
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This week's podcast tackles a topic that, as the saying goes, offers plenty of food for thought. For architects, representing a project is not only a form of artistic expression but also requires mastering a series of tools that must graphically translate the information needed to bring a building concept to life. In this sense, the history of architectural representation is deeply intertwined with the history of design itself, remaining a constant subject of reflection and evolution in our field.

Carlos Hevia Riera is a Chilean architect and photographer driven by highlighting the value of daily life in rural and isolated territories. In this context, his latest project, 'Esto también pasará. Taccone città effimera' (This Too Shall Pass: Taccone, Ephemeral City), is the result of his artistic residency in Taccone, in the municipality of Irsina, from August to October 2019. This residency enabled him not only to build a temporary museum made of straw bales but also to uncover a surprising and little-known history.
In the following interview, he shares an in-depth look at his work, from his initial impressions to each of the steps behind this collective construction of memory.

In late May 2021, Puerto Escondido, Oaxaca, hosted the inaugural edition of MDF Mexico Design Fair, an emerging platform born out of a desire to discuss, exhibit, and celebrate the Mexican design scene. Its primary objective is to promote the acquisition of contemporary Mexican design, strengthening its position by understanding and transcending the goals of the international market.

Argentine architect Daniel Silberfaden, founder of Estudio Silberfaden, passed away on October 29 at the age of 66, according to local media reports.

Solutions that improve usability while also being sustainable always deserve to be highlighted. Klabin, a Brazilian paper and packaging company, has developed the market's first cement packaging that can be integrated directly into the concrete mixing process. The water-dispersible packaging is made of 100% dispersible paper, meaning it can be incorporated during concrete preparation, streamlining production through direct use in a horizontal shaft concrete mixer. Simply place the closed packaging into the mixer, add sand, gravel, and water, and mix until it disperses and integrates into the final product, preserving the concrete's quality. This new packaging guarantees high performance and easy handling.

As part of the annual collaborative efforts of the Design Week team in Mexico City, the "Inédito" exhibition opened on October 14 at the Espacio CDMX Arquitectura y Diseño gallery. This showcase is part of the seventh consecutive edition of the open call, which aims to support, promote, and disseminate utilitarian design projects in the categories of social impact, environmental impact, innovation, function, aesthetics, concept, user experience, materials, and processes. Divided into three categories—professional, student, and limited edition—the exhibition, rather than fostering competition, opens up opportunities in both the domestic and international markets for exceptional design with commercial and production viability.

The detection of gravitational waves is one of the most important recent discoveries. It is revolutionizing the way we observe and study the universe.
El Equipo Mazzanti in association with Lino Cabras, Fabrizio Pusceddu, Eugenio Coccia, Massimo Faiferri, and Michele Punturo, designed an installation that showcases the latest projects on the subject. Titled 'Gravitational Wave Architecture', the exhibition is housed within the Italian Pavilion, curated by Alessandro Melis, at the Venice Biennale 2021.

Architecture firm Sordo Madaleno Arquitectos (now SOMA) has unveiled the design for the new Park Hyatt mixed-use development in Mexico City's Polanco district. Comprising a luxury hotel, residences, and offices, the project marks Hyatt Hotels Corporation's first such complex in the country.
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The popular architecture festival 48h Open House BCN invites us this October 23 and 24 to explore Barcelona through a specific theme: Mediterranean architecture. In the words of its organizers, this represents "a vernacular, anonymous architectural tradition with popular roots that has been interpreted and adapted to new realities."
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March 9 marks the birth anniversary of one of the most globally significant Mexican architects, a pioneer of the Modern Movement in Mexico whose work has transcended geographical boundaries to be studied by generations of architects who have rewritten his teachings to make them their own. Luis Barragán, the Guadalajara-born architect and 1980 Pritzker Prize laureate, left a timeless legacy that continues to pave the way for new research and discoveries today.

Studio Zhu-Pei was founded in Beijing in 2005 by Zhu Pei. The practice has consistently focused on the exploration and practice of cultural architecture, driven by an artistic and experimental creative ethos. To date, the studio has completed 18 art museums and cultural projects, with another 17 currently under construction or in the design phase. Design Philosophy: "Nature Architecture" is neither landscape architecture nor green architecture. Rather than referring to nature in a narrow sense, it represents a natural attitude—an exploration of the natural tectonic laws behind architecture. It seeks to uncover the sensory roots defined by one's own culture, establishing a deep-seated connection between architecture and local culture, geography, and climate.

The history of architectural visualization has undergone numerous shifts over the centuries. Its intrinsic relationship with architecture itself has sparked expressions and critiques that, beyond serving as a tool for representing the inhabited world, directly influence how we perceive it and shape the production of the built environment. Every form of architectural representation—whether showcasing the final product or revealing the design process—is directly tied to a specific understanding of quality, class, interpretation, intention, and meaning. While certain trends may seem linked to specific artistic movements, each possesses its own biases, preferences, cultures, and economic, cultural, and personal impulses.

ArchDaily In-Depth is an interview series featuring architects with long-term expertise in specific typologies. Selected firms must have been established for over a decade, or boast a substantial portfolio of completed and ongoing projects in a specialized field, backed by a robust theoretical framework. Recently, we spoke with the lead architects of the Shenzhen World Exhibition & Convention Center—one of the world's largest single buildings—the team at Valode & Pistre (VP). Their portfolio also includes the Sanya Haitang Bay International Duty-Free Complex, Haikou International Duty-Free City, Hangzhou Grand Exhibition Center, Jinan International Exhibition Center, and Wuhan International Exhibition Center. How do these mega-scale urban landmarks balance civic symbolism with architectural functionality? How do they reconcile colossal structural spans with the human scale? How many design iterations did it take, and how did they achieve sustainability in both program and construction? This article decodes the design process behind large-scale exhibition architecture.

