The term "biophilia" understandably conjures images of buildings engulfed by vegetation and integrated into natural landscapes. In modern architectural discourse, the concept has come to be associated with the incorporation of greenery into built environments, yet such applications represent only a sliver of biophilic design's true scope. Inarguably, nature plays a central role in biophilic design. However, its influence stretches to often-overlooked strategies that involve spatial configuration and environmental patterning. "Invisible" biophilia frequently leads to positive health outcomes for occupants, working impactfully beneath the surface.

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For many years, often spoken in tones of anticipation and excitement, we have heard that 3D printing will revolutionize the architecture industry as we know it. But if we stop for a moment, reflect on the present and look back at the past, it becomes evident that the technology has long been reshaping the field, continuously undergoing profound transformations and ushering in new eras of design, construction and spatial creativity. Operating as a layer-by-layer additive manufacturing process, 3D printing uses digital models to create customized three-dimensional objects with a remarkable level of precision and efficiency, saving time, generating zero waste, reducing labor costs and opening avenues for rapid prototyping and iterative design. It enables architects to explore creative opportunities and regain autonomy by designing complex, non-standardized elements within an industrial and mass-customized process.

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More than 5000 new projects published throughout 2021 make ArchDaily the largest online architecture library in the world. ArchDaily Curatorial Team researches, contacts offices, prepares, and delivers the built projects in the world on a daily basis, with the objective of providing inspiration, knowledge, and tools to our users who take part in the creation of better built environments. 

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The art of building a shelter made from blocks of ice is passed on from father to son among the Inuit, native peoples who inhabit the northernmost regions of the planet. The circular plan, the entrance tunnel, the air outlet and the ice blocks form a structure where the heat generated inside melts a superficial layer of snow and seals the gaps, improving the thermal insulation of ice. In a storm, an igloo can be the difference between life and death and perhaps this is the most iconic and radical example of what it means to build with local materials, few tools and lots of knowledge. In this case, ice is all you have.

Taking advantage of abundant resources and local labor are key concepts for sustainable architecture, which are often overlooked at the expense of solutions replicated from other contexts. With new demands and technologies, the globalization of building materials and construction techniques, is there still room for local materials? More specifically in relation to 3D printed constructions, are we destined to erect them only in concrete?

Responding to artistic director and curator Es Devlin's theme ‘Resonance’, designers from different countries, territories, and cities showcased how they envision new perspectives and solutions to global issues, exploring topics such as sustainability and the environment, globalization, migration, and the future of humanity. The diversity of the contributing curators was not only present in the solutions they presented, but in how they displayed them as well. While some opted for the tactile experience of exploring natural elements, others relied on one of the most prominent themes of the 21st century: digitalization and the virtual world.

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