Madrid: The Latest Architecture and News

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The municipality of Madrid´s Area of Sustainable Urban Development, in collaboration with the Official College of Architects of Madrid, has announced a design competition to remodel eleven public plazas in the outskirts of the Spanish capital city as an urban regeneration strategy for the city´s periphery.

As part of the strategic plan, Regenerate Madrid, the competition, “Plaz-er”, seeks to “contribute to the creation of an upgrading program for the civic plazas located on the city´s periphery, understood as representative spaces with a singular and identifying character for the local areas population that should be reinforced through the new project."

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The Master of Advanced Studies in Collective Housing, MCH, is a postgraduate full-time international professional program of advanced architecture design in cities and housing presented by Universidad Politécnica of Madrid (UPM) and Swiss Federal Institute of Technology (ETH). After nine editions, it is rated as one of the best architecture master’s programs by architects and experts: http://www.mchmaster.com/news/mch-rated-as-the-best-postgraduate-master-in-archi/

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Earlier this month, the Norman Foster Foundation opened its doors in central Madrid. Inhabiting in an old residential palace, and having undergone extensive renovation works since, the Foundation have also constructed their own contemporary courtyard pavilion. Housing a treasure trove of artefacts from Lord Foster's personal collection, the structure—which is shaped like the wing of an aircraft—also exhibits a newly restored 1927 Avions Voisin C7 originally owned by Le Corbusier.

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Last month the Norman Foster Foundation, created to promote "interdisciplinary thinking and research to help up-and-coming architects, designers and urbanists to anticipate the future," coincided the opening of its new Madrid-based headquarters with an international conference. Future is Now pulled together a broad collection of professionals—including Sir Jonathan Ive, Marc Newson, Olafur Eliasson, Maya Lin, Alejandro Aravena, and Luis Fernández-Galian—who addressed an audience of 1,800 (including 1,100 students) in the Spanish capital's Royal Theater.

Watch the conference in its entirety, or read a summary, after the break.

Completed in 2015 at the northern periphery of Madrid, the BBVA Headquarters by Herzog & de Meuron employs a complex network of passages, courtyards, and gardens to create a new corporate campus for the Spanish banking giant. Responding to local climatic needs, the building is recognized for its custom undulating brise-soleil along its facade and pebble-like central tower.

In this photoset, photographer Rubén P. Bescós turns his lens toward the new institutional landmark, capturing the building within its urban context.

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In 1855 the German machinery manufacturer Carl Schlickeysen issued the patent he had recently created, the "Universal Patent Brickmaking machine", the first machine created to manufacture bricks by extrusión as an industrial process.

SCHLICKEYSEN is a modular furniture system based on two types of modular metal supports and standard-sized ceramic curved vaults. All kinds of settings can be configured from the combination of these three elements; picnic tables, continuous benches, grandstands, topographies, and many more typologies can be achieved by just stacking the metal supports and using the ceramic vaults as a horizontal supporting surface. 

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138 images, 14 albums, 20 magazines, 13 original models and one projection are part of Modeling for the Camera: Photography of architectural models in Spain, 1925-1970, the current exhibition of the ICO Museum in Madrid, curated by Iñaki Bergera, PhD of Architecture from the University of Navarra.

The exhibition is tied to the book of the same name that was published in 2016, edited by La Fábrica and the Ministry of Public Works (Spain). In times when 3D visualization software has popularized, accelerated and perfected the rendering industry, both materials choose to value the legacy of architectural model photography in the 20th century.

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The Norman Foster Foundation has announced plans for its new Madrid-based headquarters to be opened in June this year, whose inauguration will be marked by the first session of the global forum Future is Now, addressing future social, economic and design concerns architecture will face. With the intersection of art, technology, and design, the Foundation facilitates multifaceted thinking and discourse among architects and designers. The opening of its new headquarters is a vital step in “establishing a world-class archive and inaugurating an international program of research, education, and interdisciplinary projects.”

According to the Foundation, “the decision to establish the Foundation as an independent entity, separate from the architectural practice of Foster + Partners, grew out of the perceived need for a permanent physical space that could house the Archive and study center, receive students and graduates, and present programs and projects."

Florian W. Mueller's Singularity series is, in the photographer's own words, "just the building – reduced to the max." These deceptively simple shots of the summits of skyscrapers from around Europe and North America, each set against in infinite gradient of sky, are symbols of architecture's effort to reach ever higher in evermore unique ways. For Mueller, who is based in Cologne, they are an attempt at abstraction. In isolation—and especially when viewed together—they are remarkably revealing as studies of form and façade.

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If we think about how the educational system worked in the past, we can quickly see that both the teaching style in schools as well as the school’s infrastructure were very different from the current system. The educational model of the twentieth century could be defined as being similar to the "spatial model of prisons, with no interest in stimulating a comprehensive, flexible and versatile education."

However, we are now at a time when social, economic and technological developments have created a more global society and where information and learning are becoming more affordable. This radical change has transformed the societies in which we live, leaving the current educational model based on a rigid and unidirectional teaching obsolete. 

As such, there are schools that have not only broken the mold of traditional teaching but have formed new educational standards, exploring new paradigms and opening up new possibilities within the design of educational spaces. Since architecture and educational models often reflect the ideology of a society, how is the school of 21st century defined? 

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The first 3D printed pedestrian bridge in the world opened to the public on December 14 in Madrid. Led by the Institute of Advanced Architecture of Catalonia (IAAC) in a process that took a year and a half from its conception, the structure crosses a stream in Castilla-La Mancha Park in Alcobendas, Madrid.

Although similar initiatives have already been announced in the Netherlands, this is the first to have finished construction. The structure is printed in micro-reinforced concrete, and measures 12 meters in length and 1.75 meters wide.

Architecture is no longer just a product of design and construction but also a vehicle of a social action. Communication and mediation are key to this process. The role of architects has to do more with interdisciplinary teamwork than with authorship.

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We experience our cities daily through ordinary acts, whether it’s commuting, looking for a quiet place, having lunch downtown, or even exercising. However, one of the most exceptional ways to experience the different roles of a city's urban space is through traditional festivals, rooted in local cultures presented through different clothing, culinary arts, dances and other arts.

Through these festivals, one can see the uses and the demands of the urban public space, in which cultural actions offer new ways to take over the city - at a time when the streets are no longer just a transit space and become a space of leisure and residence, overtaken by a different atmosphere.

New cultures are built on new practices. Through travel, architects can expand their repertoire and gain new influences for their projects. Here, we take a look at some traditional festivals around the world that serve as a good excuse to unveil new ways of thinking about a city and, as a result, to see great architectural works.