The 9th edition of the ArchDaily Brasil Building of the Year Award has arrived, and once again, we need your help to select the best architecture projects of the year. By voting, you become part of an unbiased network of jurors recognizing the most relevant projects published over the past year.

Over the next three weeks, the collective intelligence of our readers will filter through hundreds of projects from Portuguese-speaking countries—Brazil, Portugal, Mozambique, Angola, Guinea-Bissau, East Timor, Equatorial Guinea, Macau, Cape Verde, and São Tomé and Príncipe—published in 2024, selecting the best built works in the Lusophone world.

We invite you to participate in the ArchDaily Brasil 2025 Building of the Year Award. Now in its ninth edition, we task our readers with the responsibility of recognizing and rewarding the projects that have made the greatest impact on the profession. By voting, you become part of an impartial network of jurors recognizing the most relevant projects built in Portuguese-speaking countries over the past year. Only a few days remain in the voting stage, which will select the three winners of the ArchDaily Brasil 2025 Building of the Year Award from the 15 finalists.

Registered users can vote for their favorite project once a day. The voting stage closes on April 9 at 11:59 PM (GMT-3).

We invite you to participate in the ArchDaily en Español Building of the Year Award. In its sixteenth edition, we give our readers the responsibility of recognizing and rewarding the projects that have had the greatest impact on the discipline. By voting, you become part of an unbiased jury network recognizing the most relevant works built in Latin America and Spain over the past year. There are only a few days left before voting closes, where the 3 winners of the ArchDaily en Español 2025 Building of the Year Award will be selected from among the 15 finalists.

Registered users can vote for their favorite project once a day. The nomination stage ends on April 9 at 11:59 PM (GMT-3).

The Lisbon Architecture Triennale has announced the 20 studios selected for the 2025 Début Award, an initiative that recognizes emerging practices on the international stage. This edition received 75 valid applications from 28 countries — reflecting the award's diversity and global reach.

Aimed at professionals up to 40 years old, Début receives proposals through both direct application and nomination: dozens of experts in architectural criticism, curation, and practice are invited to nominate up to three names. The selection process involves three stages: a shortlist of 20, five finalists, and, ultimately, the selection of the winning practice.

Last week, we announced the 15 finalists for the 2025 ArchDaily Brasil Building of the Year Award, which celebrates the best of Lusophone architecture by inviting our readers to vote for their favorite projects built in Portuguese-speaking countries. Now, the time has come to reveal the three grand winners!

This year, first place went to the Seedling Nursery - Ocupação Fazendinha, a simple and sensitive small-scale project developed by the Projects Department of the School of Architecture at the Federal University of Minas Gerais. Second place was awarded to Casa da Carnaúba Várzea Queimada in the state of Piauí, designed by the firm Rosenbaum, while third place went to the Requalification of the Municipal Square of Ribeira de Pena in Portugal, designed by the studio AXR - Arquitetura e Design.

The 8th {CURA} Award has announced the winners of its competition, which was themed around collective housing for the 21st century. The competition invited participants to reflect on new ways of living in the city, focusing primarily on issues of urban mobility, density, and bioclimatic efficiency.

Each project was evaluated individually, based on criteria such as consistency with the proposed theme; conceptual and architectural quality; creativity and critical vision in the proposed solution; suitability to the urban and territorial context; quality of graphic representation and clarity in communicating the proposal; social and environmental impact; and compliance with the competition brief. Team identities were only revealed after the jury's final decision.

Maps are fundamental tools for understanding the built environment. Rather than just representing locations, they allow us to visualize spatial relationships, recognize urban patterns, overlay layers of information, and produce new ways of reading a territory. In architecture, they can help reveal how projects are distributed across cities, identifying which areas concentrate investments or remain on the margins. Furthermore, maps are never neutral: all cartographic representation involves choices—such as data selection, spatial boundaries, and projections used—that can carry political intentions, reinforcing or questioning power structures and worldviews.

In partnership with the platform PLACE, developed by the firm OSPA, ArchDaily Brasil presents an interactive map featuring most of the projects published on the site in recent years. Each point provides information such as images, location, and technical data about the works. The initiative uses exclusively public data available on the platform and includes projects in almost every Brazilian state.

