This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Upgrading skills, renewing oneself, or reinventing a career can sometimes feel like a pipe dream. Indeed, work and family obligations, or simply where we live, often make it nearly impossible.

Educational projects are one of the typologies most emphasized in Colombian architecture, and the Public Preliminary Design Competition for the Lombardía School breaks away from the typical format of public competitions to offer even greater benefits to the community.

The concept of the margin implies the existence of a center. Consequently, anything that is not part of this central focus is deemed external or peripheral. This division between center and margin, or center and periphery, extends beyond the architectural sphere into political, social, and regional realms. Therefore, when we speak of practices on the margins of architecture, we are also discussing multidisciplinary approaches—efforts focused more on understanding the context of the work and less on merely answering pre-established questions. In cultures or contexts shaped by historical discontinuities and interruptions, there is a distinct effort to define identity through self-knowledge and discovery, ultimately designing projects to address specific needs. As a result, research, the dissemination of knowledge, and alternative methods of architectural production become essential steps in this process.

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The Cultural Center of Spain in Mexico (CCEMx) presents a new exhibition as part of Proyecto1., a program of solo exhibitions by Spanish artists who live and work in Mexico. Launched in 2018, this initiative aims to showcase the latest trends and talents in the visual arts in Mexico City. Ascension and Fall: A Sacrifice (Ascensión y caída: un sacrificio) is the third exhibition in this program and the latest project by Navarre-born architect and artist Alberto Odériz.

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As part of the exhibitions featured in the 2019 Abierto Mexicano de Diseño, the firm Dellekamp / Schleich presented the installation Dicotomías del Poder at the Museo Numismático Nacional in Mexico City. The exhibition runs from October 9 to November 17, Tuesday through Sunday, from 10:00 AM to 4:00 PM.

In the new Urban and Building Code of the City of Buenos Aires, approved by the Legislature in late 2018, new strategies are presented for the city's planned growth and densification. One of the code's most notable elements, which this article reflects upon, enables the development of apartments with a new minimum floor area established at 21 square meters. The supposed affordability of these minimum micro-units seeks, under a political agenda, to double the urban population in the near future, betting on a densification that would increase the city's population from 3 million to 6 million inhabitants.

Colombian practices Urbanittá and Lumaa have been awarded first place in the competition to design the Comfamiliar recreation park in Huila, Colombia.

This initiative is part of the organization's mission to expand its recreational services in the southern region of the department. The project entails the construction of a recreation center in Pitalito, strategically located near major cultural and tourist attractions, including the Tatacoa Desert and the San Agustín, Alto de los Ídolos, and Alto de las Piedras archaeological parks.

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MASA is a gallery founded in Mexico City by Héctor Esrawe, Cristobal Riestra, Agé Salajõe, Brian Thoreen, Roberto Díaz Sesma, and Isaac Bissu. The space was designed by Savvy Studio, a design and architecture firm based in New York, Mexico City, and Monterrey that works across various typologies worldwide, including boutique hotels, restaurants, retail spaces, art galleries, and museums.

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“I decided to call it Silos because this building used to store food, which is, of course, essential for life. For me, just like food, clothing is also part of life” [1].

Built in 1950, the 4,500-square-meter grain storage facility Armani Silos by Giorgio Armani has been expanded and transformed into Armani/Silos, a unique four-story space housing an astonishing collection and selection of some of the designer's creations, organized by themes, color palettes, and textures where each tells a different story.

“You don't have to arrive first, but you have to know how to get there,” goes the song. In architecture, this path is often envisioned as a perfectly straight line, but in reality, it is more of a zigzag with the precision of an electrocardiogram.

Starting a degree, then dropping out, later returning to it; graduating only to travel and see the world; entering competitions relentlessly; crossing the ocean in search of a mentor or a job; following your heart even when the world tells you otherwise. All of these decisions served as the compass for several Argentine architects. Let's look at their first steps below.

The spirit of the women participating in housing rights movements in Brazil is remarkable. Predominantly active in land occupations, they vigorously coordinate the organizational and political practices of the settlements and the construction of popular housing. It is no coincidence that many occupations of the MST (Landless Workers' Movement) or the MTST (Homeless Workers' Movement) bear the names of women, such as Dandara, a leader from the colonial period.

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The artwork Corolla by artist Inés Esnal is inspired by the rich and vast natural landscape of Colorado, where it is currently on display at The Coloradan building in Denver. The installation interprets Colorado's state flower, “the blue columbine,” as a network of vibrantly colored cords, where warm central tones and cool hues at the outer edges evoke the flower’s pollen and petals. Viewers are invited to explore the piece through their own movement, which triggers and unfolds multiple perspectives and optical effects.

