According to Architecture I have what you might call a Past. I never thought I did, but there you go. I do. What I mean precisely is that at one time I had a life that did not revolve around architecture. I’m one of those suspicious Non-Architectural Background types—or a person from the realm of the Non-Architectural Background.

Architecture has found ways to accommodate people like me, but at times it is still an uncomfortable accommodation. Architecture likes to view itself as cosmopolitan, cultured, and intellectual, but when it comes face to face with individuals who have educations and experiences of non-architectural sorts it doesn’t always know what to do with us.

More after the break.

In March of 2011, a design-build class from the Maryland Institute College of Art (MICA) received a grant in support of their efforts to design a shelter for disaster relief. The money from the grant was used to travel to Haiti to see conditions on the ground, 14 months after the earthquake that reportedly amassed some 230,000 fatalities.

The goal of the trip was to investigate the myriads of different shelter construction projects still ongoing as Haiti transitions from the emergency tents and tarpaulins that still populate the landscape, into temporary housing for the foreseeable future until permanent housing can be provided through rebuilding.

One of the more ambitious and impressionable projects we came across was the UberShelter.

Kyle Lewis, an architecture student at CPIT in Christchurch, NZ, shared with us a call for design to help rebuilt Christchurch after last February’s earthquake. Here’s the message:

Documented here are abandoned theatres found throughout the United States. From small towns to large cities, these buildings were once places that housed a source of entertainment for their community. Why then would such places be abandoned and not even considered for renovation? Before the iPod, the television or even the Internet were around, theatres were major social gathering spots, so how could places such as these become so empty and lack any vitality? More images after the break.

An article in this week’s Economist about Italian business clusters—that is, where businesses in the same industry form geographic clusters—offered some interesting observations. First, that traditional business models cannot survive global competition. A strategy to deal with global competition includes innovation and building brands. In short, diversification.

This led to a question: how does one approach diversifying architecture firms so that they, too, will be more able to weather economic vicissitudes? For that, let’s turn to Paul Nakazawa. Of course, there is the more “traditional” model of diversification: “many architects have several different kinds of SEPARATE businesses, which serves to diversify dependency on one source of revenue. The time-honored diversification scheme is teaching and practice — we all know lots of people who do that gig.”

More after the break.

Brazil will be the first South American country to host the Summer Olympics which will be held in 2016, but first the country set their sites on building the world’s tallest LEGO tower, a record previously held by Chile. The community of Sao Paulo constructed their 500,000 piece LEGO tower last weekend which rose to a height of 102 feet-three inches. School groups, families both kids and adults, joined in the team effort assembling the independent LEGO bricks that were stacked on top of each other eventually using a crane.

This week I’d like to introduce you to some books I’ve come across while traveling the city. This first one is CLIP STAMP FOLD, an encyclopedic compendium of radical little architecture mags from the sixties and seventies. More than just clip stamp fold these were also draw cut paste scribble slash ink. This brick of a book is a portable archive and you don’t have to wear latex gloves to handle. These small, independent publications curated the contemporary and collected what may have been the disposable present. The challenged the orthodox historicism of architecture with a hippy slant. I would have stolen some images for you, but alas it was wrapped in protective hygienic cellophane.

More after the break.

Architects: ON design partners Location: Tokyo, Japan Project area: 21 sqm Project year: 2010 Photographs: ON design partners

Gaby Lingke shared with us a short documentary about architect Fritz Eisenhofer, who designed and built a futuristic earth-sheltered dome in Peka Peka, Aotearoa, New Zealand. Architect’s description and a plan of the dome after the break.

We saw this incredible set of posters from iconic architects created by artist Andrea Gallo and felt the need to share them with you. They will be available for sale soon, so we look forward to buy one and decorate our office! Which one would you get? Check the posters of Frank Lloyd Wright, Le Corbusier, Louis Kahn, Alvar Aalto and Walter Gropius after the break.

Inspired by contemporary architecture the SmartPlayhouse is architect David Lamolla Kristiansen’s answer to providing a modern, comfortable and safe play space for his daughter. The four playhouse versions, Kyoto, Casaforum, Hobikken, Illinois, are unique spaces that encourage creativity.

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The challenges presented by the recession reveal the essence of a firm’s leadership by laying bare all the dormant weaknesses that were most likely put in place when times were good. What are these weaknesses? They are primarily related to the culture of a firm’s day-to-day operation, how its personnel are managed, classified, and compensated.

Keep reading after the break.

“I was privileged to collaborate with Bucky for the last 12 years of his life and this had a profound influence on my own work and thinking. Inevitably, I also gained an insight into his philosophy and achievements,” shared Lord Norman Foster.

Recreating the legendary futuristic Dymaxion Car, Foster’s No. 4 version was a lengthy and expensive two year project, but was obviously a labor of love. Buckminster Fuller’s futuristic three wheeled car was brief, with a mere three actually built. Incredibly efficient the streamlined body with long tail-fin averaged 35 miles to the gallon and could achieve 120 mph. The Zeppelin inspired design with a V8 Ford engine was intended to fly as well, Fuller’s vision of revolutionizing how people traveled.

More following the break.

Exploring modern design and a technological future, the 1930s World Fair’s held in Chicago, San Diego, Cleveland, Dallas, and New York featured architects and industrial designers such as Raymond Loewy, Norman Bel Geddes, Henry Dreyfuss, and Walter Dorwin Teague.  A modern, technological tomorrow unlike anything seen before, the World Fair’s presented visions of the future including designs for the cities and houses of tomorrow with a lifestyle of modern furnishings which were viewed by tens of million of visitors.

Designing Tomorrow: America’s World’s Fairs of the 1930s exhibition is currently on display at the National Building Museum in Washington DC thru July 10, 2011. Building models, architectural remnants, drawings, paintings, prints, furniture, along with period film footage are all included within the exhibit.

