Herzog and de Meuron: The Latest Architecture and News

In preparation for their grand opening on January 11/12, the Elbphilharmonie Hamburg has released an interactive drone video that lets you experience the Herzog & de Meuron-designed building at two different speeds: adagio and presto (slow or fast). Using the spacebar to switch between speeds, the footage takes you on a tour up the curving escalator, on to the elevated terrace, around the building and finally into the main concert hall, where the drones meet back up in a dramatic finish.

Herzog & de Meuron’s Chelsea Football Club stadium has been given approval by Hammersmith and Fulham council’s planning committee, reports BBC. The new £500 million stadium, which is estimated to be completed by 2020, will replace the existing stadium at Stamford Bridge, increasing the capacity of the space by almost 20,000 spectators to 60,000 seats.

The design of the new stadium is inspired by Gothic architecture, as well as nearby Victorian-era brick terraces, which will wrap around the entirety of the building.

Committee decision to approve the stadium plans does not mean that work can begin on site; various other permissions will be necessary before the final decision will be made by London Mayor Sadiq Khan.

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Digital Designer and Creative Director Joel Filipe has unveiled Geometry of Madrid Architecture, a series of photographs depicting the bold architecture of Madrid. Through the project, Filipe reveals varying “geometries within minimalist clichés that underline the lines of the buildings.”

Buildings photographed in the series include Ciudad BBVA, by Herzog & de Meuron, Museo ABC, by Aranguren & Gallegos Architects, Hospital Rey Juan Carlos, by Rafael de La-Hoz, and more.

“This project aims at challenging the viewer by exploring the intimate relationship between architecture and photography,” said Filipe.

Experience the geometry of Madrid, after the break.

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Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg, Germany has opened after 16 years of planning and construction, which was held back by financial and legal issues. The grand opening of the concert hall, taking place on January 11 and 12, 2017, features inaugural concerts and a light display on the façade of the building.

As Hamburg’s newest cultural destination, the building was inaugurated by German Federal President Joachim Gauck, Mayor of Hamburg Olaf Scholz, architect Jacques Herzog from Herzog & de Meuron, and General and Artistic Director Christoph Lieben-Seutter.

More than 4,500 guests from Germany and abroad will take part in the opening concerts in the Grand Hall and Recital Hall today and tomorrow, including Federal Chancellor Angela Merkel, various high-ranking political and cultural leaders from around the world, and 1,000 visitors who won tickets to the event, out of 220,000 entrants from 73 countries.

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Architectural photographer Rod Edwards specializes in 360º virtual reality imagery and virtual tours of iconic buildings. Having spent the last decade producing this type of media, Edwards was recently commissioned by Visit Britain to shoot his “More London” project as part of the global campaign for the 2015 James Bond film “Spectre.”

Read on to see “More London” and more projects by Edwards.

The Royal College of Art (RCA) has announced that Herzog & de Meuron has been selected as the winner of a competition to design a strategic approach for the center at its new £108m Battersea South campus.

Beating out runner-up practices Christian Kerez (Switzerland), Diller Scofidio + Renfro (US), Lacaton & Vassal (France), Robbrecht en Daem architecten (Belgium), Serie Architects (UK/Singapore) and Studio Gang (US), the winning proposal was lauded for its “strong engagement with the existing College buildings and wider surroundings in Battersea.”

Three winning firms have been selected in the competition for the Museum of the 20th Century to be located in the heart of the Berlin Cultural Forum in Berlin, Germany. The 200 million euro building and site plan will serve as the new home of multiple internationally significant art collections, including the National Gallery’s Marx and Pietzsch collections, sections of the Marzona collection, and a collection of works from the Kupferstichkabinett (Museum of Prints and Drawings).

In 2015, the competition was launched, aimed at finding a design scheme that would encompass the site layout, architecture and landscaping around the museum.

Facing stiff competition from a list of 42 renowned finalists, Herzog & de Meuron together with Vogt Landscape Architects has emerged victorious for their brick, warehouse-inspired design. Runner up prizes were given to Lundgaard & Tranberg Architects with SCHØNHERR A / S, and Bruno Fioretti Marquez with Capatti Staubach Landscape Architects, while four jury recognitions were awarded to proposals from OMA, SANAA, Staab Architekten, and Aires Mateus e Associados.

Photographer Paul Clemence of ARCHI-PHOTO has shared images of 56 Leonard Street by Herzog & de Meuron. Nearing completion, the 60-story residential tower will be the tallest structure in Tribeca when it opens later this year. The concept of 56 Leonard Street is to disrupt the monotony of typical high-rise city buildings with a more varied articulation achieved by stacking recognizable individual houses. Shifted floor slabs create differentiated corners, cantilever, and balcony conditions that provide apartments with their own unique characters. Developed from the inside out, the pixelated rooms are arranged such that the base of the tower reacts to the street conditions and ripples upward to merge with the sky.

Read on for the full photo set.

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Even as modernism promoted the transparency of glass architecture, many within the movement were conscious of the monotony of large glass facades, with even Mies van der Rohe using elements such as his trademark mullions to break up his facades. But in the years since, countless uniform structural glazing skyscrapers have emerged and bored urban citizens. In response to this, unconventional reinterpretations of facades have gained interest.

