This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, even despite the Federal Government's recommendation to continue activities as normal, social media was already filled with people choosing to replicate the European model and self-isolate. Immediately, some architecture practices decided to close their physical offices and transition to a remote work model, while others took several weeks longer. Yet, this period of social and physical (spatial) distancing is experienced differently in every household. In the months since this pandemic unfolded, it has laid bare not only the inequality in basic needs within dense urban areas but also the fragility of the social order itself. Whether at a macro or micro scale, all these experiences occur within and are influenced by the built environment, making architecture both judge and jury in this equation. 

Nearly sixty years ago, Flora Manteola, Javier Sánchez Gómez, Justo Solsona, Carlos Libedinsky, and Antonio Diaz envisioned a building with a capacity of 3,000,000 books and 500,000 magazines and newspapers for the National Library of Argentina preliminary design competition. Their proposal for a "large metal tent" would ultimately take second place to the concrete glyptodont by Clorindo Testa, Bullrich, and Cazzaniga that stands today.

From its inception, the proposal "prompted sensitivity toward new formal and structural directions," as noted in the jury's critique. In 2015, this design was featured in the exhibition Latin America in Construction, and today its original model and blueprints are in the official collection of the Museum of Modern Art (MoMA) in New York.

Below, we revisit the project through the words of Justo Solsona: 

There are many ways to define BIM methodology. One of them describes it as a set of processes that help us combine a project's geometry with the data required to complete its entire lifecycle. We could say that modeling in BIM is like virtually executing the construction process.

Another key aspect is that it allows us to work in a collaborative environment, helping to simplify the flow of information among different stakeholders and providing greater control over our projects. 

This article by Julián García Muñoz and María de los Ángeles Beltrán Fernández was originally published in the second issue of rita magazine under the title "La prefabricación de bóvedas de ladrillo: Una utopía latinoamericana" and is part of a joint publishing collaboration. The following is an overview of the history of these prefabricated vaults, aiming to reclaim their value.

Videos

“Architects, not Architecture” has decided to open its archive to help us navigate the global lockdown, serving as a source of inspiration and entertainment for the architectural community. It features a selection of the best talks from their 35 past events, previously unreleased to the public—including Tatiana Bilbao, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Anupama Kundoo, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand, and Kjetil Thorsen.

Each week, ArchDaily will share one of the full talks that “Architects, not Architecture” is publishing daily on its website as part of its "new event": Home Edition 2020 (www.architectsnotarchitecture.com).

As an exclusive, Plataforma Arquitectura is presenting one of the talks in Spanish. Below is the presentation by architect Benedetta Tagliabue.

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As part of an initiative led by the Mexican architecture firm REVOLUTION Arquitectura and the Mexican Red Cross, the Temporary Housing Pavilion for Healthcare Workers was developed to protect and shelter healthcare sector workers in Mexico.

The City of São Paulo has just released 3D cartography for the entire city on the GeoSampa Portal. The new tool allows users to visualize buildings, trees, infrastructure, and other geometries in 3D directly on the map. The data is also available for download.

We have often heard about BIM (Building Information Modeling) and the wide range of opportunities it brings to the AEC (Architecture, Engineering, and Construction) industry. But how are these BIM models structured? This article explains the components of these models and their characteristics based on a BIM Standard, while addressing the importance of BIM Catalogs and BIM Libraries.

Medellín-based firm Taller Síntesis shares the following article emphasizing the importance of recognizing the rural built environment—which accounts for most of the country's territory but not most of its architectural practice—in order to raise awareness of how architecture is directed and recognized in Colombia. Read on below.

Videos

Chilean architect Cecilia Puga will take over as director of the Chilean Museum of Pre-Columbian Art, one of the most visited in Santiago. The news was announced by her predecessor, anthropologist Carlos Aldunate del Solar, in a recent interview with Chilean magazine Sábado, where he announced his resignation after four decades at the helm of the institution. "Obviously, a younger person with more energy should take over," Aldunate commented in the interview.

Videos

The Post_Arq student collective of the Leopoldo Rother Architecture Museum at the National University of Colombia shared with us the interview series titled "Siete Imaginarios, Siete Arquitectos" (Seven Imaginaries, Seven Architects). The interviewees include prominent figures such as Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Lorenzo Castro, among others.

Below, you can explore the interviews conducted with these renowned figures of the Colombian architectural scene, several of whom were winners or received honorable mentions at the XXVII BICAU.

Colombia boasts an immense variety of thermal zones that create breathtaking landscapes and dreamlike natural environments. Its flora and fauna vary distinctly depending on region, altitude, and humidity. For architectural practices designing Colombian homes, the natural context is a constant source of inspiration, ranging from incorporating vegetation as interior architectural elements to framing nearby landscapes. When designing spatial perception—whether from within or without—nature is an undeniable component of these projects.

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us their interview with professor Pablo Gamboa Samper. This interview is part of a series featuring seven Colombian architects, including figures such as Sebastían Serna, Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, whose interviews will be released on their channel.

