This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Due to the global coronavirus pandemic, the sixth edition of the Concéntrico International Architecture and Design Festival has been postponed, with new dates set for September 3 to 6, 2020.
The postponement is accompanied by an innovative online coverage initiative called the "Concéntrico Marathon," which will take place during the originally scheduled dates, from April 29 to May 3, 2020.

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One of the most critical factors in architectural design is the site's specific climate. While this can present challenges in extreme conditions—requiring insulating materials to adapt to shifting environments—Mexico's privileged climate works in the architects' favor. It allows them to create microclimates and spaces that blur the boundary between indoors and outdoors.

This year in Mexico, the National Workers' Housing Fund Institute (Infonavit) launched the Seventh Student Competition 2020, proposing the study of issues at different scales to develop housing, environmental, and locational strategies and solutions for the country's most troubled housing developments. The competition seeks new ideas as well as an academic dialogue, offering participants the opportunity to interact with users and their surrounding habitat to understand, analyze, and propose practical transformations through empirical research and interdisciplinary professional guidance.

In the introduction to the book La casa es una idea, architects Llosa and Cortegana present their professional credo, drawing on several quotes from notable architectural and cultural writers. The tone of this introductory essay persists throughout the brief texts that complement the graphic presentation of 40 houses designed by the firm between 2002 and 2017. All of these were drawn specifically for this publication by José Luis Villanueva, the book's third author, who first explains his analytical work through graphic and three-dimensional representation.

As in most cities, modern architecture left behind landmarks that endure today as exemplary icons shaping the urban landscape and defining each city's identity. One such case is the Torres de Marco Fidel Suárez, designed by architect Eduardo Arango and located in the city of Medellín. Architects and researchers Diego Andrés Agámez Berrio and Daniel Muñetón Muñetón have published a study through the Universidad de San Buenaventura and Editorial Bonaventuriana, investigating the architectural and design compositions of this landmark *paisa* project. 

The world is changing; it always does, only faster and faster. With it, our profession as architects is also changing, and new market horizons are opening up before us. A new definition of what it means to “be an architect”—one that is both necessary and long-awaited by many—is beginning to take shape, and in this article, I want to help open your eyes so you can join this exciting movement of independent architects.

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Historically, architecture is a discipline that for many years was a male-dominated territory, until in 1939, María Luisa Dehesa became the first Mexican female architect. Yet, despite the perception that gender parity has been achieved in the education of architects in Mexico, the concept of masculinity (which can be exercised by both men and women) continues to permeate architecture. This is reflected in design processes, in the figure of the "unreachable architect," in a sense of competitiveness, in hierarchical structures, and, in the most unfortunate cases, in the notion that women design interiors while men design *real* architecture.

The year 2019 was one of the most prolific for public design competitions in Bogotá, particularly within the education sector. Recently, the results of the public architectural preliminary design competition for the Hipotecho School were announced, with the winning proposal submitted by the joint team of AR-AR (Martínez Arquitectura) + Fiallo Atelier + MEC arquitectura.

If we could travel back in time one hundred years and organize an ideas competition to visualize what Bogota would look like in 2020, the proposals would be far from the reality of the urban landscape experienced today in the Colombian capital. Back then, little was known about the events that would later shape history, such as the Bogotazo, which led to the rebuilding or remodeling of most of the buildings that served as architectural landmarks of previous centuries.

The uncertainty of a distant future is perpetual. Yet, this does not stop the imagination from creating utopian or dystopian scenarios of that urban dimension for 2120. This was the main goal of the rendering competition organized by the Student Collective of the Colombian Society of Architects (CESCA) of the Bogota and Cundinamarca chapter.

For the first time, the Colombian Biennial of Architecture and Urbanism, organized by the Colombian Society of Architects (SCA), will be held virtually. In its 27th edition, over ten days, more than 60 lectures, 9 panels, and 4 forums will be available. Explore the full schedule of the main room below. Meanwhile, the parallel room will showcase the Biennial's finalist projects.

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As part of an event held for the thirteenth consecutive year, a showroom opened in October featuring spaces designed by various architects and designers to showcase the new ColorLife TRENDS 2021 palettes by the Comex brand. Participants included Adrián Marfil, Alexia Ulibarri, Andrés Gutiérrez, Arlette Salas, Cristina Grappin, Jorge Ballina, Luis H. Muñoz, Mauricio De la Garza, Moisés Hernández, Penélope De la Madrid, and Rodrigo Noriega.

Academic architectural practice must push students and faculty toward constant adaptation and exploration. First-semester students at the Pontificia Universidad Javeriana built an intervention of ephemeral architecture using wood as a structural material in the arts building (prior to the state of emergency). This gave future architects the academic experience of hands-on construction during their very first semester in the department.

Architect and curator Paula Monroy, in collaboration with Diego Montoya, presents an interview with National Architecture Prize winner Miguel Lawner, conducted during the XXI Bienal de Arquitectura y Urbanismo de Chile 2019. The common good and the political dimension of architecture are among the key themes explored in this conversation.

