Materials & ProductsExclusive Articles, from ArchDaily

As we observe closely spaced parallel lines at a specific angle, we may be deceived by the illusion of a continuous or three-dimensional surface, although they are, in fact, individual lines. This phenomenon arises from the brain's natural tendency to simplify and seek visual patterns, interpreting the proximity of the lines as indicative of a unified ceiling. This illusion is often exploited in suspended ceiling architecture, where successive slats, when viewed at an angle, create the impression of a solid ceiling. This approach not only reduces the use of materials and keeps the infrastructure above the ceiling accessible, but also provides more surfaces for noise absorption, significantly improving the acoustic environment.

As commonly understood, gutters are elements installed along the edges of roofs and balconies to channel rainwater. Their primary function is to collect water flowing over the roof's surface and direct it to the appropriate downspouts. Proper sizing is crucial regardless of the material—whether aluminum, PVC, concrete, galvanized steel, or others. Depending on the climate in which the project is situated, the damages caused by incorrect application can be considerable.

Mass timber is an innovative construction solution that is gaining prominence worldwide due to its sustainability and technological benefits. In 2020, the opening of the first Dengo concept store, located in São Paulo, marked the debut of the brand's first interactive factory and the pioneering use of CLT (Cross Laminated Timber) in a high-rise building in Brazil. Developed by architecture firm Matheus Farah and Manoel Maia, the project faced several challenges precisely because of its use of this new technology, which was just beginning to emerge in the construction sector.

The use and demand for natural materials in architecture and interior design have facilitated the revival of updated traditional construction systems for the contemporary context. What was once considered rustic is now being explored in more modern settings; therefore, the application of the material is also subject to new forms of fixation, coloring, and orientation (horizontal or vertical). While wood is the dominant material in traditional systems and environmentally sustainable materials, another material that has been used for centuries, equally sustainable and biodegradable, and has received less attention is straw.

Nowadays, the cycles of change around society and architecture have generated new urban models, emerging technologies, and design trends that underline the need for constant adaptability in all areas. In this context, aspects such as flexibility, reliability, and simplicity emerge as distinctive elements, both in architecture and in the components that constitute it, including materials. This is why lines such as the EGGER Decorative Collection 24+, crafted from wood-derived materials, seek to redefine concepts through a rolling series, updated at most every two years. This dynamic enables a more agile response to new trends, influences, and product innovations that arise in the built environment.

The influence of design on our physical and mental health has been largely explored in various contexts, ranging from spatial configuration to furniture. The topic has gained notoriety due to the growing awareness of human well-being, especially in recent times. An example of this bond between design and health is the emergence of concepts such as Neuroarchitecture, which seeks to understand the built environment’s potential in our brain. Another case that illustrates this approach, this time in furniture design, is the Paimio Sanatorium, where Alvar Aalto designed the tuberculosis sanatorium and all its furnishings. The chair created for the patient’s lounge —the Paimio Chair— facilitated their breathing due to its shape and the inclination of the backrest.

Autonomy and freedom during the design process are invaluable resources for architects, especially when defining a volume and choosing materials, systems, and solutions for a building. The flexibility of these elements must not only promote their harmonious integration within a structure but, above all, allow architects to incorporate them without the need to change their initial concepts. This design freedom becomes even more crucial in the context of facades, specifically in building-integrated photovoltaic (BIPV) facades. This is due to the unique challenge of incorporating the energy capture function into the design of the building envelope, simultaneously demanding adaptation to the designer's aesthetic preferences and effective performance, as well as the entire infrastructure for capturing and transporting energy.

Born in Brazil and educated in Paraguay, Gloria Cabral is an architect who early on learned that home can be many places—or none at all. Guided by a comprehensive understanding of the geography, culture, and social conditions of the places she designs, she has left her mark on buildings and artistic installations constructed in various locations, from Assumption to Venice.

The “Soil Sisters” initiative explores how architectural design and sustainable material practices can contribute to soil nutrition and resilience. Partnering with SOM Foundation, their joint effort has resulted in an exhibition aiming to redefine our understanding of “environmentally conscious practices.” Titled “Soil Sisters: A Ceiling, A Chair and Table, A Wall and a Threshold,” the display showcases their dedication to redefining soil health as a cross-sectoral objective by emphasizing materiality and color in the built environment.