Tokyo: The Latest Architecture and News

As is obvious to anyone with even a passing interest in demographics, cities are becoming denser—much denser. Rural life continues its steady emptying-out as urban life accelerates its explosive filling-in. The tilt has been apparent at least since the middle of the last century when the French geographer Jean Gottmann invented the word “megalopolis” to describe the continuous urbanization from Boston to Washington, D.C., then containing one-fifth of the United States’ population. But nowhere has the shift from countryside to city been more dramatic than in present-day Asia. 

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In celebration of its eight decades of design history, Eames Office recently inaugurated a new exhibition at Design Gallery Isetan The Space in Tokyo, rememorating Charles and Ray Eames’ human-centred design philosophy. Featuring classic furniture designs, archival works, recreated architectural models as well as new projects developed with brands like Herman Miller, Vitra, Ravensburger or Reebok, The 80 Years of Design exhibition illustrates the prolific and highly diverse work of the studio, highlighting the value of its designs for contemporary living.

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Kengo Kuma & Associates has designed the Edogawa City Eiko Kadono Children's Literature Museum (tentative name), a new cultural venue where the young can experience the imaginary world envisioned by acclaimed Japanese children book author Eiko Kadono. Located on the banks of the Edogawa river and within the natural setting of Nagisa Park in Tokyo, the project features an array of volumes following the hill's slope and an overhanging roof that expands towards the landscape.

Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.

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