With the growing interest in virtual tours driven by recent public health conditions, access to these experiences has become increasingly common. While not a new technology, it is rapidly evolving to engage art and architecture enthusiasts. With this in mind, a project titled "San Lázaro 40 (X) 5 / 40 years, 5 murals" was launched to showcase one of the most iconic spaces designed by architect Pedro Ramírez Vázquez: the San Lázaro Legislative Palace.

In recent years, "real-time rendering" has become an increasingly prominent concept in architectural visualization. Initially dismissed as a theoretical tool far from practical application—plagued by critiques of poor quality, lack of compatibility, and sparse asset libraries—it was deemed incapable of replacing traditional visualization workflows, let alone serving as a primary tool for architects. However, several recent animations created with D5 Render have piqued our curiosity, prompting a closer look at what real-time rendering can now achieve.

The results of the XIII Yucatecan Architecture Biennial have been announced. A total of 28 awards were presented across 15 categories, including 1 Gold Medal winner, 14 Silver Medal winners, and 13 honorable mentions. The jury was composed of architects Alejandro Ibarra, Carlos Rodríguez, Miguel Rivera, and Elías Cisneros. Read on to discover the winners.

Industrial buildings are perhaps the ultimate exemplification of Louis Sullivan's famous adage: form follows function. They are typically functional, efficient, fast to build, and unornamented. Consequently, studying the industrial heritage of cities and countries allows us to understand the materials, technologies, and local construction traditions of each era, while reflecting on the industrial past. This quickly brings to mind England's red-brick factories, as well as the skylights used to flood production floors with natural light, among many other typical solutions. Today, steel frames and precast concrete structures are the most widely used due to their combination of construction efficiency, cost-effectiveness, and capacity for large spans. Typically, these industrial warehouses are also characterized by being extremely cold and impersonal, in addition to carrying a substantial carbon footprint. However, Canada's experience in recent years stands out. In this country, timber buildings for industrial programs are gaining increasing acceptance.

This week, we feature job openings from two of China's leading architecture practices: Beijing-based People's Architecture Office (PAO) and Shenzhen-based Meng Architects. Known for their distinct design philosophies and active presence in different sectors of the architectural field, both offices are looking for talented architects to join their teams.

The bid award meeting for the "Full-Phase Design of the Guiwan Unit 4 Nine-Year School Project" was held on January 29, 2021. The tenderer legally established a bid selection committee, and following a vote by the committee, the final rankings are as follows:

Driven by necessity, various building types have changed their use. Churches that are now libraries, abandoned warehouses turned into cultural centers—and while much has been written on the subject, from N. John Habraken's 1970s Open Building concept to Adamo Faiden's contemporary From Mixed-Use to Diff-Use, today we are experiencing, more than ever, a compelling global debate surrounding housing adaptability. Is it necessary to dedicate so much square footage to offices when, during the pandemic, we realized that a large portion of work can be done remotely? This was one of the central questions during the lockdowns of recent years.
Undoubtedly, buildings are on the radar for what we can do with them in the near future—especially as the climate crisis enters the equation. "The greenest building is the one that is already built," says Carl Elefante. Adaptive reuse and adaptability will surely be the defining terms on the lips of architecture professionals worldwide. Thus, it is time to reflect further on how design can address this challenge.

Portuguese architecture firm Sastudio, in partnership with Icelandic studio Huldajons and engineering firm Exa Nordic, has won the international design competition for a kindergarten in Garðabær, Iceland. Organized by the city municipality, the competition schedules the construction of the winning design for completion by 2022.
This is the second collaboration between the two offices, which were founded by Tiago Sá and Hulda Jóns, both of whom worked at Bjarke Ingels Group before establishing their own practices. Their first collaboration was also for a kindergarten competition, with their proposal being acquired by the Icelandic capital, Reykjavik. Discover the winning project below, along with the project description provided by the architects:

Located near Paris and symbolizing the power of French absolute monarchs, the Palace of Versailles was originally built between 1610 and 1643 as a rural hunting retreat for King Louis XIII of France. Over time, the residence was expanded and refined, becoming a small chateau in 1634. Its transformation into a grand, luxurious palace and a display of royal opulence began during the reign of Louis XIV, known as the Sun King.

Last week we announced the 15 finalist projects for the 2021 Obra del Año Award, which since 2008 has celebrated the best built architecture in Latin America and Spain, calling on our jury of experts—you, our readers—to choose your favorite built projects from nearly 1,000 works published in 2020.
Today, the day has come to announce the winners of ODA2021!
The 2021 Obra del Año Award is brought to you by Dornbracht, renowned for its leading architectural designs, which can be found in bathrooms and kitchens worldwide.

Campeche is a state located in southeastern Mexico on the Yucatán Peninsula, bordering the states of Yucatán, Quintana Roo, and Tabasco, and facing the Gulf of Mexico. Additionally, Campeche is one of the three states that define the political border with Guatemala. Covering 57,924 km², it is the third least-populated state in the country. Its capital and most populous city is San Francisco de Campeche.