Designer of UK Pavilion for the Shanghai World Expo, Thomas Heatherwick was one of the speakers featured at the recent 2011 TED conference. Heatherwick and his design team won the Foreign & Commonwealth Office (FCO) commission to create the Pavilion following a competition that attracted a shortlist of ambitious architectural proposals. Exploring the relationship between nature and cities Heatherwick Studio sought an approach that would engage meaningfully with Shanghai Expo’s theme, Better City, Better Life, and stand out from the anticipated trend for technology driven pavilions, filled with audio-visual content on screens, projections and speakers.

The Huffington Post sat down with Thomas Heatherwick following his TED talk. Discussing China’s building boom and his creative process the full interview is featured following the break.

“Architecture is too insular.” How many times have I heard this? Too many times to count. I’ve heard it from architects and non-architects, alike. It is not necessarily insular in the strict sense. It is more the case that it appears insular because it is self-referencing and self-validating. OK, so on second thought maybe it is just insular no matter how you define it. But my definition has more to do with the inward gaze of the profession that makes it a world unto itself. Like all worlds it has a need for celebrities.

More after the break.

The Bankside Bikeshed proposal is a prototype for a lightweight bicycle storage shelter that can be installed through London’s South Bank. The project is by James Khamsi, whose goal was to design a new “MICRON” for London, a ubiquitous and interwoven aspect of the city.

More on this project after the break.

In the Spring 2010 academic semester, Wiel Arets and Robert McCarter co-taught “A Wonderful World,” an advanced architectural design studio at Washington University in St. Louis. The students were asked to consider the following:

To understand the world we are living in at this moment, we have to redefine the “Map of the World,” a mental construct which at least since 1492 has undergone many reinterpretations. We could read the world anno 2020 as a collective living space for all of us, in which all the continents are in reach within 288 minutes, and the maximum travel distance at each continent will be 72 minutes, the time in which every city on each continent will be able to be reached. During the studio research, the world will be our territory, the continents are our daily living space, and the metropolitan three-dimensional city our home, surrounded by an untouched green/blue environment. The basic question we should put forward is: How will the city develop within our extremely exciting, complex, but “shrinking” world?

Washington University in St. Louis shared with us work from the studio. Follow the break for a description and drawings.

Students Featured: Andrew Buck, Shaun Dodson, Stephen Kim, Meredith Klein, Wai Yu Man, James Morgan, Aaron Plewke Images: Courtesy of Washington University in St. Louis

We also suggest you look at how students responded to the same questions proposed by Wiel Arets at the Berlage Institute Postgraduate Research Laboratory “A Wonderful World” class.

This article was written entirely by hand in the margins of a book I’ve been trying to review for the last few months. The book is entitled Aftershock: The Next Economy and America’s Future, by Robert B. Reich, former Secretary of Labor under President Bill Clinton. Remember those days? Probably not.

Currently he is Chancellor’s Professor of Public Policy at Cal Berkeley. My guess is that he is not well-known among architects—his books are comprised of dense fields of text and the only images are graphs and charts with numbers. Given the current challenges the profession is facing, I thought now would be an appropriate time to introduce him. Actually, it’s a pity his ideas—which by the way are not merely his alone—are circulating now when they could have been instrumental in preventing the current recession.

More after the break.

New architecture firm names are getting out of hand. It’s as if they are trying to sound like Indie bands. Barring that, they often fall back on “Atelier such and such.” One trendy use of atelier has been the “Atelier insert-your-name-here” variation. This has been way overdone. There is also the “Atelier theoretical buzz word” version.

Since a name is how you present your firm to the world, it’s worth giving it some serious consideration. It’s more important to be apt and appropriate rather than too creative with names. Save the creativity for your designs.

More after the break.

Sectionhouse is a public outdoor concrete sculpture, a fragment of a house that displays the ways in which daily life is enacted within architecture. The project is located in the small Dutch rural town of Oisterwijk and was designed by The Cloud Collective, a collaboration of young designers, architects, urban designers, artists and theorists, spread out all over Europe, working for different offices, schools and governments.

More on this project after the break.

PREFACE

Since 2002, the U.S. Department of Energy has been running the Solar Decathlon to promote innovation in sustainable building technologies. The program places twenty collegiate teams from around the world in competition to produce prototype homes capable of producing more energy than they consume and powered exclusively by the sun. This year, the teams received the surprise news that their “sites” have been changed from the Mall to an as yet undecided alternate location. Even though one of the conditions of participation in the contest is to provide for the replacement of damaged lawn areas, the Department of the Interior and the National Parks Service are worried about the grass. Judging from the current state of the lawn, it would probably be in better shape after the Decathlon teams have removed their houses and fixed it.

Here is a link to a heart-wrenching video produced by the SCI-arc/Cal Tech Team. They ask you to contact members of Congress and The White House. Please support the Decathletes by calling, emailing, tweeting, facebooking, and writing.

More after the break.

David Kohn Architects and artist Fiona Banner have been selected to design A Room for London, a temporary installation that will sit on top of the Queen Elizabeth Hall at Southbank Centre, London and be part of the London 2012 Festival. ArchDaily has been showcasing selected entries to the competition for months now and can be seen here. For more information pertaining to David Kohn Architects and Fiona Banner‘s winning entry please follow after the break.

The three fountains located in the Republic Square of Pilsen were designed by Ondřej Císler and constructed in 2010 following a 2004 two-stage competition. It took five years for local authorities to accept the design that jurors of the competition very positively received. When in 2010 Pilsen was announced to be a European City of Culture in 2015, the decision to finally construct the fountains was approved.

More on the project after the break.