La Parleta is a project by the Ecuadorian architecture and construction collective EseColectivo, which gathers "highly valuable reflections, anecdotes, and experiences surrounding the profession." Below, we share some of their thoughts alongside their fourth episode, "Post-Apocalyptic Architecture."

Centered on the theme “Integrated Housing, Sustainable Communities,” the 2020 CAP Steel Design Competition for Students has recognized projects that promote the understanding of steel as a material, research into its vast potential, its technologies, and its multiple uses and applications in construction, developed within an appropriate architectural and structural framework.

Out of 26 preliminary projects submitted by 15 different universities, first place went to a team of students from Universidad Andrés Bello (Santiago), while second place went to students from Universidad Católica de Chile, and third place to students from Universidad Austral.

Observing the reality of our built environment allows us to recognize that certain identities are not represented by existing models and scales. Unsurprisingly, these voices have been conspicuously absent from the planning and construction processes of cities and their architecture. Their desires, ways of being, and modes of inhabiting the world have been excluded and rendered invisible. This prompts us to rethink: Which voices are legitimized in urban debates, and for whom is the city designed?

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As part of an initiative led by the Mexican architecture firm REVOLUTION Arquitectura and the Mexican Red Cross, the Temporary Housing Pavilion for Healthcare Workers was developed to protect and shelter healthcare sector workers in Mexico.

Architect Gabriela de Matos, creator of the Arquitetas Negras project, was named Architect of the Year by the Rio de Janeiro Department of the Institute of Architects of Brazil (IAB-RJ). Alongside her, IAB-RJ also honored the Oswaldo Cruz Foundation (Fiocruz) during an online event held this week to announce the winners of the 58th Annual Awards and the 37th Architect of Tomorrow Award.

Dedicated to exploring the intersection of race, gender, architecture, and the city, Gabriela highlighted in her speech the importance of recognizing that "although the field of architecture and urbanism is still elitist and racist, it is precisely the training of architects and urban planners who view architecture as a social tool that can help bridge the gaps and inequalities in our society."

Within residential spaces, architects choose to give more or less prominence to certain areas of the program, depending on client preferences. While some prefer to prioritize more intimate spaces, others lean toward social areas—with the kitchen being a primary example.

Although the pragmatic function of a kitchen is to serve as a space for preparing food, there are few homes where it does not also double as a gathering place. Even in traditional dwellings like the Mapuche *ruka*, a central hearth is used both for cooking and for heating, conceptually evoking the same welcoming atmosphere as integrated urban kitchens. Today, fire is managed through stoves—with a strong modern shift toward induction cooktops for their safety and precise temperature control. Nevertheless, the core domestic principle remains the same, and contemporary architecture has allowed the kitchen to once again integrate seamlessly with daily activities and social zones.

Following the decision of a jury comprising leading figures in national architecture, combined with the public vote, the winners of the 2020 Best Brick Architecture Award were announced. The award aims to recognize outstanding national architecture projects featuring exposed brick, highlighting the architectural value of a material central to Chilean identity.

We have all heard the term BIM in the field of architecture and construction. But have you ever wondered why its adoption has grown so rapidly in recent years? Building Information Modeling (BIM) has streamlined the work of various professionals in the architecture and construction industries. It not only facilitates the design process but also simplifies the overall analysis of the building, thereby minimizing errors.

Through BIM methodology, teams can work collaboratively, maximizing the efficiency of project management and administration for both small and large-scale projects. This allows architects and engineers to work with parametric models and drawings, known as 3D smart objects.

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The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, even despite the Federal Government's recommendation to continue activities as normal, social media was already filled with people choosing to replicate the European model and self-isolate. Immediately, some architecture practices decided to close their physical offices and transition to a remote work model, while others took several weeks longer. Yet, this period of social and physical (spatial) distancing is experienced differently in every household. In the months since this pandemic unfolded, it has laid bare not only the inequality in basic needs within dense urban areas but also the fragility of the social order itself. Whether at a macro or micro scale, all these experiences occur within and are influenced by the built environment, making architecture both judge and jury in this equation. 

FRAM arquitectos is an Argentine architecture firm founded in 2011 in the city of Buenos Aires. With a body of work focused on small- and medium-scale single-family homes designed and built in both Buenos Aires and the province of Río Negro, they have explored the complexities of domestic living, engaged in material research of various kinds, and tackled challenging commissions with minimal dimensions and tight budgets. Alongside this, they have actively participated in consecutive provincial and national competitions, seeking to expand their design scope and deepen their study of larger-scale programs.

Nearly sixty years ago, Flora Manteola, Javier Sánchez Gómez, Justo Solsona, Carlos Libedinsky, and Antonio Diaz envisioned a building with a capacity of 3,000,000 books and 500,000 magazines and newspapers for the National Library of Argentina preliminary design competition. Their proposal for a "large metal tent" would ultimately take second place to the concrete glyptodont by Clorindo Testa, Bullrich, and Cazzaniga that stands today.

From its inception, the proposal "prompted sensitivity toward new formal and structural directions," as noted in the jury's critique. In 2015, this design was featured in the exhibition Latin America in Construction, and today its original model and blueprints are in the official collection of the Museum of Modern Art (MoMA) in New York.

Below, we revisit the project through the words of Justo Solsona: