“We need a new spatial contract." This is the call of Hashim Sarkis, curator of the Venice Biennale 2021, as an invitation for architects to imagine new spaces in which we can live together. Between a move towards urban flight and global housing crises, the growth of more low-rise, dense developments may provide an answer in the countryside. Turning away from single family homes in rural areas and suburbs, modern housing projects are exploring new models of shared living in nature.

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The latest news and reports on China’s construction sector redefine the country’s future architectural landscape. A Cultural Infrastructure Index reflecting the data from 2020 places China and, more specifically, Shenzen as the world leader in investments regarding cultural facilities. Last year saw the announcement of 10 new cultural projects, all designed by world-renowned architects. At the same time, the Chinese authorities announced last month that buildings taller than 500 metres would no longer be approved, marking the end of an era that made the country home to 10 of the tallest 20 buildings in the world.

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Archdaily had the chance to speak to SOM regarding the Transit-oriented development (TOD) projects. SOM has extensive engagement in planning, design and engineering on various means of conveyance, and TOD is definitely one of the speciality the SOM team has to offer. Through the interview, we will walk through the design strategies and their changes over the years of TOD Development, the challenges and new area of focus of TOD development, and most importantly, the interview will focus on the design strategy in developing TOD in China, where SOM has participated in many TOD projects, including the South Gateway of Guangzhou Central Axis, Guangzhou Nansha Pearl Bay and Xiong'an District Planing.

Videos

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Bruce Jilk in his essay ‘Place Making and Change in learning environments” showcases a radical view of contemporary education which, he argues, is outdated and does not meet the needs of the modern world. Instead of providing for a world of individuals operating within a wider urban environment, schools have become internalized ghettos of childhood, cutting off from communities they are supposed to serve, centrally administered in a “one size fits all” ethos. Designers and architects around the world have always been seeking a more flexible architectural model which will allow much more creativity within the learning process and the environments which serve it.

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Cities are so deeply rooted in the history of mankind that we hardly ask ourselves why we live in them or what the reason is for us to group together in urban settlements. Ciro Pirondi, Brazilian architect, points out that we live in cities because we like to have someone to talk to, while Paulo Mendes da Rocha classifies the city as “the supreme work of architecture.” The city is the world that man builds for himself. These are immense collective constructions, palimpsests, and collages of stories, achievements, and losses.

Earth has been mostly urban since 2007. By 2050, the percentage of people living in cities should reach 70%. In the coming years, megacities with more than 10 million inhabitants are expected to multiply, mainly in Asia and Africa, and often in still-developing countries. Such a projection raises questions about sustainability and climate change that cities inevitably catalyze. It also raises questions about how cities can provide an adequate quality of life for its inhabitants, and how they can prosper and develop in contexts that are often not ideal. How can urban spaces benefit their population and vice versa? While old centers will require transformations and updates, city peripheries will require new homes and public facilities, in addition to adequate infrastructure. How can this process help urban centers become more intelligent, using the technology already available to benefit their inhabitants in a creative and efficient way?

In April 2021, the A8 Design Center at Luxe Lakes in Chengdu presented the exhibition "2 Kilometers of Lakeshore: Southwest Independent Architects 2021 Luxe Lakes Cross-Disciplinary Joint Exhibition." **Thirty-one independent architects** were invited to create installations along the Luxe Lakes waterfront. Working within a **budget of 30,000 RMB**, and drawing on self-reflection and their understanding of public space, they built **experimental, interactive, and experiential micro-spaces, presenting 31 unique perspectives on the world.** Through dialogue among the architects and with the public, the exhibition sought to further stimulate public engagement in design.

Following the exhibition visit, the A8 Design Center organized a hotpot gathering under a bridge with Chengdu's independent architects, sparking this dialogue. **We wanted to delve deeper into what this new generation of independent firms in non-first-tier cities is doing, how they are growing, and what they are thinking.**

Interviewer: Shuangyu Han
Part 1 Interviewees: Yun Lu (MUDA Architects), Youcai Pan (Wray Architecture), Hongduo Jin (Xd-Architects)
Part 2 Interviewees: Kefei Cai (Menkou Architects), Xiang Wang (TeKtonn Architecture), Yuejiu Li (a9a rchitects), Tang Zhang (YI JIE Atelier)

In April 2021, the A8 Design Center in Chengdu presented "2-Kilometer Lakeshore: 2021 Luxelakes Cross-disciplinary Exhibition of Independent Architects from Southwest China." The exhibition invited 31 independent architects to build experimental, interactive, and experiential micro-spaces along the Luxelakes waterfront, offering 31 distinct perspectives on the world. Operating under a tight budget of 30,000 RMB, the architects infused their creations with self-reflection and their own understanding of publicness. By facilitating dialogue among the architects and between the architects and the public, the exhibition sought to further stimulate public engagement with design.

Through the works of these 31 local young architects with global perspectives, we witness the diverse values of a new generation and their multi-dimensional thinking on architecture. Limu Architectural Lab deconstructs architecture into columns, plinths, roofs, and envelopes, dissolving pure form; Uyoung Architects boldly deploys pink walls to establish relationships of "seeing and being seen" and "hearing and being heard" with the environment; Bai Yang uses 70 hemlock logs to support an "iron hat"; TEKTONN ARCHITECTS uses 150 bamboo poles to construct an accessible rest area; Fanzhu Design uses iron to create three continuous arched spaces that offer shelter and passage; 00Group creates an enclosed, mirrored space; MUDA-Architects builds a "periscope" by the lake, featuring a bubble wrap facade that invites tactile interaction.

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