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Croquis CDMX is an initiative led by Héctor López, founded eight years ago to foster and strengthen the connections between the eye, the brain, and the hand. The project seeks to portray life in Mexico City through freehand sketches. While architectural education is geared toward training professionals to design and construct buildings, Héctor—who studied at the Faculty of Architecture of the National Autonomous University of Mexico—views university education as “the axis of all elements: I already knew how to draw, and in school I became interested in construction, history, and theory. That was where drawing became disciplined. I would encourage students to draw, regardless of whether they think they can or not, because you discover things that you don't understand when drawing with software.”

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In 2018, a flexible and ephemeral space was erected in Mexico City's Alameda Central, demonstrating the luminosity and plastic versatility of joining 2,500 water jugs to form a conical blue oasis. Today, this pavilion is located within the Huerto Urbano Roma Verde, where it has hosted various events and activities, shedding the transience and impermanence that originally defined its essence.

Alarcia Ferrer is an Argentine architecture firm based in Córdoba, founded in 2009. Focused on medium-scale private residential projects in suburban and rural settings, they have worked for over a decade in close dialogue with the province's landscape, constantly reflecting on the tensions and interactions between nature and artifice. Each project can be read as the result of a material and spatial exercise that serves as a prompt to rethink deeper issues such as permanence, authenticity, and simplicity.

The 2020 FAD Awards, one of the most prestigious architecture accolades on the Iberian Peninsula, has announced the finalist projects for its latest edition.

How a work of architecture or interior design looks and ages over time is heavily determined by its materials and the products used. If the choice of materials and products is inaccurate, both the appearance and the performance of the project could be compromised.

This is why specification is essential to achieving the desired outcome at a project's completion, and the professional in charge of this stage must have an extensive knowledge of the materials and products available in their region. But is material specification the same across all architecture firms? Is this project phase given the same importance as the initial design phase? How close is the relationship between architects and materials really?

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Vacío is a temporary intervention that seeks to redefine the boundaries and experience of the space in which it is located. It is crucial to understand the environmental impact of ephemeral projects. 
To construct this void, we used four floating curtains made of repurposed sheets of paper collected from other architecture firms, bathed in indigo to erase the drawings, texts, and prints of their previous life. 
The installation's lightness allows the airflow to constantly reshape the defined geometry of the prism. Inside, the space mutates and interacts with visitors, almost compelling them to move as the floating sheets seem to breathe.  

If we could travel back in time one hundred years and organize an ideas competition to visualize what Bogota would look like in 2020, the proposals would be far from the reality of the urban landscape experienced today in the Colombian capital. Back then, little was known about the events that would later shape history, such as the Bogotazo, which led to the rebuilding or remodeling of most of the buildings that served as architectural landmarks of previous centuries.

The uncertainty of a distant future is perpetual. Yet, this does not stop the imagination from creating utopian or dystopian scenarios of that urban dimension for 2120. This was the main goal of the rendering competition organized by the Student Collective of the Colombian Society of Architects (CESCA) of the Bogota and Cundinamarca chapter.

For the first time, the Colombian Biennial of Architecture and Urbanism, organized by the Colombian Society of Architects (SCA), will be held virtually. In its 27th edition, over ten days, more than 60 lectures, 9 panels, and 4 forums will be available. Explore the full schedule of the main room below. Meanwhile, the parallel room will showcase the Biennial's finalist projects.

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As part of an event held for the thirteenth consecutive year, a showroom opened in October featuring spaces designed by various architects and designers to showcase the new ColorLife TRENDS 2021 palettes by the Comex brand. Participants included Adrián Marfil, Alexia Ulibarri, Andrés Gutiérrez, Arlette Salas, Cristina Grappin, Jorge Ballina, Luis H. Muñoz, Mauricio De la Garza, Moisés Hernández, Penélope De la Madrid, and Rodrigo Noriega.

Academic architectural practice must push students and faculty toward constant adaptation and exploration. First-semester students at the Pontificia Universidad Javeriana built an intervention of ephemeral architecture using wood as a structural material in the arts building (prior to the state of emergency). This gave future architects the academic experience of hands-on construction during their very first semester in the department.

Jointly developed by China Resources Land and Shanghai Land Group, with architectural design by KPF, the Lujiazui Riverfront Center is nearing completion. Located along the Huangpu River within Shanghai's Lujiazui waterfront district, the project spans a total gross floor area of 200,000 square meters. Eight small-scale, standalone commercial buildings run parallel to the shoreline, reshaping the waterfront skyline with staggered heights. Inside the cluster, a network of pedestrian paths and axes links the internal plazas and surrounding buildings, integrating with neighboring historic structures to establish a strong dialogue with the broader urban design.

Characterized by its low-density layout, the development features specialty retail, shared conference spaces, sunken plazas, and rooftop gardens. By connecting with nearby luxury hotels, art venues, and high-end residences—all within walking distance—it creates a 24-hour elite lifestyle hub, establishing Shanghai's first workplace that seamlessly integrates garden-style offices with the Lujiazui CBD. Additionally, the project features a generous 4.5-meter floor-to-floor height, yielding a clear height of 3 meters for standard floors and 3.5 meters for executive floors. In terms of floor plate design, the column-free interior spaces offer unobstructed, panoramic views of the Huangpu River.