This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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Vacío is a temporary intervention that seeks to redefine the boundaries and experience of the space in which it is located. It is crucial to understand the environmental impact of ephemeral projects. 
To construct this void, we used four floating curtains made of repurposed sheets of paper collected from other architecture firms, bathed in indigo to erase the drawings, texts, and prints of their previous life. 
The installation's lightness allows the airflow to constantly reshape the defined geometry of the prism. Inside, the space mutates and interacts with visitors, almost compelling them to move as the floating sheets seem to breathe.  

This article by Julián García Muñoz and María de los Ángeles Beltrán Fernández was originally published in the second issue of rita magazine under the title "La prefabricación de bóvedas de ladrillo: Una utopía latinoamericana" and is part of a joint publishing collaboration. The following is an overview of the history of these prefabricated vaults, aiming to reclaim their value.

Videos

“Architects, not Architecture” has decided to open its archive to help us navigate the global lockdown, serving as a source of inspiration and entertainment for the architectural community. It features a selection of the best talks from their 35 past events, previously unreleased to the public—including Tatiana Bilbao, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Anupama Kundoo, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand, and Kjetil Thorsen.

Each week, ArchDaily will share one of the full talks that “Architects, not Architecture” is publishing daily on its website as part of its "new event": Home Edition 2020 (www.architectsnotarchitecture.com).

As an exclusive, Plataforma Arquitectura is presenting one of the talks in Spanish. Below is the presentation by architect Benedetta Tagliabue.

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Mexico's National Social Distancing Campaign began on March 23, 2020, but a couple of weeks prior—even as the Federal Government recommended continuing activities as normal—social media was already filled with people opting to mirror the European model and self-isolate. Right away, some architecture firms decided to close their physical offices and transition to remote work, while others took a few more weeks to make the shift. However, this period of social and physical (spatial) distancing is experienced differently in every household. Over the months that this pandemic has unfolded, it has exposed not only inequalities regarding basic needs in dense urban areas, but also the fragility of the social order itself. Whether on a macro or micro scale, all of these experiences occur within and are influenced by the built environment, making architecture both an arbiter and an active participant in this equation. 

Slate 1 CAU+Plural, composed entirely of women architects and urban planners, received 11,568 votes in the election for CAU/SP, held on October 15. The election, which recorded the highest turnout of architects and urban planners in the history of the Council of Architecture and Urbanism of São Paulo, marked the first time a single slate garnered nearly 40% of the valid votes.

In an unprecedented achievement, the slate secured the majority of seats in the Council, winning 49 plenary seats. Out of 77 total seats, 52 will be occupied exclusively by women. Thanks to this strategy, the next term will see a 77% female composition—with 54 titular members and 66 alternates, respectively. This effectively reverses the previous composition, where 76% of the state council was represented by men. 

Last week we announced the 15 finalist projects for the Building of the Year 2020 award (Obra del Año), which since 2008 has celebrated the best built architecture in Latin America and Spain, calling on our expert jury—that is, you, the readers—to choose your favorite completed buildings.

Today, the day has come to announce the winners of ODA2020.

The City of São Paulo has just released 3D cartography for the entire city on the GeoSampa Portal. The new tool allows users to visualize buildings, trees, infrastructure, and other geometries in 3D directly on the map. The data is also available for download.

Videos

Chilean architect Cecilia Puga will take over as director of the Chilean Museum of Pre-Columbian Art, one of the most visited in Santiago. The news was announced by her predecessor, anthropologist Carlos Aldunate del Solar, in a recent interview with Chilean magazine Sábado, where he announced his resignation after four decades at the helm of the institution. "Obviously, a younger person with more energy should take over," Aldunate commented in the interview.

We have often heard about BIM (Building Information Modeling) and the wide range of opportunities it brings to the AEC (Architecture, Engineering, and Construction) industry. But how are these BIM models structured? This article explains the components of these models and their characteristics based on a BIM Standard, while addressing the importance of BIM Catalogs and BIM Libraries.

Colombia boasts an immense variety of thermal zones that create breathtaking landscapes and dreamlike natural environments. Its flora and fauna vary distinctly depending on region, altitude, and humidity. For architectural practices designing Colombian homes, the natural context is a constant source of inspiration, ranging from incorporating vegetation as interior architectural elements to framing nearby landscapes. When designing spatial perception—whether from within or without—nature is an undeniable component of these projects.

