector, Max Pape, Chris Arts, Ralph Sijstermans, Ridwan Tehupelasury, Kees Bongers, Hetty Mommersteeg, Arja Hoogstad, Gijs Weijnen, Victor Braat, Wesley de Bruijn, Ralph Noordhoek, Sabine Alders and Damion Schwarzkachel
Area: 26,912 sqm
Photographs: Norbert van Onna, Bart van Overbeeeke, Petra Appelhof
Architect, designer and theoretician Gae Aulenti (1927-2012) died late Wednesday night in her Milan home at the age of 84. The Palazzolo della Stella native will always be remembered as being one of the few well recognized women that worked in Italian postwar design. Throughout her career, Aulenti’s multi-faceted talent contributed greatly to the evolution of art, architecture and design.
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Jeanne Gang is about to make her New York debut, as the Chicago-based architect just unveiled the latest project planned to border New York City’s beloved High Line. The 180,000 square-foot office tower with ground level retail will replace an existing, disused meatpacking plant along 10th Avenue between 13th and 14th streets. It will feature a “gem-like”, glass facade that is intelligently shaped to avoid the disruption of light, air and views from the High Line.
Dubbed the Solar Carve Tower, the mid-rise structure is currently pending city approval and is planned for completion in 2015.
Continue after the break for the architects’ description.
Amidst the post-Sandy recovery efforts, we would like to share with you New York: Night and Day by Philip Stockton. The New York-based animator and director created the film in attempt to explore the city’s relationships between night and day from a series of fifteen preconceived locations. Using an interesting mix of non-traditional video time-lapse and animation, Stockton combined four to eight hours of footage from each location into single sequences using rotoscoping techniques.
Review each location after the break…
Given the state of the economy around the world, many people are returning to school in the hopes of acquiring new skills while riding out the worst of the effects of the global recession. Toward that end, ArchDaily has begun a College Guide to help people explore different educational options. There are many issues to consider beyond a school’s “name” such as the types of programs architecture schools offer. The Guide has highlighted schools with programs in Building Ecology, Forensic Architecture, and Human Rights, to name a few, while some of the practical issues have included cost analysis, financial aid, and access to cross-disciplinary training.
What has not been explored in the Guide because of its scope is a more theoretical examination of pedagogical strategies. What direction has architecture academics taken and where should it go in order to remain socially relevant, practically agile, and economically competitive? To discuss these issues, we interviewed Michael Rotondi, a founding student and current Distinguished faculty member of SCI-Arc and principle at RoTo Architecture. Throughout the conversation, Mr. Rotondi’s insight combine with a constant and voracious intellectual curiosity to provide visions that are important to both students and educators.
Read our interview with Michael Rotondi after the break
Designed by STL Architects…, the new Daegu Gosan Public Library focuses on the evolution of the role of the library in regard to the new ways we now learn and teach. With extensive amounts of information, that could historically
Beyond the “Made In China” Mentality: Why China’s Innovation Revolution Must Embrace Pre-Fab Architecture
When Wired correspondent Lauren Hilgers arrived to Broad Town, the headquarters of the Broad Sustainability Group in Changsha, China, she soon realized that this was not your typical workplace environment. At Broad Town, employees must be able to run 7.5 miles over the course of 2 days; recite company “policy” – covering everything from how to save energy to how to brush your teeth – at a moment’s notice; and refer to their boss as “my chairman.”
It may sound strict, but the workers at Broad are on a higher mission. The CEO and founder of the company, Zhang Yue, a.k.a the chairman, doesn’t just consider himself the head of a construction company, but of a “structural revolution.”
In a few years, Zhang has turned the world of skyscraper design on its head, pushing the technical and structural capabilities of pre-fabrication to its utmost (perhaps you’ve heard of the 30-story hotel he built in just 15 days). Not only do Broad’s techniques save time and money, they represent a potentially game-changing opportunity for China to maintain its unfathomable rate of growth in a way that’s both safe and sustainable.
But where does innovation enter in this revolution? China, for years an intellectual playground for Western architects, has become increasingly concerned with nurturing its own latent intellectual capital. However, if Broad’s paradigm takes hold (which, pragmatically-speaking, it should), what will that mean for architectural innovation? In a world of pre-fab structures, can architecture exist?