Materials & ProductsExclusive Articles, from ArchDaily

Water is the foundation of life. It shapes landscapes, regulates climates, and sustains every living organism. Yet on the only known inhabited planet, this essential resource faces a growing crisis: although 70% of Earth's surface is covered by water, less than 1% is actually available for human use. Most of it is consumed by agriculture and industry, while in households, activities like bathing and flushing use vast amounts of drinking water for non-essential purposes. The bathroom, therefore, has become a key space for innovation, where technology and design can help redefine how we use and reuse this vital element.

The practice of combining materials to achieve better performance has accompanied humanity since the earliest constructions. One of the first known examples emerged over five thousand years ago, when civilizations in Mesopotamia and Egypt mixed mud and straw to mold sun-dried adobe bricks. Light and fibrous, straw prevented cracking and increased strength, while mud acted as a binder and protection. This simple yet ingenious invention can be considered the first composite in history, illustrating the ancestral intuition that distinct materials, when combined, can become something stronger and better.

Concrete, steel, wood, glass. Every year, millions of tons of construction materials are discarded, piled up in landfills, and silenced beneath the weight of the next building. Entire structures disappear to make way for others, restarting a voracious cycle of resource extraction, material production, and replacement. Along with the debris that accumulates, something deeper is also lost: time, human labor, stories, and the collective memory embedded in matter. At a time when climate goals demand reducing emissions and extending the lifespan of what already exists, demolition is increasingly recognized as a form of urban amnesia, one that erases not only cultural continuity but also the embodied energy of buildings. And even though it is often said that the most sustainable building is the one that already exists, that principle rarely survives when other interests come into play.

For architects and specifiers, selecting the right cladding system is both a technical and creative act, connecting material science with architectural intent. More than simple visual envelopes, façades today are high-performance systems that balance protection, insulation, and expression. As the first barrier between exterior and interior, the right cladding system can define how a building behaves and ages over time, affecting its thermal comfort, acoustic performance, fire safety, and overall durability.

In the Water Lilies rooms at the Musée de l'Orangerie in Paris, Claude Monet conceived a 360-degree gallery where visitors are enveloped by continuous landscapes, dissolving the boundaries between painting and environment. There, he sought not merely to represent nature through his distinctive style, but to construct an atmosphere, a perceptual state that the visitor literally inhabits. Architecture, traditionally associated with materiality and permanence, thus gains a new dimension of time, movement, and sensory experience.

Terrazzo has long stood at the intersection of durability, artistry, and timeless appeal. Originating in Italy as a pragmatic way to reuse marble fragments in flooring, terrazzo has since become synonymous with elegance and strength in architecture. Traditionally crafted by hand using stone chips and lime and later, cement, it created continuous, seamless surfaces that celebrated both craftsmanship and endurance. Over time, as construction methods evolved and projects began to demand greater efficiency, adaptability, and modularity, terrazzo expanded beyond its traditional limits. From poured-in-place systems to modern epoxy-based formulations, it has evolved into a versatile material that enables thinner sections, faster installation, and a wider range of colors and aggregates. Today, precast terrazzo complements the traditional method, unlocking new applications without compromising performance or beauty, from stairs and wall cladding to furniture and custom design elements.

Cobe has revealed the design for Museum Wegner in Tønder, Denmark, a new cultural institution dedicated to the life and work of renowned Danish designer Hans J. Wegner. The museum will be located at Hestholm, a historic farm dating back to 1445, and will combine the adaptive reuse of existing structures with a contemporary extension. Selected as the project architect in February 2024 following a competitive interview process, Cobe is now moving the design toward realization with strong local and national support.

Open architectural competitions have long been regarded as gateways for new ideas. They level the playing field by proposing a single call, a clear set of rules, and an evaluation based on the quality of the work, conducted anonymously. For organizers, like cities, institutions, or companies, they represent a way to gather relevant proposals in a transparent public forum, backed by a competent jury. Unsurprisingly, competitions have marked decisive moments in the history of the discipline, such as the Centre Pompidou competition in Paris, which brought Renzo Piano and Richard Rogers to prominence with their "inside-out building," or the one for Brazil's new capital, won by Lúcio Costa with the Pilot Plan that synthesized the city into two intersecting axes, interpreted as either an airplane or a cross.

While a book or piece of music can be easily set aside if it doesn't capture our interest, architecture is different. A building endures for decades, and it shapes the landscape and influences the lives of its occupants for years to come. This permanence brings with it a unique set of challenges: architects must design spaces that impact collective life, often under tight deadlines, limited budgets, and significant pressure. In addition to navigating complex regulations and coordinating construction, architects face the misconception that design is simple, or that anyone could do it. The constant balancing act between quality, cost, and speed often leads to sacrifices — whether in time, health, or the integrity of the project itself. This cycle not only wears down the profession but diminishes society's understanding of the true value of design.

Communicating an idea using only the essentials is a far greater challenge than it often appears. From Japanese haikus to the refined sculptures of Constantin Brâncuși, many artistic expressions have sought to condense the maximum meaning with the minimum of elements. This economy of form is not a sign of scarcity, but of intensity: every stroke, every word, every silence gains weight. There is something intrinsically appealing in what presents itself as simple and well-resolved, whether it is a text that wastes no words, a tennis player who moves with purposeful gestures, or a melody that is both direct yet unexpectedly profound.

Every act of building begins with the transformation of raw materials, energy, and land, and this inevitably entails environmental impact. This encompasses all the changes a process triggers in the natural world: from resource extraction to pollutant emissions, from energy consumption to biodiversity loss. Measuring this is complex, as it spans multiple dimensions. Carbon has emerged as the common metric, translating these effects into greenhouse gas emissions (CO₂ equivalent) directly linked to global warming. This standardization has made it omnipresent and comparable across materials, systems, and sectors. Reducing carbon emissions, therefore, means addressing the root of global warming, which is a particularly urgent task in the construction industry, responsible for about 39% of global emissions. In response to this challenge, MVRDV NEXT, the innovation and digital tools division of the Dutch architectural firm, launched CarbonSpace, a free, open platform that brings carbon accounting to the architect's desk, right at the napkin sketch stage.

The shortlist for the prestigious BRICK AWARD 26 has been announced, revealing 50 exceptional brick buildings from across the globe. Organized by wienerberger, the biennial award celebrates architectural innovation and craftsmanship in brick and ceramic design, recognizing projects that push the boundaries of material, form and context. This year's selection spans five continents and 21 countries, highlighting the enduring relevance of brick in contemporary architecture; from intimate homes and cultural institutions to industrial facilities and public spaces. Winners will be announced in Vienna in June 2026, with all shortlisted entries featured in the BRICK 26 Book.