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In 2018, OMA opened the Fondazione Prada in Milan, Italy, housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on Milan’s southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer Bahaa Ghoussainy captured the infamous structure in his new architectural photo series.

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El Tintal Library is the result of reusing a former disused waste transfer plant and transforming the 5-hectare site into a park along Avenida Ciudad de Cali with 6th Street. The rescued building from ruin was a 25-meter-wide by 72-meter-long industrial warehouse with a total area of 3,600 m², distributed over two floors of considerable height. Built with a sturdy concrete structure and large spans, it was adaptable to new use, enhancing its robust and industrial appearance.

As the world becomes increasingly urbanized, the relationship between nature and design has taken on a renewed significance. Residential design projects that intertwine with natural elements are shown to encourage a sense of tranquility in the inhabitants and the surrounding environment. Moreover, the integration of greenery, specifically through gardens, flourishing landscapes, or complete forest and hillside integrations, can be a powerful testament to the coexistence of human habitation and the natural world.

It is well known that exposure to more green spaces and cleaner air has profound impacts on human health and psychology. This kind of exposure has been linked to reduced stress, improved cognitive function, and enhanced creativity. These sanctuaries offer relief, allowing the human to reconnect with the natural world. These residential homes are often a refuge from busy city life, ranging from vacation homes to retirement homes. Moreover, as the global call for sustainable practices becomes more pressing, the role of natural elements in architecture becomes imperative.

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Videos

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For many architects, the most instinctive way to put an idea onto paper is through drawing. From quick napkin sketches during a coffee break to elaborate diagrams systematizing architectural solutions, drawings are essential, recurring tools in the design process. Yet, lines alone cannot always convey a concept with the desired clarity.

Sounds, smells, feelings, and sensations are rarely captured through drawing alone. Human figures cannot always convey the scale of certain elements, requiring the aid of more precise numerical dimensions. Annotations and labels are commonly used to define spaces and specify architectural elements, and when a phone or calculator is out of reach, drawings may also share paper space with quick calculations. There are many situations where writing is combined with lines to create a hybrid communication tool, where the subjectivity or abstraction of drawing is grounded by the assertiveness of words and numbers.

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Videos

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In today’s globalised, ever-evolving world, the architectural field continues to re-invent itself. Innovation has seen the emergence of new building technologies and new methods of communicating with clients, however, in some ways, a large majority of the architecture industry is still outdated – architects relying on client fees received from projects to run their architecture firms. Perhaps as a consequence of the emergence of start-ups in the technology sector, and the increased competitiveness of the global economy, architects have more recently chosen not to confine themselves to within the world of architecture and use their unique skill-sets and abilities in entrepreneurial ways.

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