It was just announced that OMA + AMO will collaborate with Strelka, a postgraduate school for media, architecture and design in Moscow. The new school is launching an educational program where a select group of students will work intensely and innovatively on a series of themes aimed to reshape Russia’s current role in the world. In an attempt to raise the ambition of the creative industries in Russia, the institute will challenge students with a variety of projects. The students will guided by the expertise of both Russian and international creative leaders.
By addressing the capacity to cope, the ability to bounce back, and the mitigation and management of risk, proposals are welcome that showcase a fresh understanding of the possibilities and opportunities of resilience in architecture, from the large to the small scale. Whether resilience stems from natural disaster, civil conflict, global warming, catastrophe, and so on, is the applicant’s discretion. Please visit the submission site for more details.
This past weekend, we were invited to celebrate the 50th anniversary of the Panton chair and other Vitra creations at their showroom in the Meatpacking District in Manhattan. The showroom was buzzing with people socializing and viewing the different designs on the showroom’s staggered levels. We were especially excited to see Alejandro Aravena’snovel “Chairless“, a strap of fabric that is a way to eliminate the need for the traditional chair, and yet allows the person to become the integral part of the furniture. Inspired by the Ayoreo Indians who sit on the ground with a tight strap around their back, Aravena developed this concept to produce a seating device that relieves the spine and legs. “It is obvious that many things have evolved since the beginning of time and that progress has accumulated in our lives in the form of sophisticated needs and desires. But it is also true that there are many things and needs that haven’t changed much since our origins and they can still be satisfied in an extremely simple way: sitting comfortably on the ground is one of them,” explained Aravena.
ArchDaily had the privilege of attending the Pritzker Prize ceremony last night on historic Ellis Island as Kazuyo Sejima and Ryue Nishizawa were honored. Regarded as the highest honor bestowed upon an architect, the Pritzker Prize’s newest laureates were continually praised throughout the evening for their keen ability to teach us that what is not present can be as important as what is present.
As past laureates, such as Renzo Piano, Frank Gehry, Thom Mayne, Richard Meier, Jean Nouvel, and Rafael Moneo looked on, Lord Palumbo, chairman of the jury, discussed Sejima’s and Nishizawa’s work style; an intensively collaborative design process which is so balanced between the two minds that it is impossible to say which one of the pair is responsible for which architectural decision within a given project.
Although the two share similar philosophies when it comes to light, form and space, their differences create “all the possibilities”. Sejima explained that within SANAA, there are actually three firms: each has his/her own individual practice, yet come together to discuss and critique their work under the international firm SANAA. While some criticize this process as inefficient and confusing, Sejima replied, with a laugh, that the organization is simply how they like to work.
Greek architects Point Supremeshared their urban plan + architecture foundation building competition proposal for Cordoba, Spain with us. The proposal seeks to connect the San Pablo block with the more central part of the city by capitalizing on the site’s diversity of entry points. The building, an architecture institution, is designed to frame the void that resides next to and under the structure.
A few weeks ago, Richard Meier’s four-block-long mixed-use development was approved by Newark’s planning board. The project is a drastic shift for Meier; a break from his New York Five era and the decades of working with exclusive clientele on neo-Corbusian residences and museums. The development brings Meier back to his Newark roots and speaks to the recurring trend of architects designing for the people.
This has been reflected trough several initiatives, such as the White House Redux Competition (2008), Pike Loop (Gramazio & Kohler, 2009), the Reef (Urbana + Radical Craft, 2009), the itinerary Spacebuster (Raumlabor, 2009), and editing publications such as “49 Cities” by Work AC and Storefront Newsprints.
For their latest commission, Visiondivision addressed the extension of an 18th century cottage with their typical offbeat approach (check out their other projects previously featured on AD). Abiding by the clients’ request for the house to blend in with the environment, particularly from the one side where the client’s conservative mother “has her cottage and watchful eyes”, the extension becomes a unobtrusive living space that is part of the earth, making it appear “almost invisible”.
