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Yona Friedman is a French architect and urban planner with more than 92 years of experience that has led him to participate in numerous events, including the Venice Biennial and the Shanghai Biennial. One of his most important works was published in 1958, entitled L'Architecture Mobile, which exposed one of his most ambitious projects named: "La Ville Spatiale", a utopia that recycled mega-structures of existing cities to provide citizens with the chance to live with complete flexibility in their decisions.

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This article serves as a brief introduction to a way of thinking that I assume to be foreign and new to most of the readers. It is based on some observations I’ve made during the past 5 years as part of my PhD research into the comparison between two traditions of architectural representation, between China and Europe, under guidance of prof. Li Xiaodong at Tsinghua University in Beijing. With that in mind this article has no pretension, nor the proper length, to fully convey the complexity of the representations of architectural space in drawings from China, but should be seen as a first try to communicate some of these ideas to a wider audience.

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Architecture, in all its forms, has the innate ability to trigger our emotions and alter our perceptions. Consequently, a lot of light is currently being shed on the relation between architecture, landscape, and health.

In the 2018 edition of the Blank Space Fairytales Competition, Katie Flaxman from Studio 31 Landscape Architects, wrote a story of a father, Horace, an architect suffering from late-stage dementia and his offspring, Rowan. The fiction describes Horace’s journey in different healthcare institutions and how his presence in a building and landscape properly designed for well-being, improved his psychological and physical health.

Here are some excerpts from Flaxman's fictional story, illustrated by architectural artist Sam Wilson.

GoArchitects has launched a Kickstarter campaign for the development of a collection of notebooks inspired by the greatest architects of all time. The A5, hardcover-bound notebooks are designed to be “durable, perfectly sized, and foster a curious and creative confidence.” The six unique notebooks are adorned with the quotes and graphic styles of some of the most famous architects from eras past, such as Frank Lloyd Wright, Mies van der Rohe, and Philip Johnson.

The notebooks have been made to help “unlock creativity, problem-solving, innovation, and critical thinking.” Containing 200 pages of uncoated off-white paper, with a dotted grid pattern, the notebooks also features a ruler page in imperial and metric scales.

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As part of Tripoli’s economic revival plan, the International Union of Architects (UIA), in collaboration with the Lebanese Federation of Engineers and Architects (on behalf of the Tripoli Special Economic Zone / TSEZ), the Union of Mediterranean Architects (UMAR), and the Lebanese Government, have launched an international architecture competition to create a Knowledge and Innovation Center in the northern city of Lebanon.

The proposed site is situated on an empty lot within Oscar Niemeyer’s abandoned Rachid Karami International Fair, a modernist exhibition complex that has yet to see the light of restoration. The objective of the competition is to create a technology and business hub which will foster and promote start-up businesses and entrepreneurs, attracting students, young graduates, local and international companies to Tripoli and the neighboring region.

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