At a time of profound social, spatial, and cultural change, the 12th edition of the Arquiteturas Film Festival invites reflection on how physical and symbolic borders shape the built environment, influencing daily life and collective dynamics. What role do architecture and urban thinking play in understanding this changing world?

Since the cultural center INSTITUTO took over its organization in 2021, the festival has established itself as a critical platform connecting cinema, architecture, and spatial practices to discuss urgent issues. In recent years, it has addressed migration, ecological crises, decolonization, and new ways of living. In 2025, the focus turns to the 'border' in its multiple dimensions.

At the FIESP Cultural Center in São Paulo, Nicolás Valencia sits down with Brazilian artist Giselle Beiguelman to discuss artificial intelligence, data centers, and coup plotters, drawing from her book Políticas da Imagem, her exhibition Venenosas, Nocivas e Suspeitas, and her research project Domingo no Golpe.

Play, as a human activity, is a multidimensional practice: it stems from biology, is socially transmitted, and is situated within the architectural realm. Within this interrelation, while play introduces dynamics and narratives that invite us to explore alternative ways of inhabiting the world, architectural projects provide the physical and sensory support needed to unlock these possibilities, with play structures serving as the medium connecting the two. Consequently, a defining relationship emerges between play, the built environment, and its evolution over time.

The Urban Land Institute (ULI), a nonprofit research and education organization dedicated to real estate and land use, announced on June 24 the ten winning projects of its 2025 ULI Americas Awards for Excellence. The awards recognize excellence in the architecture and design of urban projects, with a particular focus on their comprehensive execution, from planning to operation, including their social, environmental, and economic impact.

What are the main solutions applied in cities to address urban challenges and build more sustainable communities? Driven by this question, the United Nations Human Settlements Programme (UN-Habitat) is opening registrations this Wednesday (25) for the 2025 Urban Circuit. With institutional support from the Ministry of Cities, the initiative aims to support and give visibility to events discussing themes related to Urban October—a month dedicated to debating how to make cities more just, inclusive, and sustainable. The call for event proposals is open until July 18 and covers activities to be held between October 1 and 31, 2025.

This year, the Urban Circuit's theme will be "Facing urban challenges: pathways to just and sustainable cities." The initiative invites events that present experiences and best practices in addressing major urban crises, such as climate change, housing deficits, and the impacts of inequality. The goal is to strengthen initiatives that place people at the center of urban decision-making, in alignment with the commitments of the 2030 Agenda and the New Urban Agenda.

Contrast can be widely used in architecture as a tool to highlight what we want to showcase. Do we want to emphasize an entrance? Make the project stand out from its surroundings? Turn our architecture into a landmark in the urban—or rural—landscape? Do we need to create symbolism? Ensure legibility? How do we achieve this? How do we "shine a light" on something?

Whatever we want to highlight is amplified through comparison—by means of an exaggerated, antagonistic contrast. Intentionally, we can intensify the use of darkness to emphasize a single light source, framing a staircase in a dramatic and theatrical way. Or we can introduce solid, opaque walls to make a light, transparent entrance stand out.

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The Urban Initiatives Map, created by OSPA Place in partnership with the Responsive Cities Institute, is a free, collaborative mapping platform showcasing urban transformation projects driven by innovation, technology, and citizen participation. The initiative aims to identify, highlight, and give visibility to transformative urban experiences; inspire other cities with open innovation models; strengthen collaborative networks among public, private, academic, and civil society stakeholders; and share solutions that have a real impact on the population.

The Latin American Architecture Biennale 2025 (BAL 2025) opens this September 23 in Pamplona with a program of lectures, exhibitions, and meetings centered on the region's emerging architecture.

A bamboo structure rises as a space of convergence between technique, ancestry, and collective practice. OCO is the first work by Cambará Instituto, an organization that grew out of the Arquitetas Negras Project. Conceived during an artistic residency at Cerbambu, in Ravena (Minas Gerais), with support from re:arc institute, the project brought together ten black women architects who, over seven days of immersion in July this year, worked alongside master builder Lúcio Ventania to explore the constructive and symbolic potential of bamboo. The process culminated in the presentation of the work at the 14th International Architecture Biennial of São Paulo.