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The Bubble Creation is a collection presented by Herman Miller at the MAIA gallery, located in Mexico City's Roma neighborhood. The exhibition brought together 14 Nelson Bubble Lamps—one of the brand's most recognized products—reimagined by Mexican architects, designers, and interior designers.

The history of Cine Ópera dates back to 1949, when the iconic venue—designed by architect Félix T. Nuncio with interiors by set designer Manuel Fontanals—held its first screening, quickly becoming one of Mexico City's most popular movie theaters. Located at 9 Serapio Rendón Street in the San Rafael neighborhood, the Art Deco building features a facade framed by a large window with two stone-carved sculptures depicting the comedy and tragedy masks.

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Antonio Lamela's Torres Colón is "an unprotected Madrid icon set to change completely." The twin buildings by the Spanish architect—who also designed the renovation of the Santiago Bernabéu stadium and Terminal 4 of the Madrid-Barajas Airport alongside Richard Rogers—will undergo a renovation that adds four new floors and a new facade by 2022.

The Latin American Coordinator of Architecture Students (CLEA Latinoamérica) has confirmed on social media that the 2020 edition of the Latin American Social Workshop (TSL) will be held in San Felipe del Progreso, Mexico.

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1989 is a digital illustration project founded in 2015 by Chilean architect Fabiola Morcillo. Her work has been exhibited at the Casa Gris Architecture Gallery and Galería Cima, and is also part of the group exhibition "Lights of Chile," on display until May 13 at 193 Gallery in Paris. Her projection mapping work and ephemeral architectural creations earned her a nomination for the next YAP Constructo 2020 pavilion, the results of which will be announced at the opening of the 2019 pavilion.

What little we know about the architectural profession is broken. It is no longer applicable to the second millennium, as evidenced by the unsustainable reality facing the vast majority. The experiences of previous generations were unique, tied to a specific historical moment. Today, we must learn to read our own historical moment and reprogram our vision to find the paths forward that currently remain hidden.

The conventional city model establishes very clear and concrete boundaries between the public and the private. Within this model, what is defined as “urban” has always corresponded to the public realm, whereas “domestic” defined the boundaries of the private. Yet societies are not immune to change and evolution, and neither is urbanism. Those traditional concepts of the urban and the domestic are becoming obsolete, transformed into expanded and more updated understandings. It is precisely around this blurred boundary—between what appears urban and what appears domestic—that the new public sphere is being constructed. 

This is the leitmotiv driving the ‘Dom Project’ intervention: to establish a gradient of spaces where the urban and the domestic are not clearly demarcated, but instead colonize one another, bringing certain public uses and programs to the surface within the ‘Housing Block.’ The project was submitted to the international architecture competition ‘Open International Competition for Alternative Layout Designs in Standard Housing’, organized by the Ministry of Construction, Industry, Housing and Infrastructure of Russia alongside the Unified Development Institution in the Housing Sector and the firm Strelka KB, winning second prize.

As part of the 16th edition of the MUTEK Festival, which has been held in Mexico City since 2003, the participation of the 404.zero collective has been announced. This duo of audiovisual architects is dedicated to designing immersive experiences that blend A/V installations with live performances, driven by an uncontrollable fascination with the unknown, the cosmos, and death.

I first encountered Manuel Gallego's work in Valencia, introduced to it by José María Lozano. There, at the school where I was studying, they had organized a symposium on Galician architecture. 

Under the theme “The Rhythm That Connects the Future,” the Colombian government, in partnership with the country's public and private sectors, will participate in the global collaboration and business platform Expo Dubai 2020. The nation's pavilion was designed by Pacheco Estudio de Arquitectura in collaboration with the creative agency Buen Tipo Anchor.

Iconoclast, painter, musician, photographer, visionary, genius… and architect. Fernando Higueras [Madrid, 1930-2008] left his mark on the history of Spanish architecture in an emotional way, showcasing architecture in its most essential quality.

Born in Madrid on November 26, 1930, Fernando Higueras was, like many others, a key exponent of late architectural modernism in 1960s Spain. Far from being merely novel or exceptional, his approach reiterated the timeless lesson of the creative process: talent and grace were not enough; they had to be accompanied by immense perseverance and, above all, passion. 

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As part of the Museo Jumex’s fall programming in Mexico City, internationally acclaimed artist James Turrell will illuminate two of its galleries with immersive installations from his new body of work—one of the most significant series of his career—which engages viewers with the limits of human perception. These two installations will offer contrasting experiences, transforming the spaces to blur the boundaries of the horizon in both light and darkness.