By Henry Heng Lu

The escalating use of air conditioning is pushing urban temperatures to unprecedented heights. In highly populated nations like India, China, Indonesia, Brazil, and Mexico, major urban centers are becoming virtual ovens. At the same time, heat absorbed by buildings is re-released into the environment, driving local temperatures even higher. This outdoor heat, in turn, triggers demand for more air conditioning, creating a vicious cycle that increases both energy consumption and atmospheric carbon emissions.

In response to this feedback loop, UNStudio partnered with Swiss paint specialists Monopol Colours to develop “The Coolest White”—an ultra-durable coating that protects buildings and urban structures from excessive solar radiation, thereby mitigating the urban heat island effect. Darker materials used in urban construction are a primary driver of urban heat accumulation. These materials absorb up to 95% of solar radiation, re-releasing it directly into the atmosphere, whereas standard white surfaces reduce this absorption to 25%. Now, The Coolest White lowers this absorption and emission value to a groundbreaking 12%.

Tracing the development of Chinese civilization reveals a journey that moves from the lower reaches of the Yellow River upstream. Journeying backward from Beijing of the Ming and Qing dynasties, through Luoyang of the Sui and Tang, to Xi'an of the Qin and Han, one eventually reaches Qin'an—the site of an 8,000-year-old prehistoric civilization. Recently, the Qin'an Archives, designed by WEISHE Studio, broke ground in this historic and cultural city, celebrated as the birthplace of the mythological figures Fuxi and Nuwa. The new facility will not only preserve county records and archives but will also serve as a public cultural hub, integrating research, reading, cultural exhibitions, and academic exchange.

Recently, HASSELL was invited to participate in the master planning and landscape design competition for this site, reimagining it as Hefei Central Park while preserving the memories of its past. Ultimately, HASSELL's proposal was selected as one of the two winning designs. The jury commented: "HASSELL’s proposal features a well-structured urban design framework, and the treatment of the interface between the park and the city is particularly striking. The skeletal road network is highly feasible, and the internal circulation system is thoroughly designed. While the runway is preserved intact, its potential for future adaptation is enhanced. Additionally, the 'Green Ribbon' concept at the intercity transit node is highly distinctive." 

On World Water Day (March 22) during the 2019 Year of the Pig, SPARK is launching “The Three Little Pigs” research project. The project proactively treats wastewater from pig farming at its source rather than allowing it to discharge into freshwater systems. “The Three Little Pigs” supports the Chinese government’s efforts to address nationwide water pollution caused by livestock farming. The unchecked dumping of livestock waste not only degrades the quality of freshwater supplies but also causes mass fish deaths, triggering eutrophication that compromises the ecological value of China’s scenic lakes. SPARK’s practical, playful, and iconic concept diverts livestock waste from drainage systems, converting it instead into biogas that can generate electricity or serve as fuel for cooking and heating. The slurry remaining in the biogas reactor can then be used as agricultural fertilizer. SPARK’s 360-degree life-cycle proposal underscores the urgency of addressing water pollution in China, highlighting the opportunity to actively repurpose waste as energy.

Designed by LYCS Architecture, the new headquarters for GeTui (Zhejiang Daily Interactive Network Technology) is located in Hangzhou's Unicorn Industrial Park. The project represents a collaborative milestone between LYCS Architecture and the independent smart big data service provider. The architectural scheme has officially received planning approval, with construction slated to begin in mid-2019 and completion scheduled for 2021.

On April 17, 2019, details were announced for the "2019 Shanghai Urban Space Art Season" (SUSAS), hosted by the Shanghai Urban Sculpture Committee and co-organized by the Shanghai Municipal Planning and Natural Resources Bureau, the Shanghai Municipal Culture and Tourism Bureau, and the People's Government of Yangpu District, Shanghai.

Following the successful editions in 2015 and 2017, the 2019 Space Art Season continues to explore urban space topics against the backdrop of Shanghai's current phase of urban regeneration. This year's theme is rooted in the municipal government's "One River, One Creek" public space development strategy. Focusing on the global topic of "waterfront spaces bringing a better life to humanity," the event will span nearly two months. Through themed exhibitions, case studies, joint exhibitions, and various public activities—combined with cultural and tourism initiatives like "One Million Citizens Viewing Shanghai"—it will showcase Shanghai's recent achievements and future vision in connecting and improving waterfront spaces citywide. The main exhibition will open at the Yangpu Waterfront at the end of September.

(Article by Wang Xin) Recently, Chengdu officially launched the detailed design phase for the “Capital of Pandas,” marking the start of construction on the new home for the pandas. In January 2019, the master planning and conceptual design scheme developed by the consortium of Shanghai Tianhua Architecture Planning & Design, Chapman Taylor LLP, and Masa Studio (Hong Kong) Co., Ltd. won the competition. The consortium was awarded the detailed design contract for the “Beihu Area,” the project's largest plot and home to the Chengdu Research Base of Giant Panda Breeding.

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According to announcements on the UNESCO website, the World Heritage List represents an invaluable legacy of monuments, natural beauty, and cultural treasures belonging to all humanity. The sites inscribed on this list serve as milestones on our planet, symbolizing regional and national awareness of the significance of place and shared wealth, while preserving this collective heritage for future generations.

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China's unique social development has provided a distinctive breeding ground for contemporary Chinese architecture. As one of the country's primary design hubs, Shanghai can be seen as an ideal entry point to understanding this landscape. Shanghai-based architect Liu Yuyang, who was born in Taiwan and raised in the United States, has forged a unique architectural trajectory shaped by his rich life experiences and multicultural background. Through an extensive portfolio of built work, he has established a distinct voice within the broader professional landscape. In the following excerpt from an interview with author Zhang Yifan (YF), Liu discusses his design approach, the origins of his philosophy, and his professional ethos.

2050年马德里的气候将更像今天摩洛哥马拉喀什的气候，斯德哥尔摩将更像布达佩斯，伦敦更像巴塞罗那，莫斯科更像索菲亚，西雅图更像旧金山，东京更像中国的长沙。

苏黎世联邦理工学院克劳瑟实验室（The Crowther Lab）在科学杂志《公共科学图书馆》（PLoS ONE）上发表了一篇题为《从对相似城市的分析开始理解气候变化》的研究，为世界城市中心的未来描绘了一幅严峻的图景。

Introduction: This interview is part of the “Echoes for the Future” exhibition, which primarily features video interviews with architects. In 2008, architect Che Fei and international curator Yao Jing co-initiated a series of interviews themed “The Beijing Olympics in Architectural Discourse.” In 2018, we revisited the same nine architects, bridging the fields of media, research, and education to illuminate reflections on the built environment and future visions. For this first installment, we delve into the “past, present, and future” of Li Hu, founding partner of OPEN Architecture.

Over the past 20 years, the role of representation and rendering has shifted dramatically across the architecture, engineering, and construction (AEC) industries. New rendering technologies, techniques, and software, such as Lumion, have driven this evolution. By integrating 3D rendering tools, architects and designers can leverage intuitive, versatile visualization technologies to enhance creativity rather than stifle it.

Project Background
As a strategic pivot of the national "Belt and Road" Initiative and the core engine for innovative cooperation in the Guangdong-Hong Kong-Macao Greater Bay Area, Qianhai is set to become a futuristic, world-class bay area city center. On January 17, 2019, the Qianhai Authority officially launched the global call for proposals for the "Qianhai Public Space Design" project, attracting applications from 42 consortia representing over a hundred leading design firms worldwide.

The primary objective of the "Qianhai Public Space Design" project is to establish a unique bay area city center. Grounded in human-centric design, the project aims to enhance public well-being and the region's overall appeal through the creation of a beautiful, inviting network of public spaces.

Yesterday, the Changjiang Art Museum, designed by Vector Architects, opened in Taiyuan, Shanxi Province. Simultaneously, the museum inaugurated three exhibitions: "Backbone: Four Chinese Architects," featuring the work of Dong Gong, Hua Li, Li Xinggang, and Cheng Yanchun; "Reshaping the Block: Qiandu·Dongshanqing Architectural Practice Exhibition"; and "Changjiang Village: A History/Space Exhibition."

Great gems of modern Paulista architecture are located in the Higienópolis neighborhood of São Paulo. Predominantly occupied by residential buildings, the curiosity to imagine what their apartments and floor plans look like arises in the minds of those with even a passing interest in these projects. With this in mind, we have gathered ten projects that are the result of renovations in famous buildings—such as the Lausanne and the Louveira—as well as others located in the same vicinity.

Preservation and renewal are constantly unfolding in our cities. Against the backdrop of rapidly evolving lifestyles and the transition of China's economic development to a "new normal," urban renewal and regeneration are gradually superseding new construction as crucial aspects of Chinese urban development. This exhibition focuses on the theme of urban renewal, gathering outstanding projects from home and abroad to comprehensively review successful experiences across various regions, scales, typologies, and stakeholders. In doing so, it showcases the achievements, dilemmas, reflections, practices, current conditions, and futures within the urban development process, contributing diverse voices to the ongoing discourse on China's urban renewal.

We interviewed Zhu Xiaodi, co-curator of the exhibition “Born of the Old,” to discuss the significance of the theme, the rationale behind its unique exhibition design, and the stories behind the project.

Past, Present, Future is an interview project by Itinerant Office that invites prominent architects to share their perspectives on the constantly evolving world of architecture. Each interview is divided into a three-part video series—Past, Present, and Future—where interviewees discuss their architectural philosophies and experiences. The project's first installment featured 11 architects from Italy and the Netherlands, while the second edition comprises interviews with 13 architects from Spain, Portugal, France, and Belgium.

The aim of this interview series is to study these successful firms and understand their methodologies. The videos seek to offer a clear picture of what it means to be an architect in the 21st century, while serving as inspiration for the next generation of emerging architects and students entering the field.

Unlike when they were seen merely as spaces for sleeping and showering, today hotels must enhance the travel experience to attract guests and offer a competitive edge against direct rivals or even new lodging models like Airbnb. Consequently, beyond room quality, leisure areas, restaurants, landscape, and architecture are key factors in the success of a development.

In countries like Brazil, which feature diverse landscapes and a varied population, one encounters a wide range of solutions when designing hotels. For this reason, we have gathered ten national examples where architecture stands out, lending a unique identity to each of these buildings.

Designing the spatial quality of public space and allocating its program for the population is one of the greatest challenges for architects and urban planners. Urban developments, parks, and plazas are some of the interventions these professionals encounter when creating places for democratic use—spaces that often become symbols of the city. To illustrate these projects, we have gathered ten Brazilian examples that explore different contexts and scales.

On December 20, 2019, the opening press conference for the eighth **Bi-City Biennale of Urbanism\Architecture (Shenzhen)** (hereinafter "UABB") was held at the **Shenzhen Museum of Contemporary Art and Urban Planning (MOCAPE)**, marking the official launch of this year's biennale.

Under the theme of "**Urban Interactions**," this year's UABB is chief-curated by architect and director of the MIT Senseable City Lab **Carlo Ratti**, academician of the Chinese Academy of Engineering **Meng Jianmin**, and renowned curator and art critic **Fabio Cavallucci**. The South China-Turin Joint Lab (Politecnico di Torino and South China University of Technology) serves as the academic curator. The exhibition **opens on December 21, 2019, at the main venues—the Shenzhen Futian High-Speed Railway Station and the Shenzhen Museum of Contemporary Art and Urban Planning—and will officially open to the public on December 22**. In addition, **nine sub-venues** across various districts of Shenzhen will interface with the main venues, establishing an organic network of interaction throughout the city.

The exhibition comprises two main sections, "**Eyes of the City**" and "**Ascending City**," each exploring the evolving relationship between urban space and technological innovation from distinct perspectives. **The main venues showcase over 140 works, bringing together more than 280 exhibitors from 24 countries and regions**. These include renowned international and domestic architects, artists, and institutions such as MVRDV, Liam Young, Stefano Boeri, Sou Fujimoto, Thomas Heatherwick, Ryoji Ikeda, Wang Shu, Yung Ho Chang, Dominique Perrault, Philip F. Yuan, Liu Cixin, and Academicians Cui Kai and Wang Jianguo.

In 2019, ArchDaily published more than 5,000 architectural projects, including hundreds of residential designs. Based on their popularity, we have curated 56 residential projects that stand out for their innovation, technical execution, and design ingenuity. Located across the globe—in cities, countryside, mountains, and coastal areas—they employ a wide range of structural systems and materials, from traditional masonry to cutting-edge prefabricated systems. Most of these designs share a common thread: fostering a powerful dialogue between the home and nature, whether by directly engaging with the surrounding landscape or bringing greenery into dense urban environments. The collection is divided into two sections: Collective Housing, represented by apartment buildings, and Single-Family Homes, represented by private villas and residential renovations.

On December 20, 2019, the opening press conference for the 8th Bi-City Biennale of Urbanism\Architecture (Shenzhen) (UABB) was held at the Shenzhen Museum of Contemporary Art and Urban Planning (MOCAPE), marking the official launch of this year’s exhibition.

The theme of this year's UABB is "Urban Interactions." It is chief-curated by architect and director of the MIT Senseable City Lab Carlo Ratti, Academician of the Chinese Academy of Engineering Meng Jianmin, and renowned curator and art critic Fabio Cavallucci. The South China-Torino Collaboration Lab (Politecnico di Torino and South China University of Technology) serves as the academic curator. The exhibition opened on December 21, 2019, at the main venues—Shenzhen Futian High-Speed Railway Station and the Shenzhen Museum of Contemporary Art and Urban Planning (MOCAPE)—and officially opened to the public on December 22. Concurrently, nine sub-venues across various districts of Shenzhen will collaborate with the main venues, forming an organic interactive network throughout the city.

The exhibition features two main sections, "Eyes of the City" and "Ascending City," which explore the evolving relationship between urban space and technological innovation from distinct perspectives. The main venues showcase over 140 works, bringing together more than 280 participants from 24 countries and regions, including MVRDV, Liam Young, Stefano Boeri, Sou Fujimoto, Thomas Heatherwick, Ryoji Ikeda, as well as renowned domestic and international architects, artists, and institutions such as Wang Shu, Yung Ho Chang, Dominique Perrault, Philip F. Yuan, Liu Cixin, Academician Cui Kai, and Academician Wang Jianguo.