This guide shows how to use a D5 Render a free live-sync plugin to improve SketchUp workflow.

The city of Sharm El Sheikh, Egypt, hosts the 2022 United Nations Climate Change Conference, COP27, from November 6 to 18. The conference builds on the negotiations of COP26 in Glasgow, Scotland, in 2021, with the expectation that countries will demonstrate climate ambition and urgency to limit the rise in global temperature to 1.5°C.

Today, November 10, the National Academy of Architecture, through a statement issued by Arch. José F. Reygadas Valdéz (President) and Arch. Antonio Gallardo E. (Secretary General), announced the passing of Mexican architect Agustín Hernández Navarro, an Emeritus Academic of the institution.

On November 15, the finalists for the Social Habitat and Sustainability Award of the BAQ2022 Competition (Pan-American Architecture Biennial of Quito) were announced. The winners, along with those of the National Award and Pan-American Award, will be announced on Friday, November 18, during the closing and awards ceremony at the National Theater of Ecuador.

On Friday, November 18, the winners of the XXVIII Colombian Biennial of Architecture and Urbanism (BCAU 2022) were announced across nine categories: Architectural Project; Interior and Ephemeral Architecture; Urban Design and Landscaping; Dissemination; Social Habitat; Heritage Intervention; Research, Theory, and Criticism; Urban and Regional Planning; and Single-family, duplex, and triplex housing.

On Wednesday, November 3, work began on the redevelopment plan for Plaza Baquedano and its surroundings in Santiago de Chile. It is worth noting that Plaza Baquedano—traditionally known as Plaza Italia and recently referred to as Plaza de la Dignidad—is the convergence point for both celebrations and protests. These events have often been marked by social unrest and, particularly following the events of October 18, 2019, have left their mark on the public space. What does the future hold for this site of immense social and political significance?

In the early 19th century, in a Paris on the verge of having its medieval fabric torn open by Haussmann's grand boulevards, novelist George Sand dressed as a man to walk the streets. According to her journals, "in trousers and boots I could fly from one end of the city to the other, regardless of the weather, the hour, or the place." No one paid her any attention, no one guessed her disguise, and no one stared or criticized; she was just another "atom lost in that immense crowd." Thanks to her male attire, Sand experienced fearless incursions and solitary wanderings like a true flâneur—experiences that would later become fundamental to crafting her successful narratives.

No País dos Arquitectos is a podcast created by Sara Nunes, who is also behind the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly intriguing country in this professional field, and its architectural output far exceeds its demographic and territorial scale.

In this episode of the fourth season, Sara talks with architect Pedro Bandeira about the Rotating House (Casa Rotativa) project and the essential synergy between architecture and engineering required to develop this residence, which actually rotates around a vertical axis. Listen to the conversation and read an excerpt of the interview below.

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On Tuesday, November 15, the public announcement of the finalists for the BAQ 2022 Competition (Pan-American Architecture Biennial of Quito) took place at the National Theater of the Casa de la Cultura Ecuatoriana.

During the event, jurors Nuno Grande of Portugal and Carla Hermida of Cuenca announced the selections for the Publications Award, which was an open call for books and magazines—both print and digital—produced throughout the Americas during the four years prior to the event. Read the full list below.

The Pan-American Architecture Biennial of Quito (BAQ2022) will take place at the Casa de la Cultura Ecuatoriana until November 18. Organized by the Colegio de Arquitectos del Ecuador, Provincial de Pichincha (CAE-P), the biennial has been held since 1978, aiming to foster dialogue, exchange, and reflection on architecture and the contemporary city. This edition's theme, "Inflexions: Looking Back," aims to provide a space for discussion and debate on architecture surrounding turning points in history.

After a four-year hiatus due to the pandemic, the Peruvian Architecture Biennial resumed, organized by the Architects' Association of Peru (CAP) based in the Cusco region. Held during the month of October, the biennial focused on the theme "Building the Heritage of the Future," addressing the social responsibility of architects regarding the legacy being built for future generations.

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Combining art, nature, and architecture, Barcelona-based practices Mendoza Partida (Héctor Mendoza and Mara Partida) and BAX studio (Boris Bezan) have joined forces to design Art-Sauna, an experience conceived as a continuation of the emotional journey at the Gösta Serlachius Museum of Contemporary Art in Mänttä, Finland. With a subtle, intimate, and domestic scale, this new space joins the complex, harmonizing the dialogue between these three variables and integrating the building into the journey by merging it with the terrain and making it part of the landscape.

On November 21, we celebrate World Television Day, a communication tool that has transformed social relations since its invention in the late 19th century and its industrial widespread adoption beginning in the 1920s. Since then, television programs—inheriting theatrical genres—emerged, evolved, and multiplied, taking center stage in daily life and sparking widespread curiosity about how they work. Among their various aspects, we explore the set designs and present the logic behind television environments. 

