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Architecture Media: The Latest Architecture and News

AR Issues: Looking Back on 120 Years of The Architectural Review

09:30 - 25 February, 2017
Courtesy of The Architectural Review
Courtesy of The Architectural Review

ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this introduction to the December – January 2017 issue—the magazine's celebration of its 120th anniversary—Editor Christine Murray discusses the legacy that comes from more than a century being one of architecture's most respected magazines, and looks forward to the future of the publication. "Looking forward, we are committed to doing things differently – which, paradoxically, is what we’ve always done," she explains.

The archive of The Architectural Review is a great cabinet of curiosities – a cacophony of voices, styles, illustrations and photographs, Outrages and Delights, personalities and proclivities, polemics, failures and fetishes. In creating this anniversary edition celebrating 120 years of criticism, we wanted to capture the diversity and eccentricity of this ongoing architectural conversation. As such, the archive content is organized not chronologically, but in perennial themes that have echoed and evolved across the decades, from technology to education – forces that have shaped the profession.

#donotsettle Shows Us 6 Ways Visiting Buildings is Different to Viewing Them in the Media

09:30 - 12 November, 2016

New from the Belgian-Indonesian vlogging architect duo #donotsettle comes “6 Things You Don't See From Architecture Media (Until You Visit Them).” Known for their user-oriented architecture videos, in this video they present something slightly different to the usual, using a quick tour across several international cities to visit buildings by the likes of Herzog & de Meuron, Unstudio and OMA to demonstrate to viewers all of the experiential aspects of architecture that are often lacking in architecture media.

Upcoming Feature Film to Chronicle the Trials and Tribulations of Jørn Utzon and the Sydney Opera House

16:00 - 18 June, 2016
Upcoming Feature Film to Chronicle the Trials and Tribulations of Jørn Utzon and the Sydney Opera House, Courtesy of Flickr user Chris Maidlow, licensed under Creative Commons 2.0
Courtesy of Flickr user Chris Maidlow, licensed under Creative Commons 2.0

The Sydney Opera House is one of the most iconic buildings in the world. A momentous achievement in design and engineering, the building quickly cemented itself as a defining feature of the Australian cultural landscape. But the realization of the building was not a straightforward one, and almost immediately after the project was awarded it became fraught with controversy and uncertainty. At the center of this controversy was the architect, Jørn Utzon, who eventually resigned after mounting conflict with the state government. Now, this period of Utzon's life will be chronicled in a new feature length film, Utzon, The Man Behind the Opera House, reports The Guardian.

Casa Brutale is Getting Built, and Here’s Why (Hint: The Internet)

09:30 - 2 May, 2016
Casa Brutale is Getting Built, and Here’s Why (Hint: The Internet), Courtesy of OPA
Courtesy of OPA

When ArchDaily published “Live on the Edge with OPA’s Casa Brutale” in July of last year, we expected it to be popular on our site, but few anticipated exactly how much attention the project would receive—enough to secure a position in the top 10 most read articles on the site in 2015. But what happened next was perhaps more astounding. By the end of the week, the project had been picked up by the gamut of non-architecture news outlets ranging from Slate to Yahoo to CNET to CNBC. For a few short days, it became difficult to traverse the wild expanses of the internet without a sighting of the project’s lead image, typically accompanied by a hyperbolic headline along the lines of “This Beautiful, Terrifying House is Literally Inside a Cliff.”

But despite the enormous traction, with seemingly impossible features like a clifftop, glass-bottomed swimming pool, the project still seemed to be destined for "paper architecture" status. Yet fast forward to today and the house has (incredibly) found a willing client, and is about to break ground on construction. How did this happen, and what takes architecture from viral sensation to real-life construction project?

Courtesy of OPA Courtesy of OPA Courtesy of OPA Courtesy of OPA + 23

Why 2015's Most Important Design In Architecture Isn't A Building, But A New York Times Article

10:30 - 27 April, 2015

Looking towards the uppermost floors of the new Whitney Museum of American Art, thick clouds roll diagonally across the sky behind. Reflected in the ample window of the museum’s main gallery they dash in a different direction, while the building’s white facade flashes light and dark in response to the changing light conditions. Superimposed over this scene, bold all-caps lettering pronounces the title of an article: the simple but dramatic “A New Whitney.”

This is the sight that greeted readers of Michael Kimmelman’s review of the Whitney in The New York Times last Sunday. Scroll down just a little, and the first thing you encounter is a list of credits: Jeremy Ashkenas and Alicia Desantis produced the article; graphics were contributed by Mika Gröndahl, Yuliya Parshina-Kottas and Graham Roberts; and videos by Damon Winter (the editor behind the entire endeavor, Mary Suh, is not mentioned).

Before even reading the article’s opening words, one thing is clear: this is not your average building review. As a matter of fact, it might even be the most important article in recent architectural memory.

Unpublished / CLOG

01:00 - 17 March, 2014
Unpublished / CLOG, Courtesy of CLOG
Courtesy of CLOG

Each edition of CLOG poses a particular challenge to the reader: by showcasing such a variety of distinct view points, teasing out the central, connective themes is far from an easy task. It requires analysis, thought, and most of all time - which is, of course, entirely the point. CLOG seeks to “slow things down” so that the greater issues of architectural discourse are mulled over and explored.

The latest CLOG, however, Unpublished, has two central points that quickly, easily emerge. Pick up CLOG: Unpublished if you want to learn two things: (1) about how and why certain publications choose the architecture they publish (ArchDaily included); or (2) about works that have, for their geographical location or problematic nature, been forgotten from the “idealized narratives” of architecture