No city is like New York. As an amalgam of different cultures, it is one of the most diverse in the world. New York is also facing social and environmental challenges that range from the need for new housing and transportation demands, to rising sea levels and storm surges. As the global pandemic further underlined the importance of design in shaping public life, city officials and planners are looking at a range of approaches and models for urban development and renewed growth.

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Most of us use stairways every day, but few times do we stop to contemplate their design or put much thought into their function. With their steps, treads and railing, they are easily one of the most fundamental architectural elements in any home. Apart from providing a safe, simple and easy access from one floor to another, it is through staircases that architects create unique spatial forms and strong visuals. From afar, one can observe people moving up and down repeatedly; from within, the user is treated to new angles and ways to perceive a space. Therefore, good staircases are more than just means of vertical circulation. Through their might and scale, they can become the protagonist of a space – a design focal point that rises to the level of art. In this article, we present their versatile characteristics and material qualities through a selection of inspiring examples, all of which can be found in Architonic's 'Staircases' section.

Berlin is a city defined by an eclectic mix of style and a rich history. It's built environment has been dramatically shaped by a series of municipal construction programs, and in turn, a past of extensive demolition, planned residential areas, and diverse new cultural projects. Combined with influences across Europe, Berlin's contemporary architecture showcases new ideas on building concepts, forms and facades.

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Polish-American architect, artist, professor, and set designer, Daniel Libeskind, founder of Studio Libeskind in 1989, believes that buildings are crafted with perceptible human energy, constructed with the intention to address the greater cultural context in which they are built. His commitment to expanding the scope of architecture reflects his profound interest and involvement in philosophy, art, literature, and music.

He addresses the notion of drawings being akin to a score, a piece of music that is interpreted by a like-minded community. Proportions, light, and materiality are all implicated in the drawing, and in this same way, buildings are also called to present space, atmosphere, and illuminate the practice.

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