Accompanied by the belief that light and brilliance could help in creating iconic architecture and a better human world, glass and metal have been innovatively transformed to create crystalline images. As a result, the locus of meaning in architecture has shifted from the internal space-form towards the external surface.

As the winner of the 2016 RIBA Stirling Prize is set to be announced later today, Architects’ Journal has released a documentary looking at the award’s 21-year history and its impact on the buildings and architects that have been named to the prestigious list.

The video, commissioned by AJ’s Laura Mark and filmed by Jim Stephenson, features exclusive interviews with Richard Rogers and Sheila O’Donnell & John Tuomey, and profiles past winners and each of the 6 buildings shortlisted for this year’s prize. The film also reveals AJ’s pick for this year’s winner.

Watch the full video above or check out AJ’s videos on each of the finalists, below.

Videos

The winners of the 2016 Leading Culture Destinations Awards have been announced. Presented this past weekend at a ceremony in London, the LCD Awards are given annually to recognize the success of “museums, art organizations, and cultural destinations from around the world [that] are investing in iconic architecture, cross-sector collaborations, [and] audacious programming […] to diversify the experiences offered to visitors and establish their global reputations.”

This year, awards were presented in four categories: Leading Cultural Destination of the Year; Best New Museum of the Year (for museums opened in the past 15 months); Best Soft Power Destination of the Year (a new award for 2016, given to destination who exhibit 'excellence, relevance, transparency, accountability and sustainability'); and the Traveller’s Award for Best Place to Visit.

The overall winner for 2016 was Diller, Scofidio + Renfro’s Broad Museum in Los Angeles. Continue reading to see the full list of winners.

Our editors look at hundreds of websites per week. What do they admire and appreciate the most? Organization and simplicity. Sites that are not only clean, but fast. We actively search for projects to include on our platform, so it’s crucial that when we visit a website we not only know where to look, but how to access information. Filters and facets are our best friends. Typological differentiation is important, but perhaps not as important as distinguishing between built and un-built projects (“Is that a render?” is a question that comes up at least once a day).

Earlier this summer, the Vitra Schaudepot on the Vitra Campus was officially opened. The latest in a string of structures designed by emerging and well-known architects, this gallery space is the second building by Swiss-practice Herzog & de Meuron. Conceived as "a visible storage facility" presenting a cross-section of the Vitra Design Museum's extensive collection of furniture and lighting, over 400 objects will provide "a comprehensive introduction to the history of furniture design." Featuring a café, shop and a new entrance for visitors to the museum, the building is also able to host temporary exhibitions. Photographer Laurian Ghinitoiu has turned his lens to this latest addition in Weil am Rhein.

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London's Royal College of Art (RCA) have revealed seven invited shortlisted practices for its new state-of-the-art £108million Battersea South campus. Featuring a smattering of architects from Europe, including Herzog & de Meuron and Lacaton & Vassal, and from the USA, such as Diller Scofidio + Renfro and Studio Gang, the organisation intends to announce the winning scheme in October 2016.

Videos

After years of waiting, Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg, Germany, finally has been given an opening date. The building will open its doors to the public with grand opening concerts by NDR Elbphilharmonie Orchestra on January 11 and 12, 2017, followed by a three-week festival featuring the Chicago Symphony Orchestra, the Vienna Philharmonic Orchestra and the Berlin-based band Einstürzende Neubauten.

The soaring glass structure, constructed on top of a historic warehouse along the River Elbe, was first envisioned in 2003, but rising costs and legal issues with the contractor led the project to be put on hold.

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London's Tate Modern just got bigger. Last week, the well-known modern art museum opened its new extension to the public. The so-called “Switch House” was designed by Swiss architects Herzog & de Meuron, the same firm that designed the successful rehabilitation of the original Giles Gilbert Scott’s Bankside Power Station in 2000.

The museum could not be more satisfied: “It’s a dream,” says Tate Modern’s new director Frances Morris, “We’ve never had such an open space before. The possibilities are endless.” While critics generally approved of the design, they expressed mixed feelings for the addition’s materiality and urban character. Read on to find out more about the views of Frieze Magazine’s Douglas Murphy, The Evening Standard’s Robert Bevan, The Guardian’s Rowan Moore, and The Financial Times’ Edwin Heathcote.

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The New York Landmarks Preservation Commission (LPC) has approved Stephen Wang + Associates and Herzog & de Meuron’s townhouse transformation project on New York’s Upper East Side.

Located at 15 East and 75th Street, the project entails combining three separate townhomes -- two Queen Anne-style, and one Neo-Federal -- into one large home for Russian billionaire Roman Abramovich.

Herzog & de Meuron's ten-storey extension to London's Tate Modern, which officially opens to the public this week, is the latest in a series of ambitious building projects pursued by the internally renowned gallery of contemporary art. Sitting above The Tanks, the world's first dedicated galleries for live art and film installations, the building's pyramidical form provides 60% more exhibition space for the institution. Two days before its doors welcome art-lovers from around the world, photographer Laurian Ghinitoiu has captured a collection of unique views on this highly anticipated addition to London's skyline.

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