More images and more about the extension after the break.
A few days ago, we shared Forrest Fulton‘s Lace Hill proposal for Armenia, and tonight we share the firm’s idea for a retreat that creates two distinct meditative spaces through its relationships to the landscape. A floating wooden deck and a small, dimly lit enclosure,which is sunken into the ground, intend to respond to one another as a way to “intensify a spiritual experience of the place.”
Yorgos Rimenidis and Michalis Softas, students of the University of Thessaly, in Volos, Greece shared their Craneloft proposal with us. The idea is a radical experiment to transform port cranes into lofts; and since the cranes can be found at basically any commercial port worldwide, the craneloft is a possible alternative with a global character. This revitalization stems from the students’ view that reusing objects, structures and engines left behind from the port will allow the free area to be incorporated in the urban tissue. This new form of habitation would be constantly changing and form a “condensed European city”.
More images and more about the craneloft idea after the break.
For Forrest Fulton Architecture‘s competition proposal, the Alabama-based firm designed a 900,000 sqf biomorphic spatial surface that connects the adjacent city and the landscape. The architecture focuses on creating an urbanistic landscape that morphs the common urban element of Yerevan, the superblock, to the site, a truncated hill along the natural amphitheater of the Yerevan. This new model of development supports a “holistic, ultra-green lifestyle” with overlapping natural and urban phenomenon.
More images and more about the project after the break.
It seems that this week everything is about Shanghai. The World Expo 2010 starts in three days and the pavilions are ready. Yesterday, we featured some amazing photos that Chaz Hutton took at the Expo. Today, David Goss shared with us many more, and even a video inside the UK’s Pavilion. Check them out after the break!
Suppose Design Officedesigned a renovation proposal for the Hill of Water and Sculpture in Japan. The project is situated in an industrial area along the Tokyo Bay. In the proposal, existing structures are converted into individual tower like sculptures. The sculptures meet the ground in an interesting manner, as each rests upon a curved base. The structures are connected to the existing beams located in the industrial area and the building’s varying heights create a balanced composition. The interior spaces are formed around the existing infrastructure and create a new type of space for people to experience the existing components of the site, in addition to the new sculptures.
Anne Holtrop’s Trail House follows a series of trails in the ground that were created by the daily circulation of pedestrians. The house becomes the path and transforms the inside into a “walking home.” As the house branches along the series of paths, it becomes narrower and then wider to provide ever-changing views of the site. In this way, Holtrop makes a specific link with the environment by showing the house as a product of the site.
More images and more about the project after the break.
What began in a rented townhouse on Manhattan’s Upper East Side has grown to become an internationally recognized preeminent source for exhibitions and publications related to historical and contemporary African art. The Museum for African Art will finally find a permanent home along Manhattan’s “Museum Mile” and will be open to the public next April. Designed by Robert A.M. Stern Architects, LLP, the museum will bring the prestigious row of museums of Manhattan to Harlem, one of the country’s most important centers of historic and contemporary African-American culture.
More about the museum and more images after the break.
ULHT (Universidade Lusófona de Humanidades e Tecnologias) organized an international workshop on the theme of waterfront design (European Workshop Waterfront Urban Design) EWWUD. The workshop was coordinated by Pedro Ressano Garcia.
This event took place between 14 and 28 March 2010 and has several international specialists in nine foreign universities.
The 47 foreign students with 14 student from Portugal were mixed and distributed into eight different groups, where eight final projects were presented. You can see all the boards after the break.
With more than 80 comments, it became one of the most controversial and discussed pavilions. At Fernando Brandão they followed the discussion and now they wanted to show you the complete project. More images, drawings and the architect’s description after the break.
A ceremony on April 16th marked the official groundbreaking of “Sonnenhof”, a landmark development designed by J. MAYER H. Architects consisting of four new office and apartment buildings extending over several allotments in the historic center of Jena, Germany.
