The West Kowloon Cultural District Authority (WKCDA) recently launched a design competition to deliver one of the first landmark buildings for the West Kowloon Cultural District, the Xiqu Center. The Chinese opera venue will provide a world-class facility for the…
The Slant Awards Spring 2012 competition, which is open to all, challenges participants to design a concept plan for a city sector which is undergoing urban renewal. The city in question is not a real city, it has been designed…
The Order of Architects in Romania and ABplus Events, along with the partners of the event invite you to INGLASS 2012 – Architecture Expo Conference, Second Edition. The event is dedicated to architects, design engineers and leaders of glass and structures field. At INGLASS recent architectural accomplishments that are awarded at international competitions for glass appliance in metal, wood and concrete structures.
Among the guests, there will be architects and structure designers, winners of 9 important awards, such as Residential Property Award 2011, The Emirates Leaf Glass Awards 2011, World Architecture Festival 2011 and European Steel Design Awards 2011. Alongside these experts, there are also going to be present world leaders in glass field – Saint-Gobain Glass, Guardian and AGC – and leaders in curtain walls – Permasteelisa. We invite you to INGLASS to meet those who will create tomorrow’s architecture. More after the break.
We recently received a book we wished we had earlier, Writing About Architecture. Lange’s book pulls from “lessons learned from her courses at New York University and the School of Visual Arts.” ”The book offers works by some of the best architecture critics of the twentieth century including Ada Louise Huxtable, Lewis Mumford, Herbert Muschamp, Michael Sorkin, Charles Moore, Frederick Law Olmsted, and Jane Jacobs to explains some of the most successful methods with which to approach architectural criticism.” The book “could serve as the primary text for a course on criticism for undergraduates or architecture and design majors.” We here at ArchDaily are now using it as a resource. We have a feeling the pages will be worn through pretty quickly.
Designed for the Boral Brick Awards 2011-2012, ‘The Urban Cloak’ proposal by Jonathan Gibb… is an addition to an existing inner city 2 storey brick building, to adapt and add a multi-levelled apartment building. A cloaked figure; standing amongst the
Architects: Architects Tillman Ruth Robinson
Location: 1001 Fanshawe, London, Ontario, Canada
Principal-in-Charge: Tom Tillmann
Designer: Jason McIntosh
Collaborators: Mechanical and Electrical Engineers, Vanderwesten Rutherford Mantecon; Structural Engineers, Hastings & Aziz; Civil Engineers, Development Engineering; Landscape Engineers, Ron Koudy’s Landscape Architects; General Contractor, D. Grant & Sons
Client: Fanshawe College Centre for Applied Transportation Technology
Project Size: 150,000 sq. ft.
Photographs: Lisa Logan
If you are in the Bay Area this weekend, we recommend you stop in at the San Francisco Museum of Modern Art (SFMOMA) and check out their current exhibit The Utopian Impulse: Buckminster Fuller and the Bay Area. This exhibition is the first of its kind, featuring Buckminster Fuller’s most iconic projects as well a focus on his local design legacy in the Bay Area. Though he was never a resident, Fuller’s ideas inspired many local experiments in the realms of technology, engineering and sustainability. Continue reading for more information.
Central Saint Martins, part of the University of the Arts London, has a new home quite different to the buildings it inhabited previously. Designed by award-winning architects Stanton Williams, the brand new campus behind King’s Cross is a space certainly worth exploring. Crane.tv took a tour of the building speaking to architect Paul Williams and Head of College Jane Rapley along the way to hear more about the new campus and why the building will induce even more ambition from staff and students as they move into the future.
If this registers no reaction from you, let me explain why it should. Paul Goldberger is the crowned prince of criticism. He began his career at The New York Times in 1972, where he worked under Ada Louise Huxtable, our reigning critical queen, and where he won a Pulitzer Prize. In 1997, he switched media empires:
But, after years of “fighting for adequate space” in an increasingly shrinking column, Goldberger won’t be finishing his writing days as Architect Critic of The New Yorker, but as Contributing Editor of Vanity Fair.
Many will conclude that this is a death knell for architecture; that if architecture cannot justify its own column at The New Yorker, one of the most influential publications in the world, then it must no longer be deemed relevant. This is what happened when Michael Kimmelman, an Arts reporter with no architectural training was appointed to cover architecture at The Times. Critics tweeted: “NYT to Architecture of NYC: Drop Dead” and “Architecture: you’ve been demoted.”
I too will add a cry to the din: “The Architecture Critic is Dead!” But you know what? Good riddance. Because criticism hasn’t died the way you think. It’s just been changed beyond recognition. And frankly, for the better.
Read more on the transformation of architecture & its criticism after the break…