At a time when urbanization has become planetary and humanity has become a geological force capable of profoundly altering Earth's thermodynamic cycles, it is urgent to reinvent the urban way of life and rehearse other forms of coexistence between humans, animals, and plants—between cities, forests, rivers, and mountains. Furthermore, it is urgent to design, with our feet on the ground and in collaboration with the peoples and sciences of the Earth, the conditions for future habitability.
France is investing in initiatives to combat climate change, including shifting to more sustainable modes of transport. Owners of older cars can now receive a government subsidy of up to 2,500 euros to trade in their vehicles for electric bicycles.
“For the first time, it is recognized that the solution is not to make cars greener, but simply to reduce their number,” noted Olivier Schneider of the French Federation of Bicycle Users.
Few public figures were more deeply Brazilian than the Italian architect Lina Bo Bardi. Arriving in Brazil shortly after World War II, she grew so attached to Brazilian culture that she became one of its main interpreters, capable of an understanding of local traditions that was both rigorous and comprehensive.
Architecture critic and essayist Francesco Perrotta-Bosch examines the trajectory of this brilliant artist in light of the following question: how was a foreigner able to see so much of a country that was not her own, to the point of translating it for Brazilians themselves?
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While they can serve various functions in many projects, stairs are, first and foremost, elements of vertical circulation used to connect two or more levels. Due to the relatively intermittent nature of their use, many designs for small spaces leverage this characteristic to explore solutions that go beyond traditional configurations and standard riser dimensions.
Applications are open until June 30 for the 4th Tomie Ohtake Institute Leroy Merlin Design Award, aimed at college students and recent graduates from all fields. The award seeks to recognize proposals that highlight and conceptualize the relationship between design and other disciplines, such as communication, architecture, biology, engineering, fashion, technology, economics, physics, education, mathematics, and chemistry, among others. The theme of this fourth edition is the verb to welcome.
The roof of London's Euston Station serves as a virtual application for the integrated Metaplas system, a project developed by students at The Bartlett School of Architecture, UCL. As part of an investigation by Research Cluster 8 (RC8) of the MArch Architectural Design program, students developed a 3D-printed multi-material system using biodegradable and recyclable thermoplastics. By transforming a series of flat panels into complex three-dimensional forms, the students created a geometric pleated structural system capable of passively controlling interior lighting.
On Monday, May 3rd, at 5:00 PM, the FAUUSP YouTube channel will host the launch of Anna Bokov’s book, "Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930." The work stands as one of the most significant publications on the often-overlooked Soviet school of art, design, and architecture from 1920s Moscow. The school was the first to implement mass art and technological education, which were considered essential to the dominant modernist paradigm in the Soviet Union. Better known in the West as the sibling of the Bauhaus, Vkhutemas (Higher Art and Technical Studios) possesses a history that diverges somewhat from the German experience, which has been extensively studied by researchers worldwide. In contrast, Vkhutemas has had only one major pioneering book prior to Bokov’s, released by researcher Selim Khan-Magomedov in the 1990s.
Flat slabs, pitched roofs, and straight-line designs are relatively recent developments in human history. Historically, curved roofs predominated in Indigenous architecture. Today, although they are not the most common choice, some firms are exploring how more organically designed roofs can better engage with their context and introduce functional benefits, influencing the project from the construction site to the ultimate comfort of its users.
The relationship between architecture and structure has been widely discussed and is repeatedly revisited by architects with every new project. Much like plumbing and electrical systems, the structural system is one of the essential disciplines that make up a building. Yet, it is one of the most impactful on the architectural outcome, directly shaping the spatial experience and the chosen materiality. Mastering structural design and understanding how to best integrate it into the architectural project grants architects greater autonomy and expands the possibilities of design solutions.
Selecting a structural system and deciding how to incorporate it into the architectural design is a pivotal decision in any project. On one hand, architects can choose to absorb structural elements, camouflaging them within the building envelope to make them imperceptible. On the other, the structural system can be brought to the forefront, turning into a defining feature of the design—whether through its structural logic, its materiality, or by being elevated to a nearly sculptural element.