The experience sought to reconnect architectural practice with knowledges rooted in the body and the earth. The process encompassed every stage of production—from selecting and cutting the bamboo to curing and assembling it—resulting in a structure six meters high and five meters in diameter. Its design draws inspiration from the xossas of Benin and features straw from the African country at its top. The installation was also “clothed” with 220,000 beads, known as Our Lady’s Tears, handcrafted by forty elderly women in situations of social vulnerability who live in the same region where the residency took place—strengthening both community and economic bonds.

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Chinese architect Sui Yanfei has won the 4th Kazuhiro Kojima Award in 2025, becoming the first recipient from outside Japan since the award's inception. The jury presented this honor to Sui in recognition of his deep insight into Chinese social realities alongside his continuous exploration of new, future-oriented possibilities for architecture. His work focuses on extending Eastern thought within a post-human context and excels at reinterpreting historically accumulated social structures. Grounding his practice in social, economic, and institutional realities, he transforms architecture within complex networks of relationships into a medium that connects people, objects, and time. The diverse practice of his studio is both deeply rooted in reality and brings a new poetry to contemporary life.

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Colors can define atmospheres, shape spatial perception, and translate ways of being, memories, and collective affects. Consequently, understanding them has become an essential part of contemporary creative and constructive processes. Behind every shade lies a field of research that bridges sociology, psychology, aesthetics, and technology, connecting color to broader cultural shifts and revealing how it can serve as a tool for reading and expressing the present.

The Arquiteturas Film Festival has opened submissions for its 13th edition, which will take pace from July 1 to 5, 2026, in Porto, Portugal. Organized by INSTITUTO and directed by architect Paulo Moreira, the festival was founded in 2013 and has established itself as an international platform dedicated to discussing and disseminating architecture in dialogue with cinema, visual and spatial arts, critical thought, and interdisciplinary collaboration.

Under the theme "Urban Age," the 2026 edition invites filmmakers, architects, and artists to reflect on the urban era we inhabit and the ways in which cities and territories are shaped by contemporary social, political, and environmental challenges. The festival proposes a reflection on the lived experience of urbanization—from the material forms of architecture to the social and cultural dynamics that define contemporary cities.

An architectural award serves as a legitimizing mechanism, indicating which approaches, materials, and strategies are beginning to take center stage in the discipline's discourse. By bringing together projects with different programs, scales, and constraints, these initiatives bring to light emerging priorities and directions in the field. Within this context, the Shaw Contract Design Awards have established themselves as a global recognition platform for interior design and a barometer of the transformations reshaping the discipline, prompting reflection on the role of design in building more responsible, inclusive, and sustainable environments.

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Videos

Taking a deeper look at the interplay of light and shadow in architecture seems to be a recurring topic on the agenda of many professionals in the field. Spaces of light and darkness are conceived to enhance circulation and spatial directionality, as well as to highlight the colors, textures, and forms of specific architectural elements. That said, the impact of natural light on building facades reveals the need to develop strategies that support energy savings, improve the thermal and visual comfort of interior spaces, and promote the reduction of carbon emissions. Considering light as another material in architecture, in what ways could its power contribute to the architectural experience?

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From October 12 to 19, 2025, the city of Cuenca became the gathering point for more than 150 architecture students from 13 Latin American countries. The 37th Latin American Meeting of Architecture Students (ELEA XXXVII)—held as part of the 40th anniversary of the Latin American Coordinator of Architecture Students (CLEA)—proposed rethinking the role of architects in the face of contemporary territorial challenges.

Coordinated by architect Fernando Abarca, with the support of CLEA, the National Organization of Architecture Students of Ecuador (ONEA), the University of Azuay (UDA), the University of Cuenca (UCUENCA), and the Andean Parliament, the meeting adopted "Resilient Traces" as its conceptual framework: an invitation to read the city not only as a physical substrate, but as memory, conflict, and opportunity.

At the helm of architectural discourse on sacred architecture, attention almost always settles on the monument. Temples, mosques, monasteries, and churches dominate architectural histories, design criticism, and photography alike, becoming the physical symbols through which faith is understood. For millions of pilgrims across India, the most consequential architectural experience begins long before the shrine comes into view. It unfolds across mountain roads, river ghats, shaded streets, temporary camps, queue systems, bridges, water kiosks, medical stations, and countless ordinary pieces of infrastructure through which pilgrimage actually takes place. The architectural work of pilgrimage may lie less in the shrine itself than in the environments that allow millions of people to reach it.

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