Medellín-based firm Taller Síntesis shares the following article emphasizing the importance of recognizing the rural built environment—which accounts for most of the country's territory but not most of its architectural practice—in order to raise awareness of how architecture is directed and recognized in Colombia. Read on below.

1:1 Proyectos sobre los territorios del Perú is a book by Peter Seinfeld and Felipe Ferrer that summarizes their students' work over more than seven years. 

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us their interview with professor Pablo Gamboa Samper. This interview is part of a series featuring seven Colombian architects, including figures such as Sebastían Serna, Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, whose interviews will be released on their channel.

The renowned International Architecture and Design Festival of Logroño, Concéntrico, will hold its sixth edition—rescheduled due to the COVID-19 pandemic—from September 3 to 6, 2020. The festival invites reflection on 'the urban' and the contemporary city.

In a conversation for the third edition of Revista CLEA—an annual publication of the Latin American Coordinator of Architecture Students (CLEA)—Ecuadorian architect María Augusta Hermida explores the capacity to decolonize spaces and cities today.

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Croquis CDMX is an initiative led by Héctor López, founded eight years ago to foster and strengthen the connections between the eye, the brain, and the hand. The project seeks to portray life in Mexico City through freehand sketches. While architectural education is geared toward training professionals to design and construct buildings, Héctor—who studied at the Faculty of Architecture of the National Autonomous University of Mexico—views university education as “the axis of all elements: I already knew how to draw, and in school I became interested in construction, history, and theory. That was where drawing became disciplined. I would encourage students to draw, regardless of whether they think they can or not, because you discover things that you don't understand when drawing with software.”

At the same rate that the real estate development industry aggressively intervened in the most favorable areas of the city valley—backed by state approvals and concessions, supported by massive banking resources, and employing top individual talent trained at public universities—popular settlement neighborhoods grew proportionally across complex topographies, receiving minimal institutional support, completely devoid of financial backing, and with negligible, residual, if not non-existent, technical assistance.

The Inter-American Development Bank (IDB) recently published a practical guide for sustainable buildings, public spaces, and construction sites in Brazil. Authored by Esperanza González-Mahecha, Livia Minoja, Lucas Rosse Caldas, and Clémentine Tribouillard, the publication aims to simplify access for public and private managers to practical information on how to incorporate sustainability elements into projects, whether buildings (such as housing or public facilities) or public spaces.

When we visit an urban destination—or perhaps a rural one as well—can we truly say we know it? A brief vacation in a tourist destination might give us an impression of what a place "is." However, this is a far cry from reality, as tourism has always manipulated the impression left on visitors, obscuring the actual lived experience of the place. 

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The city of Puebla, located in the central highlands of Mexico, is particularly well-known for its street layout and its predominantly Baroque architecture. A UNESCO World Heritage Site since 1987, it hosts a broad cultural dynamic centered on the preservation of built heritage and its appreciation from afar, as if it were a museum piece. Consequently, on our daily commutes, we notice the monumentality of its facades, while most often overlooking what lies behind the large wooden doors: what we have called “the heart of the Poblano home.”

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us an interview with Sebastián Serna Hosie, a Bogotá-based architect and member of Taller de (S) and Ciudad Isla. This is part of a series featuring seven Colombian architects, including prominent figures such as Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, whose interviews will be released on their channel.

Street safety goes far beyond policing and lighting. While these factors may be important in certain contexts, community engagement and building social capital are key to making cities safer. “Feeling safe is crucial for people to embrace urban space,” says Jan Gehl.

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During October of this year, the Photography and Architectural Image Workshop took place, aiming to introduce students from the University Center of Art, Architecture, and Design (CUAAD) of the University of Guadalajara to photography. This approach ranged from the retrospective analysis of the image and shooting with digital or analog tools to an introduction to the basics of post-production. Through the perspectives of various guest speakers and practical exercises, students had the opportunity to develop the sensitivity to enter the world of photography. The workshop instructors were César Béjar, Misael Covarrubias, Rafael Palacios, Carlos Irigoyen, AVEH Estudio, Ernesto Gutiérrez, Joel Alavez, and Daniel Mendoza. Read on to see the results.

Lockdown and preventive isolation have exposed the obsolescence of models that fail to meet contemporary needs, whether in housing, public space, or rural areas. The Colombian Society of Architects took action, bringing together its regional representatives and professionals from other related fields to rethink social behavior within territories, cities, and housing.