No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly fascinating country in this professional field, and its architectural production far outstrips its population or territorial scale.
In its first episode, Sara spoke with architect João Luís Carrilho da Graça about his Lisbon Cruise Terminal, and then welcomed João Mendes Ribeiro for a conversation on heritage, adaptive reuse, and landscape architecture, centered on the rehabilitation of the Coimbra Botanical Garden greenhouse. The third episode featured architect Inês Lobo and focused on the Public Library and Regional Archive of Angra do Heroísmo. Below, you can listen to and read the conversation from the fourth episode, with Carlos Castanheira about the Treetop Walk project.
Groups and collectives working on the fringes of the architectural discipline are, fortunately, increasingly common. However, few strive to expand the boundaries of the profession across as many different fronts as Goma Oficina, from São Paulo, currently composed of Ana David, André Stefanini, André Bonani, Christian Salmeron, João Wallig, Fernando Banzi, Guilherme Tanaka, Lauro Rocha, Maria Cau Levy, Paula Marujo, Victoria Braga, and Vitor Pena.
Understanding architecture as culture in its broadest sense, Goma has been working since 2010 on projects located in a loosely defined territory, characterized by transdisciplinarity and overlaps between different fields. Their most recent work includes exhibitions, books, research, debates, installations, and models spanning the areas of architecture, graphic design, photography, and art.
João Filgueiras Lima was a Rio de Janeiro-born architect trained at the National Faculty of Architecture. His name, however, evokes a body of work and imagery that has long transcended the city's boundaries and iconic landscapes. Lelé, as he became internationally known, carved out a unique path within the profession, establishing a presence across several Brazilian capitals. He left behind an impressive architectural legacy manifested in public and private buildings, technical innovations in production processes, and a consistently humanized approach to the act of construction.
With the goal of getting to know the architects, projects, and stories behind landmark Portuguese architecture, Sara Nunes, from the architectural film production company Building Pictures, launched the podcast No País dos Arquitectos, where she talks with leading names in contemporary Portuguese architecture.
In this week's episode, Sara talks with Tiago de Mota Saraiva, from ateliermob, about the rebuilding of seven homes affected by the 2017 Pedrógão Grande wildfire. Catch up on previous interviews from the podcast No País dos Arquitectos and read the transcript of the interview with Saraiva below:
This article explores a term widely used to describe self-organized collective labor, but which also carries a meaning of anti-hegemonic struggle when used as a synonym for self-managed projects. The practice of mutirões prompts a reflection on the importance of collective work and grassroots struggle, and how architectural practice and civil construction relate to these themes.
Porto Alegre now has an online guide aimed at preserving the history and memory of its architectural heritage, both historic and contemporary. Conceived by architects and urban planners Rodrigo Poltosi and Vlademir Roman, the Guia Arqpoa brings together texts, photographs, and information on 100 architectural, urban, landscape, historical, and cultural works in the city. The mapping is based on the buildings and public spaces featured in the print publication released in 2017, titled Guia de Arquitetura de Porto Alegre, and allows this initial list to be expanded through the collaboration of new contributors.
Combining units and patterns to offer different ways of composing a space is the primary reason for choosing modular furniture. It adds value to interiors through spatial versatility while establishing a rhythm that can dictate various forms of occupancy and intervention within the same environment.
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On May 8, Casa da Arquitectura opens the exhibition Radar Venice – Portuguese Architects at the Biennale 1975-2021, which offers a critical analysis of the many ways in which democratic Portugal exhibited and exposed itself at the world's most prestigious Architecture Biennale.
Curated by Joaquim Moreno and Alexandra Areia, Radar Venice reveals the objects that were part of each Portuguese participation and discusses the very concept of national and/or official “representation.” The documentation for each edition is complemented by socio-political information, while also highlighting the oral memory associated with the construction of the Portuguese participation.
.jpg?1619525561 "The Green House / URBAstudios. Image: © João Morgado")
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