"Chinese architects account for 1% of the world total, but the turnover from building work is 1/10 of the world total. In other words, one hundredth of the world’s architects must design 33% of all buildings and they must do this for just 1/10 of the profit. How does this condition effect architecture?"
This is the question that motivates THECONDITIONOFCHINESEARCHITECTURE, the exposition TCA ThinkTank displayed within the Chinese Pavilion at this year's Venice Biennale 2014. Read the curators' description of their exposition's look into the perceptions and reality of Chinese architecture, after the break.
The Pritzker Prize-winning architect Fumihiko Maki has revealed early designs for China's "first major design museum", a project in the Shekou district of Shenzhen commissioned by China Merchants Group (CMG) in collaboration with London's V&A Museum. The design model was unveiled yesterday at the Foreign & Commonwealth Office in London, where representatives of CMG and the V&A signed a collaboration agreement to deliver the museum, which is hoped to open at the end of 2016.
Maki's design for the Shekou Museum features three severely cantilevered volumes atop a deconstructed plinth; a staircase at the corner of the building also leads to the green public space on the roof.
From the Curators. By making space the manifestation of content and content an insight of the space, space and content are correlated in the China Pavilion in that content provides an explicit timeline of China’s 100 years’ of architectural thinking (dual theme threads), while space presents an implicit theme of Yi Xiang (imagery-scape) through the history of Chinese architecture.
How can the city be reinvented to save the world? Chinese business magnate Zhang Yue and Finnish professor Eero Paloheimo are two men with very contrasting answers to this loaded question. Zhang Yue's answer puts trust in pre-fabricated, high-density vertical development, whereas Paloheimo envisions a built-from-scratch, clean-tech sprawling utopia. Their grand ideas, met with both skepticism and excitement, are documented in a new film by Anna-Karin Grönroos. To watch the trailer and learn more about the bold proposals, continue after the break.
Ben van Berkel, Hannes Pfau, Gerard Loozekoot with Markus van Aalderen, Joerg Petri, Milena Stopic, Yu-Chen Liu and Cong Ye, Irina Bogdan, Xing Xiong, Maud van Hees, ShuoJiong Zhang, Philipp Mecke, Maya Alam, Junjie Yan, Gilles Greis, Subhajit Das, Erwin Horstmanshof, Faiz Zohri, Andrew Brown, Patrik Noomé, Amanda Chan, Nanang Santoso
China's accelerated urbanization juxtaposes many local and global urban models in the contemporary urban space of the mega-city/metacity region. Since 1945 the global and local discourse on urban design and development has been dominated by four conceptual models. These four models, the metropolis, the megalopolis, the fragmented metropolis and the megacity/metacity have appeared in Asia with local characteristics and with special, hybrid characteristics. China's rapid urbanization has been based on an equally rapid industrialization that has telescoped the historical development pattern of western nations into 60 years.
Vincent Callebaut Architectures have received honorary mention for their “Wooden Orchids” proposal in the International Union of Architects’ (UIA) Mount Lu Estate of World Architecture Competition. Based in Ruichang, China, the competition tasked participants with designing several cultural and commercial complexes near one of the world’s largest flower theme parks. Wooden Orchids consolidates these functions in a green shopping hub that speaks to the area’s demographic and climatic influences.