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To explain the passage of time, the ancient Greeks relied on two gods: Chronos and Kairos. While the former is represented as ruthless, like a clock that never stops, Kairos evoked the opportune moment for action. In other words, while Chronos is quantitative, Kairos has a qualitative and permanent nature. Indeed, humanity's relationship with the passage of time is not always an easy one. 

Buildings are no different. In his seminal work The Seven Lamps of Architecture (1849), John Ruskin argued that only ruined buildings could preserve our past perceptions and, at the same time, allow us to confront our own mortality. In this sense, the marks of time and rubble were crucial witnesses to architectural aging, which, in his view, achieved an aesthetic somewhere between the sublime and the picturesque. Although this is a somewhat controversial perspective, the idea of considering how a building will endure over time has been gaining traction. It is well known that some materials age better than others: while a plastered white wall quickly shows cracks and stains, a stone wall seems to improve with age, blending into its surroundings, for example. Time brings new nuances, tells the story of what has passed, and lends authenticity to surfaces.

Cities have never been more engaged in climate action. At the 2021 UN Climate Change Conference (COP26), more than 1,100 cities representing a quarter of global CO2 emissions joined the Cities Race to Zero initiative. By doing so, these municipalities committed to ambitious, inclusive, and equitable actions to keep global temperature rise below 1.5°C. In November of this year, at COP27, these cities presented their progress and shared how they plan to deliver on their commitments.

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There is no doubt that the construction of the Barcelona Pavilion by Mies van der Rohe was designed to reaffirm the Modern Movement. This "icon" of the movement, deeply embedded in the architectural imagination, was built to be ephemeral. At the end of the International Exposition, the pavilion was dismantled; however, it was reconstructed 54 years later, sparking a debate within the architectural field regarding the authenticity of this replica.

Mired in a housing crisis for about a decade, New Zealand has modified its zoning laws to allow more medium-density housing to be built in the nation's largest municipalities.

The initiative comes in response to a shortage of housing units, soaring property values and rents, and is aimed at narrowing the widening “chasm” between household incomes and housing costs, as detailed in a report by The Guardian.

Hostile architecture's days may be numbered in Brazil. The Chamber of Deputies has approved a bill that prohibits public authorities from using any material, equipment, or construction technique that deters people or restricts access to public spaces. Bill PL 488/21, named the Padre Júlio Lancelotti Law, now goes to President Jair Bolsonaro for approval.

Among the various problems stemming from the excessive use of cars in large and medium-sized cities, traffic congestion and time lost in transit are undoubtedly those that receive the most attention from the media and society.

Drivers tend to overlook other issues, however severe, such as traffic fatalities and tragedies, air pollution, the stressful noise generated by motorized vehicles, urban sprawl—which makes cities dysfunctional, expensive, and far-flung—or the hydrological problems caused by the excess of asphalt and concrete dedicated to cars. Generally, these issues are ignored or seen as inevitable, whereas gridlock is highly visible, instantly perceived as a nuisance demanding immediate solutions.

Archiplan S.A. has won the Industrialized Social Housing Competition organized by Chile's Ministry of Housing and Urbanism. Part of the government's Housing Development Plan, the initiative includes the construction of 60 homeownership units in the Lo Espejo district and 103 fair-rent housing units in the Renca district.

The Chilean project Bío Bío Regional Theater by architects Smiljan Radic, Gabriela Medrano, and Eduardo Castillo, along with the Mexican project Music House designed by Colectivo C733, have been jointly awarded the Grand Prize at the Pan-American Architecture Biennial of Quito BAQ 2022.

Young people from the Quebrada Agroecógica collective received the ImaGen Ventures award during COP-27, the world's largest climate change summit, held in Sharm El Sheikh, Egypt. The collective brings low-cost mini-cisterns to informal settlements and low-income communities.

The illustration above is a famous image by the artist Imperial Boy (帝国少年), who works in the anime industry. I sometimes claim that the entire *solarpunk* genre was inspired by this image. That is an exaggeration, of course—some people have thought very seriously about *solarpunk* design principles—but the influence and appeal of Imperial Boy's design are undeniable. Moreover, other *solarpunk* art, though often lovely, tends not to immediately resemble the kind of cities you would actually want to build; it is either an image of a high-tech farm, or some variation of "slap a tree on the side of every building."

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Systems change. Transformation. Deep transition. These terms are used so frequently that they risk becoming buzzwords, obscuring their actual meaning.

Yet, to curb rising global temperatures, conserve nature, and build a fairer economy that benefits everyone, we indeed need deep change across all aspects of our economies—at a pace and scale never seen before.

Beyond Pelé and Maradona, November marks the celebration of Brazil-Argentina Friendship Day. Established in 2018, the date (November 30) aims to highlight diplomatic and commercial relations between the two nations. Together, Brazil and Argentina account for 63% of South America's total land area, 60% of its population, and 61% of its GDP, establishing themselves as key trading partners. 

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