The HARDWARE SOFTCORE Installation, designed by Gabriele Falconi…, is directed to the interaction of the viewer, to his involvement, even physical, as an actor aware of choices and paths. Of monumental size, its modular installation was born from the
The St. James’s Market development, designed by Make Architects…, is a key area in central London that will be reinvigorated if the plans, on behalf of The Crown Estate, are approved. As one of The Crown Estate’s flagship sites,
C+S Architects‘ contribution, Facecity, for the 2012 Venice Biennale, gives form to the idea of the curator, Fulvio Irace, of continuity in architecture. The exhibition reconsiders the architecture of Milan in the 50s and 60s, where architects, belonging to different generations and with different positions, built the identity of the city without giving up their personal poetics.
The central topic of this thought is the facade, commented by Alberto Savinio in Ascolto il tuo cuore città, 1945: ” …On the facade of buildings is not only written their date of birth, but also written the moods, the manners, the most secret thoughts of their time…, together with the flat window, theorized by Gio Ponti as the way to shape modernity.”
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The Royal Institute of British Architects (RIBA) has announced the 2012 shortlist for the Stephen Lawrence Prize – an £5000 award that recognizes fresh talent with construction budgets of less than £1 million. The prize is sponsored by the Marco Goldschmied Foundation in memory of an aspiring young architect who tragically lost his life in 1993.
The 2012 Stephen Lawrence Prize shortlist is:
- Hill Top House, Oxford (private house) / Adrian James Architects
- Kings Grove, London SE15 (private house) / Duggan Morris Architects
- Hill House, Kent (private house) / Hampson Williams Architects
- The Dellow Day Centre, London E1 / Featherstone Young
- The Marquis Hotel & Restaurant, Dover / Guy Hollaway Architects
The winner will be announced at the RIBA Stirling Prize Dinner on October 13, 2012, in Manchester. The 2012 judges include architects Phil Coffey, Marco Goldschmied and Doreen Lawrence.
Continue after the break to learn more about each project.
Presented in an “interwoven tangle”, Japanese architect Akihisa Hirata has revealed his view of architecture and ecology, along with form and function, in his first ever international solo exhibition at the The Architecture Foundation in London. Now on view, the immersive 1:1 scale installation – “a contorted loop” – display’s over a hundred study models and conceptual sketches, an interview with the architect, and intimate films of based on his projects.
The exhibition opened shortly after Hirata’s receipt of the Golden Lion award at the 13th Venice Architecture Biennale for his contribution, with Kumiko Inui, Sou Fujimoto and Naoya Hatakeyama, to the Japanese Pavilion, curated by Toyo Ito.
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Designed and built by a very talented student team at Arizona State University, the Peritoneum shade structure reflects their collaboration and interdisciplinary skills as they employed their respective talents for this temporary shade structure. Originally built on a plaza space…
Designed and built by Dániel Baló, Dániel Eke, and Zoltán Kalászi…, the concert hall installation in the Archabbey of Pannonhalma was intended for the classical concerts of the Arcus Temporum Festival. Fitted for the gym of the abbey’s boarding
The initiative by h2o Architectes… for the renovation of the first cinema for art house film follows the tradition of innovation and evolution that have been a part of this establishment’s history. The main project for the Studio des Ursulines
From 2008 to 2010, Madrid based architects Luis M. Mansilla and Emilio Tuñón held the Jean Labatut Visiting Professorship at the Princeton School of Architecture. More than a collection of student work, From Rules to Constraints is a wide ranging reflection on teaching, design practice, history and the city. Focusing on three sites at three distinct scales, this book examines the constraints of the architectural project—social, political, historical, and environmental in order to create new rules for working. Examining both their teaching methods and Mansilla + Tuñón’s own design work, the book presents the design process as an ongoing conversation between the building and the environment, between freedom and limits, and between the decided and undecided.
Twenty-four years after the inauguration of I.M. Pei’s glass pyramid, the Musée du Louvre will introduce its second piece of contemporary architecture to the public, tomorrow, on September 22.
The new Department of Islamic Arts is designed by Milanese architect Mario Bellini and his French colleague Rudy Ricciotti, who won the commission through an international competition in 2005. Similar to I.M. Pei, the pair created a naturally lit, subterranean gallery space beneath an undulating, glass roof within the courtyard of the historic Cour Visconti. Continue after the break to learn more.